Özgür

Assoc. Prof.

The last article of the Vasvár peace treaty in 1664 stipulated that two ambassadors of equal rank were to be exchanged between the Ottoman and Austrian Habsburg courts. In 1665, the Hofburg dispatched Walter Leslie to the Sublime Porte in the company of a large entourage. W. Leslie’s mission entailed the submission of a number of imperial and courtly letters to the Ottoman sultan and his officials. The imperial delegation also brought with itself a package of gifts of great value to be offered at the sultan’s court. Although the Habsburg officials deemed this offering as a voluntary exchange of gifts, the Ottomans considered the gift package a form of tribute directly linked with the war that took place between the two sovereigns a year prior. W. Leslie’s embassy included a group of Jesuits who after accompanying the ambassador in his journey to Istanbul wished to carry on towards China via Iran. During their stay in Istanbul, W. Leslie and the Jesuits sought to free the Christian prisoners taken captive in the last military engagements. They resorted to diplomatic means to secure the salvation of their co-religionists kept in the Ottoman imperial arsenal and the Seven Towers. W. Leslie was also tasked with establishing a trade link with the Ottomans that would secure the commercial activities of the imperial subjects in Ottoman domains. His embassy had only limited success in achieving his diplomatic goals.On 30 May 1665, W. Leslie was exchanged with the Ottoman ambassador Kara Mehmed Paşa at Komárom in a grandiose ceremony. The ceremonial setting implied absolute reciprocity between two ambassadors. Before Walter Leslie and Kara Mehmed Paşa were invited to take part in the ceremonial setting, three wooden piles were driven into the ground at equal intervals. W. Leslie and Kara Mehmed Paşa were escorted by retinues of exactly the same number (ten people each) from the outer piles to the meeting pile in the middle. They walked towards each other with calculated steps in close supervision of minor officers rushing back and forth between the envoys to achieve a planned rendezvous in the middle. Both envoys eventually touched the meeting pile at exactly the same time and exchanged words of courtesy and shook hands.&nbsp;In line with early modern diplomatic tradition, the Ottoman government procured the provisions needed by the Leslie embassy as long as they stayed in Ottoman lands. The Ottoman financial administration also allotted extensive sums of cash to the imperial ambassador to secure his additional living costs in the Ottoman Empire. The Ottoman bureaucracy produced&nbsp;several historical accounts to this end which were widely used in the article. The total amount that was spent by the Ottoman government for the Habsburg embassy in 1665-1666 may not be fully established, but the variety of the expenditure items and the lump sums one encounters in the registers strongly suggest that the diplomatic proceedings could amount to a challenging financial burden for the welcoming party.W. Leslie’s embassy witnessed highly elaborate ceremonies in Ottoman lands on different occasions. On the first day of August 1665, the Habsburg delegation entered the city of Adrianople with a well-organized parade. Eleven days later, W. Leslie was granted an audience by the Ottoman sultan Mehmed IV in his palace. That day, the foreign members of the embassy had the opportunity to observe the ceremonial procedure and symbolic language applied by Ottoman officials in the reception of foreign envoys. The sultan’s court was marked with a striking silence that aimed to enhance the already escalated image of the sultan. In 1665, Leslie appeared in the presence of Mehmed IV with a company of seventeen aristocrats who were only allowed to make a reverence from a distance before they were hastily guided out of the audience hall. The ambassador’s secretary and the dragoman stayed with Leslie during the entire ceremony. Leslie was then ushered to Mehmed IV where he was taken down to kiss the hem of the sultan’s garment before he delivered his ceremonial speech.In September, the imperial embassy arrived in Istanbul. Sultan and Fazıl Ahmed Paşa, the grand vizier, were on a trip in the Dardanelles. Until the day Mehmed IV returned to his imperial residence in Istanbul, the Habsburg delegation was entertained by Süleyman Paşa, the vice-governor of the city. W. Leslie and his comrades were in the meantime invited to less official gatherings where they had the liberty to visit the historical sites of Istanbul and the Bosphorus. In mid-October 1665, the Ottoman sultan and the grand vizier entered Istanbul with a spectacular procession. After the arrival of the grand vizier, W. Leslie held a serious of diplomatic talks with Ottoman officials in which he sought to accomplish the diplomatic tasks he had been charged with by his master, Leopold I.&nbsp;W. Leslie had limited success in his attempts. When he left Istanbul in the last days of 1665, the most prominent aristocrats and commanders of the “prisoner train” were still being held in the Seven Towers. In principle, the Ottomans accepted W. Leslie’s offer on free trade along the Ottoman-Habsburg border, but were not willing to bother themselves for a change in the rural administration, hindering a practical commercial partnership. W. Leslie negotiated to secure Habsburg protection over the Catholic community under the Ottoman rule and in one particular instance sought for permission to rebuild a ruined church. Both demands were openly rejected by the grand vizier. Fazıl Ahmed Paşa also avoided a political discussion at the Porte on the redrawing of the borderline around the newly captured fortress of Érsekújvár (Nové Zámky) and delegated the matter, contrary to W. Leslie’s demand, to a planned commission under the authority of the governor-general of Buda. The imperial&nbsp;ambassador was not very influential in defending Habsburg interests in Transylvania as well. Fazıl Ahmed Paşa was by no means inclined to reduce the yearly tribute the Transylvanian prince had to pay to the Ottoman treasury, which had been increased by his father Köprülü Mehmed Paşa to a considerable amount seven years prior. On the other hand, the Habsburg ambassador was truly pleased with the courtly means with which he was received both by the sultan and other Ottoman dignitaries, a view which was shared by his companions.&nbsp;

Imperial Ambassador Walter Leslie in Ottoman Realms:  Constructing an Historical Narrative (1665-1666)

Ömer

Assist. Prof.

Çerkes Mehmed, one of the Mameluke beys of Cairo, rose to power in Ottoman Egypt in the 1720s after securing his leadership in the Qasimid household. He ruled the Ottoman province de facto, as Claude Lamaire, the French consul in Cairo, wrote in his dispatches. When he attempted to force the Sublime Porte to recognize his right to govern Egypt in corporation with the other beys, like the beys in Tripoli, Tunis, and the dey in Algiers did, he was declared a rebel against the Ottoman Sultan and got sentenced to death in October 1725. To execute the orders of the Sublime Porte, on February 9, 1726, the Governor of Egypt, el-Hac Ali Pasha, commissioned Zülfikar Bey, the leader of the Fiqaris, who failed to kill Çerkes Mehmed and his companions. Afterwards, Çerkes Mehmed fled Cairo, taking refuge first in Tripoli, then in Algiers, where he mobilized local governments and French diplomacy to obtain an imperial pardon for his life and permission to return to Egypt. The Sublime Porte rejected petitions regarding Çerkes Mehmed, insisting that he and his companions be captured alive or dead and sent to Istanbul.However, the Council of Algiers not only ignored the imperial decree, but also decided to make Çerkes Mehmed Bey’s pardon a condition of peace negotiations with the Habsburgs. Thereafter, he became a matter for Ottoman-Habsburg diplomacy, which is why his name often appears in the dispatches of Joßeph von Dirling, the Habsburg resident in Istanbul. He wrote to the Aulic War Council in Vienna about this condition, first on November 26, then on December 16, 1726. Although Dirling never asked for it, the Sublime Porte pardoned Çerkes Mehmed Bey in the last days of 1726, and a treaty, negotiated by the Kapudan Pasha and Dirling, was signed on March 8, 1727.Thence, Çerkes Mehmed was able to save his own life. However, this proved to be too little for him. Encouraged by the Council of Algiers and Mehmed Effendi, the ambassador extra ordinaire of Tripoli to Charles VI, who already asked for Habsburg mediation on behalf of Çerkes Mehmed in August 1726, he sailed aboard of a French merchant ship to Trieste, the Habsburg port in the Adriatic Sea. Immediately after his arrival in Trieste, he sent letters written in Italian to Prince Eugen, president of the Aulic War Council, on October 4, 1727, to Rechcron, the counsellor, and to Leopold von Talman, the chief dragoman, to announce his arrival. He also revealed in these letters his intention to ask Charles VI for protection.&nbsp;The Aulic War Council, however, ordered the commander of Trieste to not allow Çerkes Mehmed Bey to travel to Vienna. Meanwhile, Leopold von Talman sent a letter dated October 25, 1727 to Çerkes Mehmed, explaining the decision of the Aulic War Council to him, that he should write his motive for visiting the Habsburg court. As can be deduced from this letter, the Habsburgs attempted to avoid a misunderstanding between Vienna and Istanbul, which would have been very likely if the Ottoman consul general Kazgancızâde Ömer Aga had found out about him and informed the Sublime Porte.Ömer Aga, indeed, discovered Çerkes Mehmed’s arrival in Trieste, as he received his letters by chance. During his quarantine in Trieste, Çerkes Mehmed wrote again to Prince Eugen, Rechcron, and Talman on October 12, 1727, without waiting for a reply to his first letters. These were delivered to the Ottoman consul general on October 27. He opened them without hesitation, although it was obvious that the letters were not addressed to him. As a matter of course, he informed the Sublime Porte of Çerkes Mehmed’s arrival via his dispatch from November 2, 1727. From this point on, the presence of Çerkes Mehmed in the Habsburg Empire became a problem in Ottoman-Habsburg relations.In reality, while Çerkes Mehmed only asked for protection in his letters, his true intention was to be read in the letters of the Bey of Tripoli, Karamanlı Ahmed Pasha. Ahmed Pasha asked Charles VI on behalf of Çerkes Mehmed to mediate between him and the Sublime Porte again, as the Emperor had done it before, and save his life. This time, Ahmed Pasha wrote in his letter that the Emperor must help Çerkes Mehmed obtain his full pardon, including permission to return to Egypt. In his letter to the Prince Eugen, Ahmed Pasha, promised 30,000 gold in the name of Çerkes Mehmed if the Prince helped him in his cause. Notwithstanding the fact that it was not the Habsburg mediation that had previously helped Çerkes Mehmed and saved his life, the Habsburgs had no interest in intervening in Ottoman politics. Since it was no longer a secret that Çerkes Mehmed sought refuge with the Habsburgs, Prince Eugene advised the Emperor that it would be contrary to the Treaty of Passarowitz to grant him Habsburg protection, as he was a rebel against the Ottoman Sultan.The decision of Charles VI was announced to him personally by Leopold von Talman in Trieste on November 15. The Emperor would not grant asylum to a rebel because he was loyal to peace with the Ottomans. It was stated that Çerkes Mehmed should therefore leave Habsburg soil as soon as possible. Joßeph von Dirling would ask for pardon for him, and the answer of the Sublime Porte would be sent to him. A few days later, Charles VI gave him permission to stay in Görz, a small city in the north of Trieste, until the Sublime Porte came to a decision about him. In fact, the Aulic War Council ordered Dirling to protest Ömer Aga’s behaviour and mobilize the Sublime Porte to force Algiers to ratify the treaty. Regarding Çerkes Mehmed, he was only supposed to do a favor by delivering his letters to his friends in Istanbul.&nbsp;&nbsp;The decision was correct because the Sublime Porte had no intention of allowing Çerkes Mehmed to enter Cairo. His agents were executed on November 18. The next day, the Reis Effendi told Dirling that it was Çerkes Mehmed who had caused the Algerian Council to refuse to ratify the treaty. Under these circumstances, Dirling met with the Grand Vizier Damad Ibrahim Pasha and informed him of the decision that had been previously made in Vienna about Çerkes Mehmed.Without having a clue about the diplomacy around him, Çerkes Mehmed again took a chance and secretly left Görz for Vienna. He arrived in the Habsburg capital on March 27, 1728. His journey was the last straw for the Habsburgs. The Aulic War Council expelled him by threatening him to him hand over to Ömer Aga back to Trieste, where he would be kept in the fortress as a prison. He sent letters to the Emperor and Prince Eugene expressing his disappointment, desperately asking for some money and permission to reach Livorno by land rather than by sea, fearing his enemies.&nbsp;Eventually, the Aulic War Council let him travel to Livorno on June 5, 1728, first by sea to Manfredonia, then by land to Naples. On June 27, 1728, he arrived in Naples, where he changed his mind, and journeyed to Tripoli via Malta. On August 28, 1728, his ship harbored, whereby he immediately visited Ahmed Pasha, the Bey of Tripoli. Hearing about his arrival on Ottoman soil, the Porte sent another firman to Tripoli on May 10, 1779, after which Çerkes Mehmed was labeled a traitor of both his religion and state. Long before the Haseki Aga arrived in the city with the imperial decree, Çerkes Mehmed had left Tripoli to determine his own future through his own actions.He determined that the situation in Cairo was suitable for his return. Even though the Qasimids lost all power in Egypt, the Porte and its governor in Egypt were anxious about Züllfikar Bey and his policies, so Çerkes Mehmed thought he might find some supporters. Indeed, while the Arabs supported him militarily, Zülfikar defeated Çerkes Mehmed, forcing him to escape again. Leopold von Talman, then the Habsburg resident in Istanbul, wrote to Vienna on March 22, 1730 that Çerkes Mehmed would wait for the next favorable moment to appear. The next time he wrote about him in his dispatch was on June 8, 1730. He informed the Aulic War Council about Çerkes Mehmed’s death, as well as the death of his opponent Zülfikar, which made the Grand Vizier indescribably happy.&nbsp;Hence, while Çerkes Mehmed’s life and story came to an end, one problem in the Ottoman-Habsbug relations was resolved. However, after a while, when the Ottoman Sultan, the Grand Vizier, and other dignitaries of the ruling circle lost their life due to the Patrona Halil Rebellion, promises regarding the treaty with the Algiers became unclaimed.&nbsp;

