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DOI :10.26650/anar.2024.30.1434606   IUP :10.26650/anar.2024.30.1434606    Tam Metin (PDF)

Continuity and Change in Glyptic Art in Light of Ancient Mesopotamian Cylinder Seals from the Yale Babylonian Collection

Güzel Öztürk

The advent of cuneiform writing in ancient Mesopotamia facilitated the reconstruction of the region’s political history, contributing to a profound understanding of societal lifestyles and perceptions. Among extant archaeological artefacts, seals, distinguished as exemplary small artworks, have garnered research attention comparable to cuneiform documents. These artefacts, adorned with diverse themes and styles, offer a narrative richness not fully captured by the written records of the ancient world. Over the past two decades, expanded archaeological excavations in the ancient Near East have significantly augmented our knowledge of glyptic art, yielding well-stratified and securely dated examples from various settlements. This study meticulously examines a collection of cylinder seals of ancient Mesopotamian origin, generously donated to the Yale Babylonian Collection in 2016, belonging to the antiquities trader E.S. David. The primary aim of this study is to analyse the scenes engraved on seals iconographically and stylistically. Concurrently, it delves into technical aspects, such as the variety of raw materials in seal production, production technology, seal size, and form, and queries the existence of chronological developments and changes in seal styles. This multifaceted approach unveils insights into the worldview, culture, artistic style, mythology, technology, and everyday life of the societies associated with seals. In addition, this study investigates similarities and innovations in the technology and style of seal engraving within a chronological framework. Furthermore, this study focuses on the examination of similarities and innovations observed in both the technology and style of seal engraving within a chronological context. This study contributes to a deeper understanding of the intricate interplay between technological advancements, artistic expression, and cultural evolution within ancient Mesopotamia.


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APA

Öztürk, G. (2024). Continuity and Change in Glyptic Art in Light of Ancient Mesopotamian Cylinder Seals from the Yale Babylonian Collection. Anadolu Araştırmaları, 0(30), 39-66. https://doi.org/10.26650/anar.2024.30.1434606


AMA

Öztürk G. Continuity and Change in Glyptic Art in Light of Ancient Mesopotamian Cylinder Seals from the Yale Babylonian Collection. Anadolu Araştırmaları. 2024;0(30):39-66. https://doi.org/10.26650/anar.2024.30.1434606


ABNT

Öztürk, G. Continuity and Change in Glyptic Art in Light of Ancient Mesopotamian Cylinder Seals from the Yale Babylonian Collection. Anadolu Araştırmaları, [Publisher Location], v. 0, n. 30, p. 39-66, 2024.


Chicago: Author-Date Style

Öztürk, Güzel,. 2024. “Continuity and Change in Glyptic Art in Light of Ancient Mesopotamian Cylinder Seals from the Yale Babylonian Collection.” Anadolu Araştırmaları 0, no. 30: 39-66. https://doi.org/10.26650/anar.2024.30.1434606


Chicago: Humanities Style

Öztürk, Güzel,. Continuity and Change in Glyptic Art in Light of Ancient Mesopotamian Cylinder Seals from the Yale Babylonian Collection.” Anadolu Araştırmaları 0, no. 30 (Sep. 2024): 39-66. https://doi.org/10.26650/anar.2024.30.1434606


Harvard: Australian Style

Öztürk, G 2024, 'Continuity and Change in Glyptic Art in Light of Ancient Mesopotamian Cylinder Seals from the Yale Babylonian Collection', Anadolu Araştırmaları, vol. 0, no. 30, pp. 39-66, viewed 10 Sep. 2024, https://doi.org/10.26650/anar.2024.30.1434606


Harvard: Author-Date Style

Öztürk, G. (2024) ‘Continuity and Change in Glyptic Art in Light of Ancient Mesopotamian Cylinder Seals from the Yale Babylonian Collection’, Anadolu Araştırmaları, 0(30), pp. 39-66. https://doi.org/10.26650/anar.2024.30.1434606 (10 Sep. 2024).


MLA

Öztürk, Güzel,. Continuity and Change in Glyptic Art in Light of Ancient Mesopotamian Cylinder Seals from the Yale Babylonian Collection.” Anadolu Araştırmaları, vol. 0, no. 30, 2024, pp. 39-66. [Database Container], https://doi.org/10.26650/anar.2024.30.1434606


Vancouver

Öztürk G. Continuity and Change in Glyptic Art in Light of Ancient Mesopotamian Cylinder Seals from the Yale Babylonian Collection. Anadolu Araştırmaları [Internet]. 10 Sep. 2024 [cited 10 Sep. 2024];0(30):39-66. Available from: https://doi.org/10.26650/anar.2024.30.1434606 doi: 10.26650/anar.2024.30.1434606


ISNAD

Öztürk, Güzel. Continuity and Change in Glyptic Art in Light of Ancient Mesopotamian Cylinder Seals from the Yale Babylonian Collection”. Anadolu Araştırmaları 0/30 (Sep. 2024): 39-66. https://doi.org/10.26650/anar.2024.30.1434606



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