Review Article


DOI :10.26650/IAR2022-1174374   IUP :10.26650/IAR2022-1174374    Full Text (PDF)

Digital Morphology: The Final Frontier

A. Murat Maga

Morphology is central to biological anthropology and its allied fields of anatomical sciences, forensics, and other related disciplines. Many biological anthropology students have their first real foray into the discipline after completing a course in osteology, craniometry, or vertebrate morphology. Unfortunately, the natural history collections that support this type of research and training have not grown. Many countries have strict rules about natural history specimen collections, and these collections seem to be concentrated in a few developed countries, regardless of where the specimens had been collected. Thus, access to comparative material can be problematic where such collections are not readily available. Even if collections are available, accessing them can be severely restricted due to external circumstances, as the prolonged pandemic has shown. Luckily, digital morphology has emerged over the last decade as a new field that stands to change the landscape of specimenbased research and training. Concerted 2D and 3D digitization efforts, the emergence of online aggregate specimen repositories, and availability of comprehensive open-source software tools (such as 3D Slicer) for utilizing these resources has conveniently transformed the field of quantitative and comparative morphology. In this brief review, I will focus explicitly on the 3D Slicer ecosystem and how it can be leveraged as part of a curriculum or research program on digital morphology. In a nutshell, the primary differentiator of the 3D Slicer is not that it is just free but that it is open-source and extensible, making access to digital data more equitable for everyone. I will particularly focus on the 3D Slicer’s SlicerMorph extension, which facilitates 3D geometric morphometric data collection and analysis within the Slicer ecosystem, so all the steps in the digital morphology workflow from import, visualization, and data collection to visualizing the morpho-space can be achieved in a single, well-documented environment.


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APA

Maga, A.M. (2022). Digital Morphology: The Final Frontier. Istanbul Anthropological Review, 0(2), 45-59. https://doi.org/10.26650/IAR2022-1174374


AMA

Maga A M. Digital Morphology: The Final Frontier. Istanbul Anthropological Review. 2022;0(2):45-59. https://doi.org/10.26650/IAR2022-1174374


ABNT

Maga, A.M. Digital Morphology: The Final Frontier. Istanbul Anthropological Review, [Publisher Location], v. 0, n. 2, p. 45-59, 2022.


Chicago: Author-Date Style

Maga, A. Murat,. 2022. “Digital Morphology: The Final Frontier.” Istanbul Anthropological Review 0, no. 2: 45-59. https://doi.org/10.26650/IAR2022-1174374


Chicago: Humanities Style

Maga, A. Murat,. Digital Morphology: The Final Frontier.” Istanbul Anthropological Review 0, no. 2 (Jul. 2024): 45-59. https://doi.org/10.26650/IAR2022-1174374


Harvard: Australian Style

Maga, AM 2022, 'Digital Morphology: The Final Frontier', Istanbul Anthropological Review, vol. 0, no. 2, pp. 45-59, viewed 20 Jul. 2024, https://doi.org/10.26650/IAR2022-1174374


Harvard: Author-Date Style

Maga, A.M. (2022) ‘Digital Morphology: The Final Frontier’, Istanbul Anthropological Review, 0(2), pp. 45-59. https://doi.org/10.26650/IAR2022-1174374 (20 Jul. 2024).


MLA

Maga, A. Murat,. Digital Morphology: The Final Frontier.” Istanbul Anthropological Review, vol. 0, no. 2, 2022, pp. 45-59. [Database Container], https://doi.org/10.26650/IAR2022-1174374


Vancouver

Maga AM. Digital Morphology: The Final Frontier. Istanbul Anthropological Review [Internet]. 20 Jul. 2024 [cited 20 Jul. 2024];0(2):45-59. Available from: https://doi.org/10.26650/IAR2022-1174374 doi: 10.26650/IAR2022-1174374


ISNAD

Maga, A.Murat. Digital Morphology: The Final Frontier”. Istanbul Anthropological Review 0/2 (Jul. 2024): 45-59. https://doi.org/10.26650/IAR2022-1174374



TIMELINE


Submitted13.09.2022
Accepted14.11.2022
Published Online01.01.2023

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