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DOI :10.26650/anar.2020.23.752518   IUP :10.26650/anar.2020.23.752518    Full Text (PDF)

Observations on Ancient Castabala City North Church: Space, Mass and Semantic Production Cycle

Rifat Eser Kortanoğlu, Ferda Barut Kemirtlek

Castabala in Ancient Cilicia is a city became prominent during Late Hellenstic period during the reign of Tarkondimotos, vassal king of Rome. The golden age of the city was its time under the Roman Imperial Period. During this period, in 2nd and 3rd centuries AD, a colonnaded street and other monumental buildings were built. In Late Antiquity, idiosyncratic sacred structures/buildings of the singularity of worship were also built in the city. In this context, the buildings named “North Church” and “South Church” were built by re-using of the architectural elements of the monumental buildings of Roman Empire period of the city. North Church is the main subject to be focused in this paper. In the context of Kuzey Kilise, the construction in question takes on a paradoxical meaning. The main reason of it is that the blocks and architectural elements not to be situated in the places which normally they had to be. The monumental mass as called North Church within the scope of the article is analyzed within the frame of the spolia, deconstruction, Genius Loci concept and Artemis Perasia cult, the God-Emperors of Rome, the construction of Christianity via Paul and the interpretation of this construction in the context of poststructuralist critique. Besides, North Church edifice is commentated within the frame of certain contexts and clusteral relationships in terms of church architecture and typology in the context of Cilicia and Anatolia.

Keywords: Kilikia, Kastabala, Church, Mother Goddess, Artemis, Christianity
DOI :10.26650/anar.2020.23.752518   IUP :10.26650/anar.2020.23.752518    Full Text (PDF)

Antik Kastabala Kenti Kuzey Kilise Üzerine Gözlemler: Uzam, Mekan ve Anlamsal Üretim Döngüsü

Rifat Eser Kortanoğlu, Ferda Barut Kemirtlek

Antik Kilikia Bölgesi’nin Kastabala kenti, Geç Hellenistik Dönem’de Roma’nın vasal kralı Tarkondimotos ile bölgenin tarihselliğinde öne çıkmaya başlamış ama özellikle de Roma İmparatorluk Dönemi’nde en görkemli halini yaşamıştır. Roma İmparatorluk Dönemi’nde, MS 2-3. yüzyıllarda kentte sütunlu cadde ve anıtsal birçok yapı inşa edilmiştir. Geç Antik Çağ’ın başlamasıyla, Hıristiyanlık ile birlikte tapımdaki tekilliğin kendine özgü kutsal yapıları da kentte inşa edilmiştir. Bu bağlamda kentte “Kuzey Kilise” ve “Güney Kilise” olarak adlandırılmış yapılar kentin İmparatorluk Dönemi anıtsal yapılarına ait mimari öğelerin yeniden kullanılmaları ile inşa edilmiştir. Makale öznesi olarak Kuzey Kilise’ye odaklanmıştır. Kuzey Kilise bağlamında söz konusu inşa paradoksal bir anlam kazanmıştır. Bunun temel nedeni blokların ve mimari malzemelerin normalde kullanılması gereken yerlerde konumlandırılmamış olmalarıdır. Makalede Kuzey Kilise olarak anılan anıtsal kütle; spolia malzemenin kullanımı, dekonstrüksiyon, Genius Loci kavramı ve Artemis Perasia tapınımı, Roma’nın tanrı imparatorları, özellikle Pavlus üzerinden Hıristiyanlığın kurulumu ve bu kurulumun post-yapısalcı eleştiri üzerinden yorumlanması çerçevesinde incelenmiştir. Bunun dışında Kilikia Bölgesi ve Anadolu bağlamında kilise mimarisi ve plan tipolojisi açısından da anıtsal Kuzey Kilise, belirli bağlam ve kümesel ilişkiler çerçevesinde değerlendirilmiştir.

Keywords: Kilikia, Kastabala, Kilise, Ana Tanrıça, Artemis, Hıristiyanlık

EXTENDED ABSTRACT


Castabala is an ancient city in Cilicia and as Hierapolis it owes its title to Artemis Perasia. Castabala Hierapolis which became prominent during Late Hellenstic period during the reign of Tarkondimotos, got involved in three different transcendental-personality during its historicity: Magna Mater through Artemis Perasia cult, Apotheosis of Roman Empire through Tarkondimotos, and the almighty God of Christianity. In this paper, the North Church of Castabala as an important indicator of these three constituents is aimed at to be analyzed within the context of its different structural and semantical construction/ deconstruction phases. In this analysis, we aim to evaluate the meaning and the function of the building on the basis of the reconstruction of the material in a deconstructive way and to analyze the correlation between the monument, the space, and the material by the way of the contemporary concepts like Genius Loci (Norberg-Schulz), Field (Bourdieu), Pastoral Power (Foucault), and Deconstruction (Derrida).

