Araştırma Makalesi


DOI :10.26650/LITERA2022-1208552   IUP :10.26650/LITERA2022-1208552    Tam Metin (PDF)

A Study of Henrik Ibsen’s The Lady from the Sea from the Perspective of Ecofeminism

Dilek Bulut Sarıkaya

Growing out of an academic and activist sensitivity towards the analogous exploitation of nature and women, ecofeminism has gained widespread recognition and popularity across disciplines since the last decades of the 20th century. Condemnation of dualistic constructions, fostering the violation of the rights of women and nature is the central argument put forward by ecofeminism which is unwaveringly committed to revealing the anthropocentric and patriarchal ideologies as conjoint systems of oppression and subjugation. A link to ecofeminism can be found in Henrik Ibsen’s play, The Lady from the Sea (1888). Accordingly, the sea plays a key role in governing the lives of individuals like how the central character, Ellida’s social alienation from the people around her is juxtaposed with her physical and psychological intimacy with the sea. This study is anchored on elucidating Ibsen’s play from an ecofeminist viewpoint by drawing together Ellida’s patriarchal oppression in her marriage with the brutal exploitation of nature, squandered by humans whose anthropocentric misconceptions and consumerist concerns disallow them to perceive nature as a living organism. An ecofeminist approach to The Lady from the Sea will provide a better insight into the play’s consolidation of the gender issue with environmental deterioration as two inextricably linked problems.


PDF Görünüm

Referanslar

  • Alaimo. S. (2000). Undomesticated ground: Recasting nature as feminist space. Ithaca: Cornell University Press. google scholar
  • Alaimo, S. (2008). “Trans-corporeal feminisms and the ethical space of nature.” In S. google scholar
  • Alaimo & S. Hekman (Eds.) Material feminisms (pp. 237-264). Bloomington: Indiana University Press. google scholar
  • Alaimo, S. (2010). Bodily natures: Science, environment, and the material self. Bloomington: Indiana University Press. google scholar
  • Armbruster, K. (1998). “Buffalo gals, won’t you come out tonight: A call for boundary-crossing in ecofeminist literary criticism.” In G. Gaard & P. D. Murphy (Eds.) Ecofeminist literary criticism: Theory, interpretation, pedagogy (97-122). Murphy Urbana: University of Illinois Press. google scholar
  • Barad, K. (2007). Meeting the universe halfway: Quantum physics and the entanglement of matter and meaning. Durham: Duke University Press. google scholar
  • Cuomo, C. J. (2001). Feminism and ecological communities: An ethic of flourishing. London: Routledge. google scholar
  • Diamond, C. (2017). “Four women in the woods: An ecofeminist look at the forest at home.” Comparative Drama, 5(1), 71-100. DOI: 10.1353/cdr.2017.0003 google scholar
  • Durbach, E. (1982). Ibsen the romantic: Analogues of paradise in the later plays. London: The Macmillan. google scholar
  • Estok, S. C. (2018). The Ecophobia hypothesis. New York: Routledge. google scholar
  • Finney, G. (1994). “Ibsen and feminism.” In J. McFarland (Ed.). The Cambridge companion to Ibsen (pp. 89-105). Cambridge: Cambridge University Press. google scholar
  • Gaard, G. (2010). “Strategies for a cross-cultural ecofeminist literary criticism.” Ecozone I (I), 47-52. google scholar
  • Haraway, D. J. (1991). Simians, cyborgs, and women: The reinvention of nature. New York: Routledge. google scholar
  • Ibsen, H. (1978). The Lady From the Sea. In R. Fjelde (Trans., Int. and Ed.) Ibsen: The Complete Major Prose Plays (pp. 591-688). New York: Penguin. google scholar
  • Merchant, C. (1996). Earthcare: Women and the environment. New York: Routledge. google scholar
  • Mitten, D. & C. D’Amore. (2018). “The nature of body image: The relationship between women’s body image and physical activity in natural environments.” In D. A. Vakoch & S. Mickey. (Eds.). Women and nature: Beyond dualism in gender, body, and environment (pp. 96-116). London: Routledge. google scholar
  • Oppermann, S. (2013). “Feminist ecocriticism: A posthumanist direction in ecocritical trajectory.” In G. Gaard, S. C. Estok, & S. Oppermann. (Eds.). International Perspectives in Feminist Ecocriticism,19-36. New York: Routledge. google scholar
  • Plumwood, V. (1994). Feminism and the mastery of nature. London: Routledge. google scholar
  • Plumwood, V. (2002). Environmental culture: The ecological crisis of reason. London: Routledge. google scholar
  • Sandilands, C. (1999). The good-natured feminist: Ecofeminism and the quest for democracy. Minneapolis: University of Minnesota Press. google scholar
  • Valera, L. (2018). “François d’Eaubonne and ecofeminism: Rediscovering the link between women and nature.” In D. A. Vakoch & S. Mickey. (Eds.). Women and nature: Beyond dualism in gender, body, and environment, 10-23. London: Routledge. google scholar
  • Warren, K. J. (2000). Ecofeminist philosophy: A western perspective on what it is and why it matters. Lanham: Rowman & Littlefield Publishers. google scholar
  • Zwart, H. (2015). “The call from afar: A Heideggerian -Lacanian rereading of Ibsen’s The Lady from the Sea.” Ibsen Studies 15 (2), 172-202. google scholar