Escape From Cairo to Vienna: Çerkes Mehmed Bey’s Refuge  Seeking in the Habsburg Empire

Süleyman

Prof.

Muhammed

There are millions of documents that have been passed down from the Ottoman Empire to the present day. An important aspect of thiss documentation is the waqf accounting records that have characterized the Ottoman civilization. In these records, the following important information about the waqf, whose accounting is made, is included; its name, founder, location, trustee, purpose, year of accounting, sources of income and total income, items of expense and total expense (mesârif and vezâîf), ands means of operating its money (if it were a cash waqf, this was the ribh rate it used; if it were a real estate waqf, its rental methods). In addition, the following was also included in the accounting records: if there were a budget surplus of the waqf, how this surplus was used; if there were a budget deficit, how this deficit was compensated; the reasons for the change in the trustee; to whom the funds of the waqf were given as loans; and to whom and for how much the real estate properties were rented. Therefore, it is possible to say that accounting records are of great importance in examining the financial structures of waqfs. Therefore, in this study, all income and expenses of the waqf have been analyzed by transferring the data to detailed tables, based on 45 annual accounting books for the period 1161 to 1225 Hijri, determined from the Üsküdar sharia registry books of the Çengelköy Fountains Cash Waqf in Üsküdar.As a result of the analysis, it was determined that while mostly adding the waqf’s surpluses to the operating cash capital, the trustees invested in both real estate and the market boat. Finally, the cash capital of the waqf, which was 1,367 kuruş in 1161, increased to 8,061 kuruş in 1225, with the waqf also owning four caravansaries, one grapery, one bachelor’s room, one boathouse, and one market boat. As its name suggests, the waqf, which was initially established as a cash waqf and earned income only from the operation of the donated money, bought real estate with its surplus income and earned rental income from these sites, as well as built a boathouse and bought a market boat, earning income from the operation of this boat. When observing the Üsküdar cash waqfs of the 18th century, an exceptional situationis revealed: a waqf’s money was often neither operated by a method other than muamele-i şer’iyye and istighlāl contracts nor directed to this type of investment to generate income. From this point of view, all the income and expenses of the Çengelköy Fountains Cash Waqf from 1161 to the end of 1225 have been revealed in detail, and answers were sought to the following questions: What could have been the reason for the waqf established as a cash waqf to invest in a boathouse and boat? What was the ratio between the expenses made by the waqf for the boathouse and the boat business and the income from this business? If we compare this ratio with the cash capital and rental income rates, what will be the result? Did the waqf enter this business to generate income or to provide service?&nbsp;When the accounting records were examined, it was discoered that the waqf’s total income was 3,601,967 akçe over 45 years, while its total expenses were 3,100,512 akçe over that period. It can be seen that the waqf had been given a total budget surplus of 501,455 akçe over the examined period. The cash capital operation accounted for 73.33% of the income, with boat operations making up 21.01%, real estate rentals totaling 1.03%, and miscellaneous income coming to 4.6%. The fountains and waterways made up 37.48% of the expenses, with the market boat and boathouse making up 27.49%, duty payments equaling 14.39%, and other expenses coming to 11.98%. In the expense section of the forms, 8.67% was recorded under uncollectible murabaha. According to this, it can be seen that the waqf, which earned an annual average of 11% while operating cash capital, earned an average of 3% from its capital invested in real estate. Although it had earned income close to this rate in its last years from investment in the boat business, it is difficult to say that it generated profit in its first few years. As a result, the average income from the boat corresponds to 1%. As such, a logical question is raiseed as to why thw waqf continued to this business venutre, despite the low return of the boat business, as well as the many additional burdens for the trustee, such as maintenance, repair, and follow-up work. As a result of the study, it was concluded that the waqf entered this business for service rather than to generate income, that is, at the request of the people. In addition to this, considering the relatively low income from the investment made in the boat business, an attempt has been made by this study to provide some answers as to why the trustees of the waqf preferred such methods as muamele-i şer’iyye or istighlāl while operating waqf funds and did not resort to other alternative methods in addition to these, especially consideringed that the waqf in question was a cash waqf.&nbsp;

Çengelköy Fountains Cash Waqf and Boat Business

Türkan

Çankırı İnas Mektebi (Central School For Girls)  According to the Sicill-i Umumi Register

