Introduction by the Guest Editors of This IssueAnn R. David, Stacey PrickettIntroductionen0Altering Positions Through an Artistic Inquiry of Japanese DanceAmi SkånbergDOI :10.26650/iukad.2023.qe00001Research ArticleenP. 1-21Reverse-Engineering the Sylph: Reclaiming Female Ballet Bodies in Florentina Holzinger’s TANZAnna LeonDOI :10.26650/iukad.2023.qe00002Research ArticleenP. 23-43Black Women of The Cakewalk: Reclaiming The Performance Through Corporeal OratureAndi JohnsonDOI :10.26650/iukad.2023.qe00003Research ArticleenP. 45-63How do You Desire to Dance? A Methodological Assemblage to Foster Consent in Dance Higher Education in EcuadorMaria Gabriela López-yánez, Beatriz Herrera CoradoDOI :10.26650/iukad.2023.qe00004Research ArticleenP. 65-83Transgressive Gestures in the Couple Dance in a Central-Transylvanian Local CommunityDóra Pál-kovácsDOI :10.26650/iukad.2023.qe00005Research ArticleenP. 85-99Moving Past Franco’s Art and Censorship: The Case of The Female Flamenco DancerRosemary CısnerosDOI :10.26650/iukad.2023.qe00006Research ArticleenP. 101-124Community Dance and the Micropolitics of Gender: Contributions to the Concept of Dance Activism from Embodied Life Stories with Rural Women in Costa RicaMaría José Bejarano SalazarDOI :10.26650/iukad.2023.qe00007Research ArticleenP. 125-146From the Living Tradition to Presenting the Tradition. Performing Music, Performing Gender. A Greek CaseSonia KozıouDOI :10.26650/iukad.2023.qe00008Research ArticleenP. 147-162Women-Made – the Future Women Choreographers are Here!Deborah Kate NorrısDOI :10.26650/iukad.2023.qe00009Research ArticleenP. 163-194Snow White in Early 21 st c. Dance Performances: Subverting Fairy-tale Female ModelsCharitini TsıkouraDOI :10.26650/iukad.2023.qe000010Research ArticleenP. 195-211Simply for Being a Woman: Conference on Femicide (20.03.2023, Fatih Sultan Mehmet Foundation University, Istanbul)Berna Terzi EskinDOI :10.26650/iukad.2023.cr000011Conference PaperenP. 213-218