Christianity in Cilicia is dated back to the apostolic period in the first century. Saint Paul, one of the most important figures of Christianity, is from Cilicia and some biblical records of his visits in the area indicate that there were Christian communities there starting from the first century. During the fourth century, Cilician bishops had important roles on the local and the central church policies. Hierapolis Castabala which was listed as a bishopric center in early period is on the way of Roman itinerary and is nearer to the pilgrimage route. Archaeological and literary sources indicate that there were many churces in Cilicia and Isauria during the Late Antiquity. In Hierapolis Castabala there are two similar churches dating the fifth-sixth centuries: The North Church and the South Church.

The conversion of the Sacred both in the context of the belief and its instruments can be observed in the case of Castabala. The new religious system brings its own liturgical and architectural luggage but sees no harm to use the present material in a new context at the same time. The North Church is a reconstruction operation in the context of the usage of its material chronology. In ancient architecture, materials and construction elements function in certain contexts and are named in accordance with their defined forms and functions. Nevertheless, in the case of the North Church, the reconstruction process gained a paradoxical identity due to the unusual/reversal arrangement of its architectural elements. Some of its architectural elements dated on the second century are spolia and they function differently, in fact reversally from their original functions. 

The meaning of the architectural form as a cultural element leave traces which makes it possible for us to define it. These traces as substantive indicators of meaning which are constructed in this cultural topography once but are not there anymore make it possible to read the specific nature of the monumental blocks. But in the case of the North Church, the situations seems paradoxical. The orthostates which are normally situated on the level of stylobates were placed on the highest level of the entablature; the capitals were used as imposts and the architraves were placed at the lowest level. Consciously or not, this is a remarkable praxis and constitutes a peculiar arrangement. This kind of usage of spolia caused the losing of the semantic and decorative character of the material and placed them only as a part of statical order. Consequently, the North Church was completely constructed by the misapplication of the original function and the semantical structure of the materials which lost their original aims in the meaning of function, situation, and decoration. In other words, they lost their names, functions, and meanings. The original structure and/or the meanings of the structures were deconstructed in order to construct/reconstruct a monument. 


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APA

Kortanoğlu, R.E., & Barut Kemirtlek, F. (2020). Observations on Ancient Castabala City North Church: Space, Mass and Semantic Production Cycle. Anatolian Research, 0(23), 261-288. https://doi.org/10.26650/anar.2020.23.752518


AMA

Kortanoğlu R E, Barut Kemirtlek F. Observations on Ancient Castabala City North Church: Space, Mass and Semantic Production Cycle. Anatolian Research. 2020;0(23):261-288. https://doi.org/10.26650/anar.2020.23.752518


ABNT

Kortanoğlu, R.E.; Barut Kemirtlek, F. Observations on Ancient Castabala City North Church: Space, Mass and Semantic Production Cycle. Anatolian Research, [Publisher Location], v. 0, n. 23, p. 261-288, 2020.


Chicago: Author-Date Style

Kortanoğlu, Rifat Eser, and Ferda Barut Kemirtlek. 2020. “Observations on Ancient Castabala City North Church: Space, Mass and Semantic Production Cycle.” Anatolian Research 0, no. 23: 261-288. https://doi.org/10.26650/anar.2020.23.752518


Chicago: Humanities Style

Kortanoğlu, Rifat Eser, and Ferda Barut Kemirtlek. “Observations on Ancient Castabala City North Church: Space, Mass and Semantic Production Cycle.” Anatolian Research 0, no. 23 (Apr. 2024): 261-288. https://doi.org/10.26650/anar.2020.23.752518


Harvard: Australian Style

Kortanoğlu, RE & Barut Kemirtlek, F 2020, 'Observations on Ancient Castabala City North Church: Space, Mass and Semantic Production Cycle', Anatolian Research, vol. 0, no. 23, pp. 261-288, viewed 19 Apr. 2024, https://doi.org/10.26650/anar.2020.23.752518


Harvard: Author-Date Style

Kortanoğlu, R.E. and Barut Kemirtlek, F. (2020) ‘Observations on Ancient Castabala City North Church: Space, Mass and Semantic Production Cycle’, Anatolian Research, 0(23), pp. 261-288. https://doi.org/10.26650/anar.2020.23.752518 (19 Apr. 2024).


MLA

Kortanoğlu, Rifat Eser, and Ferda Barut Kemirtlek. “Observations on Ancient Castabala City North Church: Space, Mass and Semantic Production Cycle.” Anatolian Research, vol. 0, no. 23, 2020, pp. 261-288. [Database Container], https://doi.org/10.26650/anar.2020.23.752518


Vancouver

Kortanoğlu RE, Barut Kemirtlek F. Observations on Ancient Castabala City North Church: Space, Mass and Semantic Production Cycle. Anatolian Research [Internet]. 19 Apr. 2024 [cited 19 Apr. 2024];0(23):261-288. Available from: https://doi.org/10.26650/anar.2020.23.752518 doi: 10.26650/anar.2020.23.752518


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Kortanoğlu, RifatEser - Barut Kemirtlek, Ferda. “Observations on Ancient Castabala City North Church: Space, Mass and Semantic Production Cycle”. Anatolian Research 0/23 (Apr. 2024): 261-288. https://doi.org/10.26650/anar.2020.23.752518



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Submitted13.06.2020
Accepted04.09.2020
Published Online17.02.2021

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