Yusuf

Murat

This study deals with the lexical difficulties encountered in the translation of historiographical texts dealing with certain periods of Turkish history. For this purpose, the article first explains the concept of input as a subject of translation studies and provides information about the types of discourse, including historical discourse. Next, the article attempts to determine the general characteristics of historical discourse as a type of input and then examines the relevant studies on historical discourse or on the translation of historical discourse. This paper additionally emphasizes the definition of the act of translation in terms of translation studies and summarizes the theoretical approaches regarding the position of the translator as subject between input and output. Lastly, the paper lists the problems that a translator as subject may encounter by analyzing the corpus based on French historian Fabrice Monnier’s work titled 1916 en Mésopotamie and seeks an answer to the question of whether historical discourse can be characterized as technical discourse. The last section of the study presents suggestions for how to solve the problems.Translation as a process starts with the reception of input for translation purposes. The input can be any written or spoken discourse. Although discourses can be classified in various ways in the linguistics literature, one common classification is the one based on the components of famous communication schema. According to this classification, an individual can produce discourses focusing on the referential, narrative, vocative, relation, metadiscourse, and literary functions of language. Historical discourse is a type of discourse in which the producer describes, narrates, or explains such things as events, people, or places as a type of discourse in which the referential function is predominant. On the other hand, historical discourse can also be characterized as narrative due to how an author’s preferences reflect their subjective evaluations from time to time. In addition, the fact that the producer of historical discourse makes stylistic choices specific to artistic discourses such as poetry or short stories regarding a message in order to make the discourse interesting may cause historical discourse to not be considered a discourse bearing scientific quality. Therefore, this study accepts that any discourse can be classified as historical discourse if it is about what happened in the past and if its aim is to convey this event within the framework of the principles and rules of the discipline called history.As the central agent of the translation process, the translator stands between input and output. According to the most common view, a translator tries to produce an output that is supposed to be equivalent to the input. By doing so, three possible situations may arise depending on their preferences: The translator either remains close to the source text, close to the target text, or tries to remain neutral. In translation history, these translator preferences have been characterized as free, dependent, adequate, and acceptable translation. In addition, translators and translation scholars are categorized respectively as remaining closer to sourcetext norms and closer to target-text norms based on their preferences in this regard.In the literature on translation studies, many studies have been done on the translation of historical discourse, some of which have been conducted by translation scholars and some by historians. When analyzing these studies, they are seen to mention the problems that arise when the translator adheres to the source text completely or when the translator remains far away from the source text. In other words, the tension between the poles of remaining or not remaining close to the source text causes the translator to be confronted with many problems. One of these problems is when the translator is forced to be a part of an ideology based on the lexical choices they make. Another problem is that the meanings and connotations of words change over time. Yet another problem is the misrepresentation of information due to the translator’s preferences and continuation of this situation by subsequent translators.This study uses the document analysis approach, a qualitative research method, to analyze the French historian Fabrice Monnier’s work entitled 1916 en Mésopotamie as a possible input. The lexical level was adopted as the unit of analysis, and answers were sought to the questions of which lexical problems can be encountered in the translation of any text characterized as historical discourse and accordingly and whether historical discourse can be considered as a technical discourse. As a result of the analysis, 345 lexical units that may cause translation problems were identified; 208 (60%) of these items belong to the field of military service. This is not surprising, as the book is about a war that played a decisive role in the course of history. The second group involves geographical terms and has 45 items (13%). Geographical terms are followed by managerial terms, of which there are 23 (7%), followed by 18 (5%) religious terms, 17 (5%) transportation terms, and 11 sociological (3%) terms that were identified. Eight terms (2%) were found to be related to the field of politics, as well as four terms (1%) related to culture, four (1%) to medicine, two to law, two to construction, and one term each to textiles, general names, and proper names, these last three being categorized under the title of “other”.As a result of the analysis of these units, four main findings were obtained. The first of these findings concerns terms that are out of use and have changed in terms of semantic content as a result of time-related changes and transformations at the social level. The second finding is related to things such as military units, administrative units, food, and beverages that are unique to specific societies (e.g., Turkish, French, British, Indian) and mentioned in the text do not overlap in terms of scope, quality, or quantity. The third finding concerns names of places and ethnic communities and has two dimensions: The first dimension is the lack of reliable, up-to-date, and comprehensive sources regarding the names of places, while the second dimension involves how the same names of places are used in very different ways in the literature with regard to non-dictionary sources. The fourth finding concerns word choices in which the translator is forced into an ideological, religious, cultural, and/or political stance due to author preferences.The findings and the data in the literature suggest that the lexical problems which may be encountered during the translation of historical discourse are mostly related to concepts that have gone out of use over time, that have changed, that have changed semantically, or that force the translator to adopt an ideological and/or cultural stance. Depending on whether the translator prioritizes the source text, the author, the reader, or the target text, the translator will attempt to produce texts with different qualities while also taking into consideration the expectations of experts. The main variable that determines the translator’s preferences within this network of expectations is undoubtedly the characteristics specific to the general readership.The data of the study reveals the historical discourse to have technical discourse features at the lexical level. As a matter of fact, terms specific to very different fields such as military, geography, sociology, transportation, and administration are encountered in the text. Moreover, a diachronic examination is necessary for finding the equivalents of these terms during a certain period of history. Therefore, a type of input exists that can only be translated with the help of experts and the resources experts produce.Although the discourse of history clearly has the characteristics of technical discourse, every aspect of the approach adopted in its translation is not the same as those in technical discourses. This is because what is important in the translation of technical discourses is not the style but the content (i.e., information load) of the discourse. As a matter of fact, technical discourses are a type of discourse in which words generally carry a single meaning and subjectivity is not observed. On the other hand, because historical discourses are also narrative, style also becomes important. In addition, due to the different values and connotations historical events have for different nations, an author positions themself according to the text and according to the societies and events mentioned in the text through the author’s choice of words. Because this positioning has ideological, religious, cultural, and political implications, the translator produces a target text in line with the expectations and needs of the new target audience with an approach that can be called translation for a specific period. When considered under these conditions, the main concerns for a translator are seen to firstly be to not hide the truth from the reader; secondly to not be a carrier and perpetuator of the author’s ideological, cultural, and political prejudices or mistakes; and thirdly and finally to not ignore professional ethics. Another important result of the research is that no reliable data source exists for the names of places and ethnicities that the translators of historical discourse have access to today.&nbsp;

A Case Study on the Lexical Difficulties Encountered in the  Translation of Historiographical Texts

Selim

Kuvvet-i İslam: Rifa‘at Ali Abou-El-Haj’ın (1933-2022)  Ardından

Arzu

Habsburg Elçisi Walter Leslie’nin Osmanlı Ziyareti: Bir Tarihsel Anlatı İnşası (1665-1666)

Kahire’den Viyana’ya Firar: Çerkes Mehmed Bey’in  Habsburg İmparatorluğu’nda İltica Arayışı

Çengelköy Çeşmeleri Para Vakfı ve Kayık İşletmesi

Sicill-i Umumi Defterine Göre Çankırı İnas Mektebi

Tarih Söylemi Çevirisini İlgilendiren Sözlüksel Sorunlara  İlişkin Bir Durum İncelemesi

@JOURNAL_BOX_CURRENT

@JOURNAL_BOX_EARLYVIEW

Vural

It is well known that many Iranian scholars and intellectuals traveled between Ajam and Rum towards the end of the 15th century, in order to secure wealthy and benevolent patrons. The reason for the mobility of scholars, which can be traced back to the reign of Murad the Second (1421-1451), was undoubtedly related to the changes occurred across the Islamic world. Of these changes, the conquest of Istanbul was the most important. Adding “the protector of Islam” to his extant titulatures with this conquest, Sultan Mehmed the Conqueror, proclaimed that he was the only representative of the Islamic world. The second reason was the decline of Timurid Empire after the demise of Shahrukh (d. 1447) who were the reputed patron of science and art like&nbsp;his father towards the second half of the 15th century. By exiling scholars and crafters from newly conquered lands to his capital Samarqand, Timur created a Renaissance era and bequeathed this cultural heritage to his successors. Timurid princes’ fights for the throne perpetuated in Iraq, Fars, Mazandaran, Mawara al-Nahr and Khurasan, and several handovers and plunders of Samarqand and Herat precipitated the exodus of Timurid scholars and craftsmen in order to secure wealthy patrons and safe places, after the demise of Shahrukh. This chaotic atmosphere pervaded in Iran and on the other hand Ottoman sultans’ patronage of science and art made the Ottoman lands a safe and inviting shelter for Iranian scholars and literary men. Based on the claims that they were the only representative of Islam, the Ottomans’ superiority over the Aqquyunlus who presented themselves as Timur’s licit heirs, led this competition to another phase. Reputed with his wealth, benevolence and power, Sultan Mehmed the Conqueror made his capital Istanbul a center of attraction for Iranian scholars and poets.&nbsp;His patronage of science and art had spread across Iran so much so that his palace was replete with Iranian scholars and encomiasts at the very beginning of his reign. Along with scholars and bureaucrats such as Şemseddin Fenârî, Molla Gürânî, Mevlana Şeyh Ebu İshak Tebrizî and Ali Kuşçu, encomiasts and man of letters such as Ma’âlî, Kâşifî, Hamidî, and Kabûlî presented their works to Sultan Mehmed and, made contributions to sultan’s imperial image from the viewpoint of Ajamness. It is also well known that Sultan Mehmed endeavored to take famous Iranian scholars under his patronage and, for this purpose he sends them enticing gifts.&nbsp;Benevolent and wealthy image of Sultan Mehmed the Conqueror and, his capital’s hallmark as a center for a multi-cultural junction, attracted another Ajam known as Riyâzî. He was less known among the Ajams in Sultan’s palace. Neither contemporary chroniclers nor collection of the biographies of poets mention him. Beside his Persian epistle, which he penned on the occasion of Sultan Mehmed’s conquest of Akçahisar and constitutes the subject of the present study, there are at least three copies of his Divan survived to this date. None of these primary sources provide any information concerning his migration from Ajam to Rum and his residence in Istanbul. According to his Divan, his full name was Mawlana Riyâzî-i Samarqandî. This specifies the fact that he was native of Timurids’ cultural center Samarqand. Most probably in order to escape the political chaos and seeking a new patron, he headed towards Istanbul, after the decline of the Timurid Empire in Iran and Mawara al-Nahr. In the patrimonial states of the 16th-century Islamic world, scholars and craftier were more depended on court patronage. Because of that sultans were the only resorts. When the scholars fell from the grace of their patron(s), they set on a journey seeking for welfare and patronage in another sultan’s court.&nbsp;Riyâzî’s venture was not different from the scholars and bureaucrats who lost their patronage and set out to secure a new one in 15th and 16th centuries Islamic world. Although it is not known how and when he managed, he might have come to Istanbul and secured Sultan Mehmed’s patronage prior to 1479. Beyond the Sultan Mehmed’s personal interest to attract many Iranians, this phenomenon should be supported with the role which sultan played himself. Eventually, patronizing Muslim scholars and craftsmen was an indispensable source of legitimacy for the sultan who had claims for superiority in the Islamic world.&nbsp;&nbsp;Although his contemporaries Ma’âlî and Kabûlî gave huge details on their journeys, observations on the palace and how they managed to secure Sultan’s patronage, neither in his Persian epistle presented to Sultan Mehmed nor in his Divan replete with poems of love and separation Riyâzî-i Samarqandî does not provide any information about himself and his personal experiences. In contrast to Ma’âlî, Kabûlî, and Hamidî, he has never presented a panegyric to his patron. The only information about his life in Istanbul was his disease, which he could not recuperate and finally died in 884/1479-80. Though he did not relate his observations on the palace and the Sultan, and how he behaved, accounts of other Ajam’s provide details about the perception of Ajamness in the Ottoman palace, which we can further elaborate on. Furthermore, it is well known that there was a competition of superiority between highly-educated Ajams and their rival Rumîs in Sultan Mehmed’s palace.Riyâzî-i Samarqandî penned his Persian epistle entitled with Risâle-i Tehniyet-i ‘Iyd ve Nevrûz Berây-ı Ebu’l-feth Sultan Mehmed or Tehniyet-i ‘Iyd ve Fethnâme-i Akçahisar in 1479 on the occasion of the conquest of Akçahisar in Albania and presented to the Sultan. The seal of Sultan Mehmed on the folios verifies that the epistle was accepted to the personal library of Sultan. The coincidence of Sultan Mehmed’s conquest of Akçahisar with Nawruz feast was a double occasion for Riyâzî to present himself to the Sultan. Unlike his fellows in this genre, he merely confined his epistle to create an imperial image for the Sultan with titles and titulatures, which he formulated for him. He furthermore explained the reason for giving these titles to the Sultan under each titulatures. It should also be specified that this Persian epistle penned and presented to the Sultan to proclaim Ottoman dynasty’s superiority over the other dynasties such as Aqquyunlu and Mamluk, and to show them how Ottomans were the only protectors of Islam.As a wealthy, powerful, benevolent and just sultan, Mehmed the Conqueror took many Iranian scholars, encomiasts, and craftsmen under his patronage. Thus, he commenced “Eastern Renaissance” which would last in his successor’s reign Bayezid the Second (1481-1512). Thanks to this cultural mobility, those who came from Ajam, penned and presented many epistles and panegyric to the Sultan. It should not be forgotten that Iranian shahnama-writers had major contributions for the creation of the imperial image of Sultan Mehmed, which would be imitated in Bayezid the Second’s reign as well. It can be concluded that like his Iranian contemporaries’ pieces, Riyâzî-i Samarqandî’s Persian epistle was also a contribution to create an imperial image for the Sultan from the viewpoint of an Ajam.