Atıflar

Biçimlendirilmiş bir atıfı kopyalayıp yapıştırın veya seçtiğiniz biçimde dışa aktarmak için seçeneklerden birini kullanın


DIŞA AKTAR



APA

Bulut Sarıkaya, D. (2023). A Study of Henrik Ibsen’s The Lady from the Sea from the Perspective of Ecofeminism. Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi, 33(1), 71-89. https://doi.org/10.26650/LITERA2022-1208552


AMA

Bulut Sarıkaya D. A Study of Henrik Ibsen’s The Lady from the Sea from the Perspective of Ecofeminism. Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi. 2023;33(1):71-89. https://doi.org/10.26650/LITERA2022-1208552


ABNT

Bulut Sarıkaya, D. A Study of Henrik Ibsen’s The Lady from the Sea from the Perspective of Ecofeminism. Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi, [Publisher Location], v. 33, n. 1, p. 71-89, 2023.


Chicago: Author-Date Style

Bulut Sarıkaya, Dilek,. 2023. “A Study of Henrik Ibsen’s The Lady from the Sea from the Perspective of Ecofeminism.” Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi 33, no. 1: 71-89. https://doi.org/10.26650/LITERA2022-1208552


Chicago: Humanities Style

Bulut Sarıkaya, Dilek,. A Study of Henrik Ibsen’s The Lady from the Sea from the Perspective of Ecofeminism.” Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi 33, no. 1 (Dec. 2024): 71-89. https://doi.org/10.26650/LITERA2022-1208552


Harvard: Australian Style

Bulut Sarıkaya, D 2023, 'A Study of Henrik Ibsen’s The Lady from the Sea from the Perspective of Ecofeminism', Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi, vol. 33, no. 1, pp. 71-89, viewed 2 Dec. 2024, https://doi.org/10.26650/LITERA2022-1208552


Harvard: Author-Date Style

Bulut Sarıkaya, D. (2023) ‘A Study of Henrik Ibsen’s The Lady from the Sea from the Perspective of Ecofeminism’, Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi, 33(1), pp. 71-89. https://doi.org/10.26650/LITERA2022-1208552 (2 Dec. 2024).


MLA

Bulut Sarıkaya, Dilek,. A Study of Henrik Ibsen’s The Lady from the Sea from the Perspective of Ecofeminism.” Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi, vol. 33, no. 1, 2023, pp. 71-89. [Database Container], https://doi.org/10.26650/LITERA2022-1208552


Vancouver

Bulut Sarıkaya D. A Study of Henrik Ibsen’s The Lady from the Sea from the Perspective of Ecofeminism. Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi [Internet]. 2 Dec. 2024 [cited 2 Dec. 2024];33(1):71-89. Available from: https://doi.org/10.26650/LITERA2022-1208552 doi: 10.26650/LITERA2022-1208552


ISNAD

Bulut Sarıkaya, Dilek. A Study of Henrik Ibsen’s The Lady from the Sea from the Perspective of Ecofeminism”. Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi 33/1 (Dec. 2024): 71-89. https://doi.org/10.26650/LITERA2022-1208552



ZAMAN ÇİZELGESİ


Gönderim22.11.2022
Kabul25.04.2023
Çevrimiçi Yayınlanma13.06.2023

LİSANS


Attribution-NonCommercial (CC BY-NC)

This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.


PAYLAŞ




İstanbul Üniversitesi Yayınları, uluslararası yayıncılık standartları ve etiğine uygun olarak, yüksek kalitede bilimsel dergi ve kitapların yayınlanmasıyla giderek artan bilimsel bilginin yayılmasına katkıda bulunmayı amaçlamaktadır. İstanbul Üniversitesi Yayınları açık erişimli, ticari olmayan, bilimsel yayıncılığı takip etmektedir.