Article


Grow up! – Masculinity, violence and genre in Fatih Akıns Short sharp shock

Stellan Pantléon

In the mid-1990s, a second generation of Turkish-German filmmakers appeared on the scene with hip-hop-inspired tales of crime-ridden, urban neighbourhoods and their self-empowered, post-migrant inhabitants. Fatih Akıns first featurelength film Short sharp shock (1998) tells the story of three marginalized youngsters from the ›hood‹ struggling with their place in society. The protagonist’s wish to „grow up“ and overcome the criminal lifestyle collides with established masculinites maintained through acts of violence. This article seeks to analyze the functionality of key conflicts in terms of genre conventions and their reflection in the film. Moreover, it is to be shown that even in deconstructing genre-inherent masculinities, the film does not provide any alternatives.

„Erwachsen werden“ – Männlichkeit, Gewalt und Genre in Fatih Akıns Milieufilm Kurz und schmerzlos

Stellan Pantléon

Abstract

PDF View

References

  • Akın, Fatih (2011): Im Clinch. Die Geschichte meiner Filme, hg. von Volker Behrens u. Michael Töteberg, Reinbek bei Hamburg. google scholar
  • Böhnisch, Lothar / Winter, Reinhart (1994): Männliche Sozialisation. Bewältigungsprobleme männlicher Geschlechtsindentität im Lebenslauf, Weinheim u.a. google scholar
  • Connell, Raewyn (2005): Masculinities, 2. Aufl., Cambridge. google scholar
  • Göktürk, Deniz (2000): „Migration und Kino – Subnationale Mitleidskultur oder transnationale Rollenspiele?“, in: Chiellino, Carmine (Hg.): Interkulturelle Literatur in Deutschland, Stuttgart, S. 329–344. google scholar
  • Gutjahr, Ortrud (2010): „Migration in die Ungleichzeitigkeit: Fatih Akıns Gegen die Wand und die Wende im deutsch-türkischen Film“, in: Koch, Lars / Wende, Waltraud ‚Wara‘ (Hg.): Krisenkino. Filmanalyse als Kulturanalyse: Zur Konstruktion von Normalität und Abweichung im Spielfilm, Bielefeld, S. 225– 249. google scholar
  • Leibnitz, Kimiko / Dietrich, Marc (2012): „‚The world is yours‘. Schlaglichter auf das Gangstermotiv in der amerikanischen Populärkultur“, in: Seeliger, Martin / Dietrich, Marc (Hg.): Deutscher Gangsta-Rap. Sozial- und kulturwissenschaftliche Beiträge zu einem Pop-Phänomen, Bielefeld 2012, S. 309–344. google scholar
  • Maltby, Richard (2001): „The Spectacle of Criminality”, in: Slocum, J. David (Hg.): Violence and American cinema, New York / London, S. 117–152. google scholar
  • Mennel, Barbara (2002): „Bruce Lee in Kreuzberg and Scarface in Altona. Transnational Auteurism and Ghettocentrism in Thomas Arslan's ‘Brothers and Sisters’ and Faith (sic!) Akin's ‘Short Sharp Shock’”, in: New German Critique 87, S. 133–156. google scholar
  • Meuser, Michael (2005): „Strukturübungen. Peergroups, Risikohandeln und die Aneignung des männlichen Geschlechtshabitus“, in: King, Vera / Flaake, Karin (Hg.): Männliche Adoleszenz. Sozialisation und Bildungsprozesse zwischen Kindheit und Erwachsensein, Frankfurt a.M. / New York, S. 309–324. google scholar
  • Seeßlen, Georg (1980): Der Asphalt-Dschungel. Geschichte und Mythologie des Gangster-Films, Reinbek bei Hamburg 1980 (=Grundlagen des populären Films 3). google scholar
  • Akın, Fatih: Kurz und schmerzlos, DVD, 95 min., Hamburg: Wüste Film 2001 (Deutschland 1998) google scholar
  • Arslan, Thomas: Dealer (D, 1999). google scholar
  • Arslan, Thomas: Geschwister – Kardeşler (D, 1997). google scholar
  • Becker, Lars: Kanak Attack (D, 2000). google scholar
  • Curtiz, Michael: Angels with Dirty Faces (USA, 1938) google scholar
  • De Palma, Brian: Carlito's Way (USA, 1993). google scholar
  • De Palma, Brian: Scarface (USA, 1983). google scholar
  • Hawks, Howard: Scarface (USA, 1932). google scholar
  • Scorsese, Martin: Mean Streets (USA, 1973). google scholar
  • Van Dyke, W. S.: Manhattan Melodrama (USA, 1934) google scholar
  • Yıldırım, Özgür: Chiko (D, 2008) google scholar