FATİH’İN EMPERYAL İMAJINA BİR ACEM’İN KATKISI: RİYÂZÎ-İ SEMERKANDÎ

Arda

The efforts for founding an Israeli state in Palestine, which gained momentum with the Balfour Declaration issued in the end of World War I, constituted one of the most important problems causing instability in the Middle East during the interwar period. In this process, when Jewish immigration to Palestine increased and Arabs and Jews began to have serious conflicts in the region, Turkey did not get involved in the developments in Palestine. The conflicts became bitterer following World War II when the victorious USA began to back up the efforts for the establishment of a Jewish state in Palestine. The ambitions of Western countries and the Jews for Palestine became the prominent issue for Arab countries after World War II. Arab nationalists gathered around anti-Westernism and the Palestine issue.&nbsp;&nbsp;Unlike its passive position in the interwar period, Turkey began to take more active involvement in the Palestine issue after the war. Turkey’s increasing interest in the issue following 1945 was due to its convergence with Arab nations, rather than religious or nationalist considerations. Turkey was left alone against the Soviet Union by Western nations. With no alternative but to create stronger bonds with the states in the region against the Soviet threat, Turkey approached its Arab neighbours and realized that the Palestine issue was the first item on their agenda. When the Palestine issue was brought to UN, Turkey supported Arab nations due to its sense of solidarity with Arab nations and its concern that a Jewish state to be founded in the area might cause instability. Turkey’s support to Arab nations for the Palestine issue would come to an end with the improvements in Turkey’s relations with Western nations and the outbreak of the First Arab-Israeli War.As a result of its strategic alliance with Western nations against the Soviet Union threat, Turkey felt the need for acting in concert with its allies in the international area. Meanwhile, it became clear to Turkey during the First Arab-Israeli War that military alliance with Israel would be more beneficial than with Arabs. At this stage, the UN decided to set up a Conciliation Commission for resolution of the Palestine issue. Acting uniformly with Western nations in the Conciliation Commission and carrying out missions together with the USA and France, Turkey made it clear that it would no longer take an approach supporting Arab theses in the Palestine issue.The UN Conciliation Commission for Palestine was important in that it was the first multilateral attempt for resolution and Turkey’s first critical alliance with Western nations following World War II. Turkey was included in the conciliation commission with the USA and France due to its support for Arab countries in the conflict, but it did not maintain its support in the works of the commission. Commission membership increased Turkey’s diplomatic contact with Israel, and as a result&nbsp;of these interactions Turkey’s concerns over Israel disappeared and led Turkey to become the first Muslim country to recognize Israel.&nbsp;The Conciliation Commission was set up with great expectations and strong international support. At the time the Commission made serious efforts for resolution of the problem, the disagreement between the two parties was new and so there were suitable grounds for resolution. However, the biggest disadvantage of the Commission was its Western identity which caused lack of trust with Arab nations. France, a member of the Commission that aimed to provide suitable conditions for lasting peace following the First Arab-Israeli War, was known for its colonial past among Arab nations. Turkey’s membership was also met with mistrust due to memories from the Ottoman Empire period and the Hatay issue, which was seen as a conspiracy set against Arab countries by Turkey and Western nations. The USA was the only nation with no colonial past from the point of view of Arab nations. However, the USA’s strong support for the founding of a Jewish state in Palestine following World War II was known by the Arab public. For these reasons, the Commission’s neutrality was questioned by Arab nations.&nbsp;Between the Commission’s most active years of 1949 and 1952, Arab nations were devoid of strong governments that could sign a peace treaty with Israel, as they were struggling with political and military depression caused by the First Arab-Israeli War. Israel, on the other hand, had seen the weaknesses of Arab troops during the War, and aimed to extend and strengthen its boundaries through further conflicts rather than make peace with Arab nations. The works of the Conciliation Commission failed as they were trying to reconcile those with no power for making peace and those with no intention of doing so. After the Paris Conference of 1951, the Commission acknowledged that it would be unable to reach its aim of ensuring a peace accord, and decided to focus on the resolution of the problems of Arab refugees. However, it failed to gain effective results in its smaller targets because the parties of the Arab-Israeli conflict adopted more uncompromising attitudes as the Cold War began to influence the Palestine issue. During the course of the work of the Commission after 1952, the relations between some of the Arab nations that were expected to be made better through the joint efforts of the members, namely Turkey, the USA, and France, became even worse. With Arab nations being supported by the Soviet Union, and Israel by the USA in the international area, the parties of the conflict began to manifest their uncompromising attitudes more comfortably, which put the Conciliation Commission in a situation where it could no longer function.&nbsp;The Conciliation Commission was an unsuccessful experience on the part of Turkey. Turkish foreign policy pursued until the 1960s did more harm than good on&nbsp;the works of the Conciliation Commission. During the 1950s, Turkey formed closer economic and political relationships with Israel, while its relations with important Arab nations such as Egypt and Syria deteriorated. Such direct conflicts between Western and Arab nations as the Suez Crisis did not only worsen the relations between Western and Arab nations in the Conciliation Commission, but also caused Turkey to lose its role of mediator. With Cold War and the Soviet Union becoming more influential over Middle East, Turkey’s policies on Arab nations, especially Egypt and Syria, became stricter. When Turkey and Syria were on the brink of war in 1957, the two nations had no chance of cooperation and resolution under the Conciliation Commission. Egypt and Syria also sharpened their irreconcilable attitudes against Turkey both in terms of regional policies and of international relations with the support they received from the Soviet Union. Because Egypt perceived a Muslim state’s contribution to the resolution of the Palestine issue as interference in the internal affairs of Arab nations at a time when it saw itself as the protector of Arab nations, it did not support Turkey’s efforts for conciliation. The Conciliation Commission for Palestine was imbedded in history as another UN initiative that failed to provide solutions to international relations under the existing structure of the UN.

FİLİSTİN UZLAŞTIRMA KOMİSYONU VE TÜRKİYE

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Known as the Neo-Babylonian Chronicles, the cuneiform texts were compiled (copied) by Babylonian scribes and mostly concern the historical events of both the recent and distant past. Recorded concisely and chronologically, they detail events starting from the Babylonian king Nabunassar era in 747-734 BC and continue to the period just after the capture of Babylonia by the Persians in 539 BC. In this study, the records concerning the illnesses and disabilities of the Mesopotamian and Elamite kings in these chronicles will be discussed. We will attempt to determine the historical importance of these medical problems of the kings with regards to the medical history of Mesopotamia. Some assessments will be made concerning the relations between these records and the political, religious, and traditional aspects of Babylonian historiography. Additionally, other pieces of information in other chronicles such as Esarhaddon, Weidner, and Chronicle of Early Kings will be referred to when needed. Although numerous Babylonian and Assyrian kings are mentioned concerning political events in the Neo-Babylonian Chronicles, the only king whose illness is mentioned is the Neo-Assyrian king Esarhaddon (681- 669 BC). The king fell ill during one of his campaigns and subsequently died. There is not much detailed information about the king’s illness in the relevant chronicles. Similarly, the chronicles do not mention the illnesses of the Babylonian kings in much detail. While the Neo-Babylonian king Nabunassar (747-734 BC) died after becoming sick in his palace, another Babylonian king Nabonidus (555-539 BC) was also ill but recovered. In brief, it is observed that the medical backgrounds of some of the numerous Babylonian and Assyrian kings are mentioned in the Neo-Babylonian Chronicles and that these references are only superficial. However, it is very clear that the illnesses and disabilities of the Neo-Elamite kings, who reigned during the 1st millennium BC, are mentioned in more detail by the chronicle scribes. What is the reason behind the fact that no detailed information is given about the illnesses of the Assyrian and Babylonian kings, while the health situations and deaths of their contemporary Neo-Elamite kings include more details? There might be more than one answer to this question. One answer might be that the scribes could not find sufficient information in the ancient sources about these issues while compiling the chronicles. In addition, statements indicating that the demise of the kings did not result from an illness and particularly that some of them “died in the palaces” are either proof of&nbsp;the fact that there is not sufficient information about the cause of death of these kings or it is possible that these individuals were accepted as “well-remembered figures” in Babylonian history. However, another answer (and one which is the main focus of the study) should be sought in the relation between the medical knowledge and tradition of Babylonian historiography, in which political and religious ideologies are dominant. It is possible to find pieces of information about the health problems of kings such as Esarhaddon and Nabonidus in other cuneiform sources such as the royal inscriptions and correspondence. However, only in the chronicles is it possible to encounter details about the illnesses of the Elamite kings. The records of the death of two Neo-Elamite kings following a stroke and/or paralysis can be considered as an example of the reflection of a pro-Babylonian attitude towards historiography. It is certain that the scribe or scribes, who mentioned these pieces of information, are eager to leave no stone unturned about information and the details concerning the disabilities or deaths of the Elamite kings. It should be considered that a conscious preference in deciding which pieces of information to be recorded might be related to the world views of the scribes, the relevance of the kings, the form of the illnesses to be mentioned, divine background, and the political/ideological aspects of historiographical tradition. Similarly, this relation is conspicuous in the health problems of the Sargon of Akkad and Isin king Erra-imitti written in the records of the Chronicles of the Early Kings and Weidner as well.It is possible that some of the details concerning the illnesses of the kings might contain fabrications, exaggerations, or personal comments. However, even if these details are supported by information from other cuneiform sources or even if it is medically possible, it doesn’t change the possible views asserted in the study about the intentions behind adding them to the chronicles. Sometimes concise and sometimes relatively longer, the information provided by the chronicle writers about the illnesses of the Assyrian, Babylonian, and Elamite kings, and even about the Isin king Erra-imitti contribute to our knowledge about the medical history of ancient Mesopotamia. Independent from the individuals, since these medical cases (such as stroke, paralysis, fever, insomnia, and respiratory problems) are common in royal correspondence and literary texts and particularly in medical texts, they have no particular privilege. However, these medical details in the chronicles are important with regards to Babylonian historiography. It is observed in the chronicles that only the health problems of the kings are detailed with interest. However, some kings like the Neo-Babylonian King Nabonidus (who recovered after the illness), or kings who died without getting sick, are also discussed. Particularly in the latter case, it was also relevant that some of the scribes did not have knowledge about the causes of deaths of the kings. Additionally, it was recorded that some of the kings (like the Babylonian king Nabunassar) died in the palaces, even without getting sick. The Babylonian scribes were probably informed about the details of the illness of the Neo-Assyrian king Esarhaddon; however, they did not mention it. In fact, Esarhaddon was a Neo-Assyrian king, who was trying to revive the city of Babylonia and return it to its old magnificent days after his father, Sennacherib, wrathfully devastated the city. It can be considered that these kings were not remembered with ill feelings by later generations. However, this interpretation can involve problems, since it is a result of an overall general view about the whole life of the individual. It is also possible that they were punished with illnesses resulting in death by the gods due to their misconduct in any period of their kingdom or in any issue that might annoy (!) the gods.Therefore, all of these examples have great importance since they reflect the dominant understanding concerning the ancient Mesopotamian historiography: a religious belief that the illness is a divine punishment arising from the faults of an individual. The common trait of almost all of the kings, about whom the chronicles give detailed information concerning their illnesses, is that they were all remembered negatively with regards to the history of Babylonia. It is possible that there was an attempt to create a perception that the patron deity of the city of Babylon Marduk (Bel) punished these kings who were in the wrong. Illnesses and deaths related with these situations were remarkable events since they demonstrated the proof of the relation between the crime and the punishment. Thus, the motives behind the intention to abstain from recording the known or fabricated medical causes of deaths of some kings should not be examined, to a large extent, in the epistemological concerns. These motives should be investigated in the relations between historiography and its political, religious, and traditional aspects. For example, mentioning the insomnia problems of Sargon of Akkad doesn’t have a medical or historical importance in itself. This record reaches significance when there is an attempt to establish relations between the current ideologies and compilation of literary narratives, whose “reality is suspicious”, that are dated to the 1st millennium BC. It might also be mentioned that, sometimes while narrating, the role and influence of these relations are behind the inclusion of the themes and contents, which are thought to arouse curiosity and interest, with a high potential of speculation.

TIBBİ BİLGİNİN İDEOLOJİK KULLANIMI ÜZERİNE OKUMALAR: YENİ BABİL KRONİKLERİNDE HASTALIKLAR VE BABİL TARİH YAZICILIĞI

Ebru

The Last Penetration of The Crusader Armies into the Seljuḳ Territory of Anatolia: Emperor Friedrich Barbarossa’s Crusade (1089-1190)In the 12th century, Anatolia witnessed the great struggles between the Crusaders and the Turks, and the Crusaders penetrated into Seljuḳ territory for the last time during the Third Crusade (1189–1192). By conquering Jerusalem in 1187, the Egyptian-Syrian ruler, Ṣalāḥ al-Dīn, put an end to the Crusaders’ domination in Jerusalem, which lasted 88 years. It was at this point that German Emperor Friedrich Barbarossa, who had accompanied his uncle Conrad III, King of Germany during the Second Crusade, once again agreed to participate in the Crusade—this time as a 70-year-old ruler. He formed an immense army with the goal of capturing Jerusalem from Ṣalāḥ al-Dīn. While the English and French kings traveled by sea to the Holy Land with their forces, Friedrich tried to reach the East through Anatolia. This paper discusses the march of the German Crusaders under the command of Friedrich Barbarossa in Anatolia, and the Seljuk-Crusader relations in this period.&nbsp;Emperor Friedrich, who started to prepare for the expedition after accepting the cross, sent ambassadors to Hungarian King Bela III, Byzantine Emperor Isaakios Angelos II, and Seljuk Sultan Ḳilidj Arslan II to ask for permission to pass through their countries. In response, Emperor Isaakios said that the Crusaders would be allowed to enter the territory of the empire if they promised not to take any action against the Byzantine State. When this stipulation was accepted by Friedrich, the Byzantine emperor agreed to provide guidance and suitable markets to the Crusaders during the transition from Anatolia. After that, Emperor Isaakios took the necessary measures in accordance with the agreement reached; however, Barbarossa’s contact with the enemies of Byzantine Serbs and Seljuks increased Isaakios’s concerns. Faced with such danger, Isaakios found it appropriate to contact Ṣalāḥ al-Dīn for the interest of his country. According to Ibn al-Asir, when Isaakios learned of the German emperor’s movement, he sent an envoy to Ṣalāḥ al-Dīn and promised that he would prevent Friedrich from passing through the Byzantine land.After the year-long preparations, Friedrich finally moved from Regensburg to the East in May 1189. His enormously large and well- organized army seemed almost invincible. Barbarossa passed Hungary, where he was welcomed by King Bela, and by crossing the Danube near Belgrade, he entered the Byzantine territory in 1189. The Crusader army was said to have 50,000 horsemen and 100,000 infantrymen. Meanwhile, the Serbs and Bulgarians’ attempt to form an alliance with the German emperor destressed the Byzantines.Because of the events in the Balkans, the relations between the two sides became so bad that Friedrich even contemplated attacking Istanbul. Eventually, Friedrich, who intended to arrive in Palestine after spending the winter months in Adrianople, went to Gallipoli in March 1190, and by crossing through the Dardanelles into Anatolia, he entered the path that Alexander the Great had followed about 15 centuries prior. After crossing the Granikos Stream and the Angelokomites River, the Crusaders followed a Byzantine military road between Miletopolis and today’s Balikesir (Akhyraous), and they moved southward through Balikesir-Ala Shehir before heading toward Seljuḳ territory after the Byzantine border town of Laodiceia (Denizli). The German emperor thought that he would easily pass from Anatolia, in accordance with the old friendship and the agreements between Ḳilidj Arslan II and him. In the last two years, he sent ambassadors to the sultan several times, and he stated that his intention was to go to Jerusalem. When the German army was in Adrianople, Sultan Ḳilidj Arslan and his son Malik Shah’s envoys had gone to Friedrich and promised to help him. Meanwhile, the Anatolian Seljuk State had lost its political unity. Sultan Ḳilidj Arslan did not actually have power. The feuds for the throne had begun among the Maliks soon after he allocated the country between his 11 sons in 1187. Because of these circumstances, the Turks were not in a position to openly fight against this enormous army, but they also did not want to let them pass through Anatolia. As a result, they followed the German Crusader army and harassed them. In the meantime, the Turkmens, who acted on their own at the borders, also pursued the Crusaders along the road from Denizli. The Turkmens initially retreated to the mountains and grazed large herds of animals (around 5,000) along the Germans’ way and therefore condemned the horses of the Crusaders to starvation. Then they suddenly attacked the Crusaders, who were devastated by fatigue and starvation. As&nbsp;a result of these attacks in the mountains and passages in the Uluborlu region, the Germans suffered great losses. While the attacks of the Turkmens continued along the way, the Germans were forced to carry out a series of fierce battles (from April 28 to May 18). The Turks also continued their activities around the Crusader camp at nights, shouting and shooting arrows until the morning, causing the Germans sleepless and troubled nights. In the meantime, under the rain of arrows that pierced the tents, the Crusaders were sometimes killed while they were asleep. For this reason, most of the Crusaders were unable to remove their armor at night for weeks. This situation created an exasperating impact on them. Also, the water resources along the way of the Crusader army were rendered unusable, all kinds of foodstuffs were destroyed, cities were evacuated, and the people hid in the forests and mountains.As a result of the war tactics applied by the Turks, the German army, which was miserable because of both the lack of food and water and the constant Turkish attacks, suffered heavy losses. They set Aḳshehir on fire and marched toward Iconium (Konya). After a fierce battle, Emperor Friedrich finally managed to enter Iconium by force on May 18th. However, after leaving Iconium, Friedrich drowned while crossing the Saleph River (Silifke /Salūḳiya). As a result of this, the German army disbanded (June 10, 1190), and only a small part of the army, led by his son Friedrich VI of Swabia, reached Acre.

HAÇLI ORDULARININ ANADOLU’DA SELÇUKLU TOPRAKLARINA SON GİRİŞİ: İMPARATOR FRIEDRICH BARBAROSSA’NIN HAÇLI SEFERİ (1189-1190)

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Tarih Dergisi (Turk J Hist), İstanbul Üniversitesi Edebiyat Fakültesi’nin çift-kör hakemli açık erişimli bilimsel yayın organıdır. Dergi Şubat, Haziran ve Ekim aylarında olmak üzere, yılda üç sayı olarak yayınlanır. Yayın dili Türkçe ve İngilizce’dir.

Tarih Dergisi (Turk J Hist); ulusal, bölgesel tarih ve dünya tarihiyle ilgili her konuyu kapsayan araştırma makalesi ve çeviri makaleler yayınlamaktadır. Dergide aynı zamanda eleştiri ve değerlendirme yazılarına da yer verilmektedir.

Tarih Dergisi (Turk J Hist); ulusal, bölgesel tarih ve dünya tarihiyle ilgili her konuyu kapsayan nitelikli makaleler yayınlayarak, literatüre katkıda bulunmayı amaçlar. 

Tarih Dergisi (Turk J Hist); ulusal, bölgesel tarih ve dünya tarihiyle ilgili araştırma makalesi ve çeviri makaleler yayınlamaktadır. Dergide aynı zamanda eleştiri ve değerlendirme yazılarına da yer verilmektedir.

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Tarih Dergisi (Turk J Hist); ulusal, bölgesel tarih ve dünya tarihiyle ilgili her konuyu kapsayan nitelikli makaleler yayınlayarak, literatüre katkıda bulunmayı amaçlar. Tarih Dergisi (Turk J Hist); ulusal, bölgesel tarih ve dünya tarihiyle ilgili araştırma makalesi ve çeviri makaleler yayınlamaktadır. Dergide aynı zamanda eleştiri ve değerlendirme yazılarına da yer verilmektedir.