Citations

Copy and paste a formatted citation or use one of the options to export in your chosen format


EXPORT



APA

Pantléon, S. (2014). Grow up! – Masculinity, violence and genre in Fatih Akıns Short sharp shock. Studien zur deutschen Sprache und Literatur, 1(31), 1-21. https://doi.org/null


AMA

Pantléon S. Grow up! – Masculinity, violence and genre in Fatih Akıns Short sharp shock. Studien zur deutschen Sprache und Literatur. 2014;1(31):1-21. https://doi.org/null


ABNT

Pantléon, S. Grow up! – Masculinity, violence and genre in Fatih Akıns Short sharp shock. Studien zur deutschen Sprache und Literatur, [Publisher Location], v. 1, n. 31, p. 1-21, 2014.


Chicago: Author-Date Style

Pantléon, Stellan,. 2014. “Grow up! – Masculinity, violence and genre in Fatih Akıns Short sharp shock.” Studien zur deutschen Sprache und Literatur 1, no. 31: 1-21. https://doi.org/null


Chicago: Humanities Style

Pantléon, Stellan,. Grow up! – Masculinity, violence and genre in Fatih Akıns Short sharp shock.” Studien zur deutschen Sprache und Literatur 1, no. 31 (Apr. 2024): 1-21. https://doi.org/null


Harvard: Australian Style

Pantléon, S 2014, 'Grow up! – Masculinity, violence and genre in Fatih Akıns Short sharp shock', Studien zur deutschen Sprache und Literatur, vol. 1, no. 31, pp. 1-21, viewed 23 Apr. 2024, https://doi.org/null


Harvard: Author-Date Style

Pantléon, S. (2014) ‘Grow up! – Masculinity, violence and genre in Fatih Akıns Short sharp shock’, Studien zur deutschen Sprache und Literatur, 1(31), pp. 1-21. https://doi.org/null (23 Apr. 2024).


MLA

Pantléon, Stellan,. Grow up! – Masculinity, violence and genre in Fatih Akıns Short sharp shock.” Studien zur deutschen Sprache und Literatur, vol. 1, no. 31, 2014, pp. 1-21. [Database Container], https://doi.org/null


Vancouver

Pantléon S. Grow up! – Masculinity, violence and genre in Fatih Akıns Short sharp shock. Studien zur deutschen Sprache und Literatur [Internet]. 23 Apr. 2024 [cited 23 Apr. 2024];1(31):1-21. Available from: https://doi.org/null doi: null


ISNAD

Pantléon, Stellan. Grow up! – Masculinity, violence and genre in Fatih Akıns Short sharp shock”. Studien zur deutschen Sprache und Literatur 1/31 (Apr. 2024): 1-21. https://doi.org/null



TIMELINE


Published Online30.06.2014

LICENCE


Attribution-NonCommercial (CC BY-NC)

This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.


SHARE




Istanbul University Press aims to contribute to the dissemination of ever growing scientific knowledge through publication of high quality scientific journals and books in accordance with the international publishing standards and ethics. Istanbul University Press follows an open access, non-commercial, scholarly publishing.