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SCOPUSWeb of Science Emerging Sources Citation Index (ESCI)TÜBİTAK ULAKBİM TR Dizin  EBSCO Historical AbstractsEBSCO Historical Abstracts with Full TextDOAJERIH PLUSSOBİAD

Dizinler

Dergi yayın etiğinde en yüksek standartlara bağlıdır ve Committee on Publication Ethics (COPE), Directory of Open Access Journals (DOAJ), Open Access Scholarly Publishers Association (OASPA) ve World Association of Medical Editors (WAME) tarafından yayınlanan etik yayıncılık ilkelerini benimser; Principles of Transparency and Best Practice in Scholarly Publishing başlığı altında ifade edilen ilkeler için: <a href="https://publicationethics.org/resources/guidelines-new/principles-transparency-and-best-practice-scholarly-publishing" target="_blank">https://publicationethics.org/resources/guidelines-new/principles-transparency-and-best-practice-scholarly-publishing</a> Gönderilen makaleler derginin amaç ve kapsamına uygun olmalıdır. Orijinal, yayınlanmamış ve başka bir dergide değerlendirme sürecinde olmayan, her bir yazar tarafından içeriği ve gönderimi onaylanmış yazılar değerlendirmeye kabul edilir. Makale yayınlanmak üzere Dergiye gönderildikten sonra yazarlardan hiçbirinin ismi, tüm yazarların yazılı izni olmadan yazar listesinden silinemez ve yeni bir isim yazar olarak eklenemez ve yazar sırası değiştirilemez.İntihal, duplikasyon, sahte yazarlık/inkar edilen yazarlık, araştrma/veri fabrikasyonu, makale dilimleme, dilimleyerek yayın, telif hakları ihlali ve çıkar çatışmasının gizlenmesi, etik dışı davranışlar olarak kabul edilir. Kabul edilen etik standartlara uygun olmayan tüm makaleler yayından çıkarılır. Buna yayından sonra tespit edilen olası kuraldışı, uygunsuzluklar içeren makaleler de dahildir.İntihal Ön kontrolden geçirilen makaleler, iThenticate yazılımı kullanılarak intihal için taranır. İntihal/kendi kendine intihal tespit edilirse yazarlar bilgilendirilir. Editörler, gerekli olması halinde makaleyi değerlendirme ya da üretim sürecinin çeşitli aşamalarında intihal kontrolüne tabi tutabilirler. Yüksek benzerlik oranları, bir makalenin kabul edilmeden önce ve hatta kabul edildikten sonra reddedilmesine neden olabilir. Makalenin türüne bağlı olarak, bunun oranın %15 veya %20'den az olması beklenir.Çift Kör Hakemlikİntihal kontrolünden sonra, uygun olan makaleler baş editör tarafından orijinallik, metodoloji, işlenen konunun önemi ve dergi kapsamı ile uyumluluğu açısından değerlendirilir. Editör, makalelerin adil bir şekilde çift taraflı kör hakemlikten geçmesini sağlar ve makale biçimsel esaslara uygun ise, gelen yazıyı yurtiçinden ve /veya yurtdışından en az iki hakemin değerlendirmesine sunar, hakemler gerek gördüğü takdirde yazıda istenen değişiklikler yazarlar tarafından yapıldıktan sonra yayınlanmasına onay verir.

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Dergi açık erişimlidir ve derginin tüm içeriği okura ya da okurun dahil olduğu kuruma ücretsiz olarak sunulur. Okurlar, ticari amaç haricinde, yayıncı ya da yazardan izin almadan dergi makalelerinin tam metnini okuyabilir, indirebilir, kopyalayabilir, arayabilir ve link sağlayabilir. Bu <a href="https://www.budapestopenaccessinitiative.org/translations/turkish-translation" target="_blank">BOAI</a> açık erişim tanımıyla uyumludur. Derginin açık erişimli makaleleri Creative Commons Atıf-GayrıTicari 4.0 Uluslararası (<a href="https://creativecommons.org/licenses/by-nc/4.0/deed.tr" target="_blank">CC BY-NC 4.0</a>) olarak lisanslıdır.

Derginin tüm giderleri İstanbul Üniversitesi tarafından karşılanmaktadır. Dergide makale yayını ve makale süreçlerinin yürütülmesi ücrete tabi değildir. Dergiye gönderilen ya da yayın için kabul edilen makaleler için işlemleme ücreti ya da gönderim ücreti alınmaz.

Yazarlar dergide yayınlanan çalışmalarının telif hakkına sahiptirler ve çalışmaları  Creative Commons Atıf-GayrıTicari 4.0 Uluslararası (<a href="https://creativecommons.org/licenses/by-nc/4.0/deed.tr" target="_blank">CC BY-NC 4.0</a>) olarak lisanslıdır. CC BY-NC 4.0 lisansı, eserin ticari kullanım dışında her boyut ve formatta paylaşılmasına, kopyalanmasına, çoğaltılmasına ve orijinal esere uygun şekilde atıfta bulunmak kaydıyla yeniden düzenleme, dönüştürme ve eserin üzerine inşa etme dâhil adapte edilmesine izin verir.

Editörler, yayınlanan makalede, bulguları, yorumları ve sonuçları etkilemeyen küçük hatalar tespit edilirse düzeltme yayınlamayı düşünebilirler. Editörler, bulguları ve sonuçları geçersiz kılan büyük hatalar / ihlaller söz konusu olduğunda, makaleyi geri çekmeyi düşünmelidir. Yazarlar tarafından araştırma veya yayını kötüye kullanmaya yönelik olasılık söz konusu ise; bulguların güvenilir olmadığına ve yazarların kurumlarının olayı soruşturmadığına dair kanıtlar var veya olası soruşturma haksız veya sonuçsuz görünüyor ise, editörler endişe ifadesi yayınlamayı düşünmelidir. Düzeltme, geri çekme veya endişe ifadesi ile ilgili olarak COPE ve ICJME yönergeleri dikkate alınır.

Dergide yayınlanan tüm yazıların korunmasını ve kalıcı olarak erişilebilir olmasını sağlamak için makaleler, ulusal bir arşiv sitesi olarak hizmet veren ve aynı zamanda LOCKSS'in içeriği toplamasına, korumasına ve sunmasına izin veren Dergipark'ta saklanmaktadır.Ek olarak, yazarların kendilerinin makalelerinin son PDF sürümünü Open Archives Initiative (<a href="https://www.openarchives.org/" target="_blank">https://www.openarchives.org/</a>) standartlarına uygun açık elektronik arşivlerde arşivlemeleri önerilir. Yazarlar, yayınladıkları arşiv versiyonundan, İ.Ü. Yayınevinin dergi web sitesinin URL'sine bağlantı sağlamalıdır.

Tarih Dergisi (Türk J Hist), yayın etiğinde en yüksek standartlara bağlıdır ve Committee on Publication Ethics (COPE), Directory of Open Access Journals (DOAJ), Open Access Scholarly Publishers Association (OASPA) ve World Association of Medical Editors (WAME) tarafından yayınlanan etik yayıncılık ilkelerini benimser; Principles of Transparency and Best Practice in Scholarly Publishing başlığı altında ifade edilen ilkeler için: <a href="https://publicationethics.org/resources/guidelines-new/principles-transparency-and-best-practice-scholarly-publishing" target="_blank">https://publicationethics.org/resources/guidelines-new/principles-transparency-and-best-practice-scholarly-publishing</a> Gönderilen tüm makaleler orijinal, yayınlanmamış ve başka bir dergide değerlendirme sürecinde olmamalıdır. Her bir makale editörlerden biri ve en az iki hakem tarafından çift kör değerlendirmeden geçirilir. İntihal, duplikasyon, sahte yazarlık/inkar edilen yazarlık, araştrma/veri fabrikasyonu, makale dilimleme, dilimleyerek yayın, telif hakları ihlali ve çıkar çatışmasının gizlenmesi, etik dışı davranışlar olarak kabul edilir.Kabul edilen etik standartlara uygun olmayan tüm makaleler yayından çıkarılır. Buna yayından sonra tespit edilen olası kuraldışı, uygunsuzluklar içeren makaleler de dahildir.

Etik

Tarih Dergisi araştırma etiğinde en yüksek standartları gözetir ve aşağıda tanımlanan uluslararası araştırma etiği ilkelerini benimser. Makalelerin etik kurallara uygunluğu yazarların sorumluluğundadır.<ul><li>Araştırmanın tasarlanması, tasarımın gözden geçirilmesi ve araştırmanın yürütülmesinde, bütünlük, kalite ve şeffaflık ilkeleri sağlanmalıdır.</li><li>Araştırma ekibi ve katılımcılar, araştırmanın amacı, yöntemleri ve öngörülen olası kullanımları; araştırmaya katılımın gerektirdikleri ve varsa riskleri hakkında tam olarak bilgilendirilmelidir.</li><li>Araştırma katılımcılarının sağladığı bilgilerin gizliliği ve yanıt verenlerin gizliliği sağlanmalıdır. Araştırma katılımcıların özerkliğini ve saygınlığını koruyacak şekilde tasarlanmalıdır.</li><li>Araştırma katılımcıları gönüllü olarak araştırmada yer almalı, herhangi bir zorlama altında olmamalıdırlar.</li><li>Katılımcıların zarar görmesinden kaçınılmalıdır. Araştırma, katılımcıları riske sokmayacak şekilde planlanmalıdır.</li><li>Araştırma bağımsızlığıyla ilgili açık ve net olunmalı; çıkar çatışması varsa belirtilmelidir.</li><li>Deneysel çalışmalarda, araştırmaya katılmaya karar veren katılımcıların yazılı bilgilendirilmiş onayı alınmalıdır. Çocukların ve vesayet altındakilerin veya tasdiklenmiş akıl hastalığı bulunanların yasal vasisinin onayı alınmalıdır.</li><li>Çalışma herhangi bir kurum ya da kuruluşta gerçekleştirilecekse bu kurum ya da kuruluştan çalışma yapılacağına dair onay alınmalıdır.</li><li>İnsan öğesi bulunan çalışmalarda, “yöntem” bölümünde katılımcılardan “bilgilendirilmiş onam” alındığının ve çalışmanın yapıldığı kurumdan etik kurul onayı alındığı belirtilmesi gerekir.</li></ul>

Makalelerin bilimsel ve etik kurallara uygunluğu yazarların sorumluluğundadır. Yazar makalenin orijinal olduğu, daha önce başka bir yerde yayınlanmadığı ve başka bir yerde, başka bir dilde yayınlanmak üzere değerlendirmede olmadığı konusunda teminat sağlamalıdır. Uygulamadaki telif kanunları ve anlaşmaları gözetilmelidir. Telife bağlı materyaller (örneğin tablolar, şekiller veya büyük alıntılar) gerekli izin ve teşekkürle kullanılmalıdır. Başka yazarların, katkıda bulunanların çalışmaları ya da yararlanılan kaynaklar uygun biçimde kullanılmalı ve referanslarda belirtilmelidir.Gönderilen makalede tüm yazarların akademik ve bilimsel olarak doğrudan katkısı olmalıdır, bu bağlamda “yazar” yayınlanan bir araştırmanın kavramsallaştırılmasına ve dizaynına, verilerin elde edilmesine, analizine ya da yorumlanmasına belirgin katkı yapan, yazının yazılması ya da bunun içerik açısından eleştirel biçimde gözden geçirilmesinde görev yapan birisi olarak görülür. Yazar olabilmenin diğer koşulları ise, makaledeki çalışmayı planlamak veya icra etmek ve / veya revize etmektir. Fon sağlanması, veri toplanması ya da araştırma grubunun genel süpervizyonu tek başına yazarlık hakkı kazandırmaz. Yazar olarak gösterilen tüm bireyler sayılan tüm ölçütleri karşılamalıdır ve yukarıdaki ölçütleri karşılayan her birey yazar olarak gösterilebilir. Yazarların isim sıralaması ortak verilen bir karar olmalıdır. Tüm yazarlar yazar sıralamasını <a href="https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/BCBF605901234F42B7485526E85D55E1" target="_blank">Telif Hakkı Anlaşması Formunda</a> imzalı olarak belirtmek zorundadırlar.Yazarlık için yeterli ölçütleri karşılamayan ancak çalışmaya katkısı olan tüm bireyler “teşekkür / bilgiler” kısmında sıralanmalıdır. Bunlara örnek olarak ise sadece teknik destek sağlayan, yazıma yardımcı olan ya da sadece genel bir destek sağlayan, finansal ve materyal desteği sunan kişiler verilebilir.Bütün yazarlar, araştırmanın sonuçlarını ya da bilimsel değerlendirmeyi etkileyebilme potansiyeli olan finansal ilişkiler, çıkar çatışması ve çıkar rekabetini beyan etmelidirler. Bir yazar kendi yayınlanmış yazısında belirgin bir hata ya da yanlışlık tespit ederse, bu yanlışlıklara ilişkin düzeltme ya da geri çekme için editör ile hemen temasa geçme ve işbirliği yapma sorumluluğunu taşır.

Baş editör, makaleleri, yazarların etnik kökeninden, cinsiyetinden,  uyruğundan, dini inancından ve siyasi felsefesinden bağımsız olarak değerlendirir. Yayına gönderilen makalelerin adil bir şekilde çift taraflı kör hakem değerlendirmesinden geçmelerini sağlar. Gönderilen makalelere ilişkin tüm bilginin, makale yayınlanana kadar gizli kalacağını garanti eder. Baş editör içerik ve yayının toplam kalitesinden sorumludur. Gereğinde hata sayfası yayınlamalı ya da düzeltme yapmalıdır.Baş editör; yazarlar, editörler ve hakemler arasında çıkar çatışmasına izin vermez. Hakem atama konusunda tam yetkiye sahiptir ve dergide yayınlanacak makalelerle ilgili nihai kararı vermekle yükümlüdür.Hakemlerin araştırmayla ilgili, yazarlarla ve/veya araştırmanın finansal destekçileriyle çıkar çatışmaları olmamalıdır. Değerlendirmelerinin sonucunda tarafsız bir yargıya varmalıdırlar. Gönderilmiş yazılara ilişkin tüm bilginin gizli tutulmasını sağlamalı ve yazar tarafında herhangi bir telif hakkı ihlali ve intihal fark ederlerse editöre raporlamalıdırlar. Hakem, makale konusu hakkında kendini vasıflı hissetmiyor ya da zamanında geri dönüş sağlaması mümkün görünmüyorsa, editöre bu durumu bildirmeli ve hakem sürecine kendisini dahil etmemesini istemelidir.Değerlendirme sürecinde editör hakemlere gözden geçirme için gönderilen makalelerin, yazarların özel mülkü olduğunu ve bunun imtiyazlı bir iletişim olduğunu açıkça belirtir. Hakemler ve yayın kurulu üyeleri başka kişilerle makaleleri tartışamazlar. Hakemlerin kimliğinin gizli kalmasına özen gösterilmelidir. Bazı durumlarda editörün kararıyla, ilgili hakemlerin makaleye ait yorumları aynı makaleyi yorumlayan diğer hakemlere gönderilerek hakemlerin bu süreçte aydınlatılması sağlanabilir.

Daha önce yayınlanmamış ya da yayınlanmak üzere başka bir dergide halen değerlendirmede olmayan ve her bir yazar tarafından onaylanan makaleler değerlendirilmek üzere kabul edilir. Gönderilen ve ön kontrolü geçen makaleler iThenticate yazılımı kullanılarak intihal için taranır. İntihal kontrolünden sonra, uygun olan makaleler baş editör tarafından orijinallik, metodoloji, işlenen konunun önemi ve dergi kapsamı ile uyumluluğu açısından değerlendirilir.Seçilen makaleler en az iki ulusal/uluslararası hakeme çift taraflı kör hakemlik ile değerlendirmeye gönderilir; yayın kararı, hakemlerin talepleri doğrultusunda yazarların gerçekleştirdiği düzenlemelerin ve hakem sürecinin sonrasında baş editör tarafından verilir.

Hakemlik Hakkında

Baş editör, makaleleri, yazarların etnik kökeninden, cinsiyetinden, uyruğundan, dini inancından ve siyasi felsefesinden bağımsız olarak değerlendirirler. Yayına gönderilen makalelerin adil bir şekilde çift taraflı kör hakem değerlendirmesinden geçmelerini sağlar. Gönderilen makalelere ilişkin tüm bilginin, makale yayınlanana kadar gizli kalacağını garanti eder. Baş editör içerik ve yayının toplam kalitesinden sorumludur. Gereğinde hata sayfası yayınlamalı ya da düzeltme yapmalıdır. Baş editör; yazarlar, editörler ve hakemler arasında çıkar çatışmasına izin vermez. Hakem atama konusunda tam yetkiye sahiptir ve dergide yayınlanacak makalelerle ilgili nihai kararı vermekle yükümlüdür.Hakemler, araştırma, yazarlar ve/veya araştırmaya fon sağlayanlarla çıkar çatışması içinde olmamalıdır. Hakemler değerlendirmelerinin sonucunda tarafsız bir yargıya varmalıdırlar. Gönderilmiş yazılara ilişkin tüm bilginin gizli tutulmasını sağlamalı ve yazar tarafında herhangi bir telif hakkı ihlali ve intihal fark ederlerse editöre raporlamalıdırlar. Hakem, makale konusu hakkında kendini vasıflı hissetmiyor ya da zamanında geri dönüş sağlaması mümkün görünmüyorsa, editöre bu durumu bildirmeli ve hakem sürecine kendisini dahil etmemesini istemelidir.Değerlendirme sürecinde editör hakemlere gözden geçirme için gönderilen makalelerin, yazarların özel mülkü olduğunu ve bunun imtiyazlı bir iletişim olduğunu açıkça belirtir. Hakemler ve yayın kurulu üyeleri başka kişilerle makaleleri tartışamazlar. Hakemlerin kimliğinin gizli kalmasına özen gösterilmelidir. Bazı durumlarda editörün kararıyla, ilgili hakemlerin makaleye ait yorumları aynı makaleyi yorumlayan diğer hakemlere gönderilerek hakemlerin bu süreçte aydınlatılması sağlanabilir.

Daha önce yayınlanmamış ya da yayınlanmak üzere başka bir dergide halen değerlendirmede olmayan ve her bir yazar tarafından onaylanan makaleler değerlendirilmek üzere kabul edilir. Gönderilen ve ön kontrolü geçen makaleler iThenticate yazılımı kullanılarak intihal için taranır. İntihal kontrolünden sonra, uygun olan makaleler baş editör tarafından orijinallik, metodoloji, işlenen konunun önemi ve dergi kapsamı ile uyumluluğu açısından değerlendirilir.Baş Editör, makaleleri, yazarların etnik kökeninden, cinsiyetinden, uyruğundan, dini inancından ve siyasi felsefesinden bağımsız olarak değerlendirir. Yayına gönderilen makalelerin adil bir şekilde çift taraflı kör hakem değerlendirmesinden geçmelerini sağlar.Seçilen makaleler en az iki ulusal/uluslararası hakeme değerlendirmeye gönderilir; yayın kararı, hakemlerin talepleri doğrultusunda yazarların gerçekleştirdiği düzenlemelerin ve hakem sürecinin sonrasında baş editör tarafından verilir.Baş editör; yazarlar, editörler ve hakemler arasında çıkar çatışmasına izin vermez. Hakem atama konusunda tam yetkiye sahiptir ve dergide yayınlanacak makalelerle ilgili nihai kararı vermekle yükümlüdür.Hakemlerin değerlendirmeleri objektif olmalıdır. Hakem süreci sırasında hakemlerin aşağıdaki hususları dikkate alarak değerlendirmelerini yapmaları beklenir.-Makale yeni ve önemli bir bilgi içeriyor mu?-Öz, makalenin içeriğini net ve düzgün bir şekilde tanımlıyor mu?-Yöntem bütünlüklü ve anlaşılır şekilde tanımlanmış mı?-Yapılan yorum ve varılan sonuçlar bulgularla kanıtlanıyor mu?-Alandaki diğer çalışmalara yeterli referans verilmiş mi?-Dil kalitesi yeterli mi?Hakemler, gönderilen makalelere ilişkin tüm bilginin, makale yayınlanana kadar gizli kalmasını sağlamalı ve yazar tarafında herhangi bir telif hakkı ihlali ve intihal fark ederlerse editöre raporlamalıdırlar. Hakem, makale konusu hakkında kendini vasıflı hissetmiyor ya da zamanında geri dönüş sağlaması mümkün görünmüyorsa, editöre bu durumu bildirmeli ve hakem sürecine kendisini dahil etmemesini istemelidir.Değerlendirme sürecinde editör hakemlere gözden geçirme için gönderilen makalelerin, yazarların özel mülkü olduğunu ve bunun imtiyazlı bir iletişim olduğunu açıkça belirtir. Hakemler ve yayın kurulu üyeleri başka kişilerle makaleleri tartışamazlar. Hakemlerin kimliğinin gizli kalmasına özen gösterilmelidir.

Dil Dergide Türkçe ve İngilizce makaleler yayınlanır. Gönderilen makalelerde makale dilinde öz, İngilizce öz olmalıdır. Yazıların Hazırlanması ve Gönderimi Makaleler sadece <a href="https://dergipark.org.tr/tr/pub/iutarih" target="_blank">https://dergipark.org.tr/tr/pub/iutarih</a> adresinde yer alan derginin online makale yükleme ve değerlendirme sistemi üzerinden gönderilebilir. Diğer mecralardan gönderilen makaleler değerlendirilmeye alınmayacaktır. Gönderilen makalelerin dergi yazım kurallarına uygunluğu ilk olarak Editoryal Ofis tarafından kontrol edilecek, dergi yazım kurallarına uygun hazırlanmamış makaleler teknik düzeltme talepleri ile birlikte yazarlarına geri gönderilecektir. Yazarların; <a href="https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/BCBF605901234F42B7485526E85D55E1" target="_blank">Telif Hakkı Anlaşması Formu’nu</a> ilk gönderim sırasında online makale sistemine yüklemeleri gerekmektedir. Tarih Dergisi’ne gönderilen tüm yazılar, A4 boyutunda MS Word uyumlu programda Times New Roman yazı karakterinde 11 punto olarak yazılmalıdır.Türkçe hazırlanan makalelerde TDK yazım kılavuzu esas alınır. <a href="https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/F358B490D3384A8383B44DD531C9EF9B" target="_blank">Kapak sayfası</a>: Gönderilen tüm makalelerle birlikte ayrı bir kapak sayfası da gönderilmelidir. Bu sayfa; • Makalenin başlığını ve 50 karakteri geçmeyen kısa başlığını, • Yazarların isimlerini, kurumlarını ve eğitim derecelerini, • Yazarların ORCID numaralarını • Finansal destek bilgisi ve diğer destek kaynakları hakkında detaylı bilgiyi, • Sorumlu yazarın ismi, adresi, telefonu (cep telefonu dahil), faks numarası ve e-posta adresini, • Makale hazırlama sürecine katkıda bulunan ama yazarlık kriterlerini karşılamayan bireylerle ilgili bilgileri • Makale daha önceden bir bilimsel toplantıda sunulduysa, ilgili bilimsel toplantının detaylı bilgilerini içermelidir. Özet: Özgün araştırma makalelerinde 80 kelimeyi aşmayan Türkçe ve İngilizce özet bulunmalıdır. Özet bölümü alt başlık içermeyecek şekilde hazırlanmalıdır. İngilizce genişletilmiş özet: Türkçe yazılan makalelerin uluslararası platformda görünürlüğü ve atıf oranını arttırmak amacıyla, yalnızca araştırma makaleleri için 1.000 kelimelik İngilizce geniş özet hazırlanıp sisteme yüklenmelidir. İngilizce geniş özet makalenin hipotezini, çıkarımlarını ve yorumların kapsamlı bir biçimde özetleyecek şekilde hazırlanmalıdır. Anahtar Sözcükler: Araştırma makaleleri en az 3 en fazla 6 anahtar kelimeyle birlikte gönderilmelidir. Anahtar kelimeler İngilizce ve Türkçe olarak hazırlanıp ilgili özetin altına yazılmalıdır. Makale Türleri Araştırma Makalesi: Ana metin, araştırmanın konusuna uygun şekilde alt başlıklara ayrılmalıdır. Alt başlıklar konusunda yazarlar serbest bırakılmışlardır. Çeviri: Çeviri türündeki yazılarda, orijinal makalenin yazarından alınan izin ile orijinal makalenin bir kopyası ve asıl metnin tam bibliyografik künye bilgilerini içeren dosyalar da online makale sistemine yüklenmelidir. Tablolar Tablolar ana dosyaya eklenmeli, kaynak listesi sonrasında sunulmalı, ana metin içerisindeki geçiş sıralarına uygun olarak numaralandırılmadır. Tabloların üzerinde tanımlayıcı bir başlık yer almalı ve tablo içerisinde geçen kısaltmaların açılımları tablo altına tanımlanmalıdır. Tablolar Microsoft Office Word dosyası içinde “Tablo Ekle” komutu kullanılarak hazırlanmalı ve kolay okunabilir şekilde düzenlenmelidir. Tablolarda sunulan veriler ana metinde sunulan verilerin tekrarı olmamalı; ana metindeki verileri destekleyici nitelikte olmalılar Resim ve Resim Altyazıları Resimler, grafikler ve fotoğraflar (TIFF ya da JPEG formatında) ayrı dosyalar halinde sisteme yüklenmelidir. Görseller bir Word dosyası dokümanı ya da ana doküman içerisinde sunulmamalıdır. Alt birimlere ayrılan görseller olduğunda, alt birimler tek bir görsel içerisinde verilmemelidir. Her bir alt birim sisteme ayrı bir dosya olarak yüklenmelidir. Resimler alt birimleri belli etme amacıyla etiketlenmemelidir (a, b, c vb.). Resimlerde altyazıları desteklemek için kalın ve ince oklar, ok başları, yıldızlar, asteriksler ve benzer işaretler kullanılabilir. Makalenin geri kalanında olduğu gibi resimler de kör olmalıdır. Bu sebeple, resimlerde yer alan kişi ve kurum bilgileri de körleştirilmelidir. Görsellerin minimum çözünürlüğü 300DPI olmalıdır. Değerlendirme sürecindeki aksaklıkları önlemek için gönderilen bütün görsellerin çözünürlüğü net ve boyutu büyük (minimum boyutlar 100x100 mm) olmalıdır. Resim altyazıları ana metnin sonunda yer almalıdır. Makale içerisinde geçen tüm kısaltmalar, ana metin ve özette ayrı ayrı olmak üzere ilk kez kullanıldıkları yerde tanımlanarak kısaltma tanımın ardından parantez içerisinde verilmelidir. Tüm kaynaklar, tablolar ve resimlere ana metin içinde uygun olan yerlerde sırayla numara verilerek atıf yapılmalıdır. Revizyonlar Yazarlar makalelerinin revizyon dosyalarını gönderirken, hakemlerin istediği düzeltmeleri ve hakemlerin sorularına yanıtlarını ana metin içerisinde renklendirerek belirtmelidir. Revize makaleler karar mektubunu takip eden 30 gün içerisinde dergiye gönderilmelidir. Makalenin revize versiyonu belirtilen süre içerisinde yüklenmezse, revizyon seçeneği iptal olabilir. Yazarların revizyon için ek süreye ihtiyaç duymaları durumunda uzatma taleplerini ilk 30 gün sona ermeden dergiye iletmeleri gerekmektedir. Yayına kabul edilen makaleler dil bilgisi, noktalama ve biçim açısından kontrol edilir. Yayın süreci tamamlanan makaleler, yayın planına dahil edildikleri sayıyla birlikte yayınlanmadan önce erken çevrimiçi formatında dergi web sitesinde yayına alınır. Kabul edilen makalelerin baskıya hazır PDF dosyaları sorumlu yazarlara iletilir ve yayın onaylarının 2 gün içerisinde dergiye iletilmesi istenir.

Yazım Kuralları

Referans Stili ve Formatı Yayınlara atıf yapılırken en son, en güncel yayınlar tercih edilmelidir. Kaynakların doğruluğundan yazar(lar) sorumludur. Referanslar dip not sistemine uygun olarak belirtilmelidir. Metin içi referansları ve kaynakça bölümü için dikkat edilmesi gereken detaylar aşağıda belirtilmiştir. Metin içi referanslar üst simge ile 1’den başlayarak gösterilmelidir. Dipnotlar, Times New Roman yazı karakterinde, 9 punto tek aralık yazılmalıdır. Tüm noktalama işaretlerinden sonra bir boşluk bırakılmalı ve tüm dipnotların sonuna, mutlaka nokta konulmalıdır. Metin içindeki atıflar sayfa altına dipnot şeklinde 1’den başlayarak numaralandırılmalıdır. Bunun dışında metin içinde atıf yapılmamalıdır. Dipnotlarda kaynaklar verilirken, kitap ve dergi ismi italik olmalı, makale isimleri tırnak içerisinde düz olarak verilmelidir. Dipnotlarda, ilk geçtiği yerde yazar ismi ve kaynak künyesi tam olarak verilmeli, daha sonra sadece yazar soyadı ve a.g.e., a.g.m., veya a.g.t. gibi yazarın belirlediği kısaltmalarla yazılmalıdır. Bir yazarın birden fazla kitap ve makalesi kullanılıyorsa ikinci eserin ilk kullanımından sonra, yazarın soyadı, sonra kitap veya makalenin kısaltılmış adı verilmelidir. Çok yazarlı kaynakların ilk geçtiği yerde yazarların tümü yazılmalı, daha sonrakilerde kısaltılarak verilmelidir. Dipnotlarda makale, kitap içinde bölüm veya ansiklopedi maddesinin tamamına yönelik bir atıf mevcutsa, başlangıç ve bitiş sayfaları gösterilmelidir. Örnekler: Kitap: Mübahat S. Kütükoğlu, Menteşe Sancağı 1830 (Nüfus ve Toplum Yapısı), TTK Yay., Ankara 2010, s. 115. Sonraki atıflarda: Kütükoğlu, a.g.e., s. 123 ya da Kütükoğlu, s. 123. Bir yazarın birden fazla yayınına atıf yapılacak ise, ilk atıfta tam künye verilmeli; daha sonra yine kullanılacaksa nasıl kısaltılacağı parantez içerisinde gösterilmelidir: Arzu Terzi, Hazine-i Hassa Nezareti, TTK Yay., Ankara 2000, s. 98 (Terzi, Hazine-i Hassa). Eserin cildine işaret etmek için (cilt ya da c. yazılmadan) sadece Romen rakamıyla cilt sayısı yazılmalıdır: Hoca Sa‘deddin Efendi, Tâcü’t-tevârîh, I, İstanbul 1279, 25. Tayyâr-zâde Atâ, Osmanlı Saray Tarihi Târîh-i Enderûn, haz. Mehmet Arslan, Kitabevi, III, İstanbul 2010, 138. Çeviri eserler: Philippe du Fresne-Canaye, Fresne-Canaye Seyahatnamesi 1573, çev. Teoman Tunçdoğan, İstanbul 2009, s. 51. Ansiklopedi maddeleri: Feridun M. Emecen, “Başmukataa Kalemi”, DİA, V, 135. Bir yazarın iki ayrı çalışması aynı dipnotta peş peşe gösterilecekse: Mustafa Akdağ, Celali İsyanları, 1550-1603, Anlara 1963, s. 110; keza büyük kaçgunluk için bk. ayn. yzr. ya da ayn.mlf., “Celâlî İsyanlarından Büyük Kaçgunluk, 1603-1606”, Tarih Araştırmaları Dergisi, II/2-3 (Ankara 1964), 1-50. Birden çok yazarlı bir eser kullanılacaksa: Robert Anhegger-Halil İnalcık, Kānūnnāme-i Sultānī Ber Mūceb-i ‛Örf-i ‛Osmānī, II. Mehmed ve II. Bayezid Devirlerine Ait Yasaknāme ve Kānūnnāmeler, TTK Yay., Ankara 2000, s. 25. Aynı eser daha sonraki kullanımlarda sadece yazar soyadlarına yer verilmelidir: Anhegger-İnalcık, a.g.e., s. 36. Makale: Mübahat S. Kütükoğlu, “Osmanlıdan Günümüze Yer Adları”, Belleten, LXXVI/275 (2012), 149. Bekir Kütükoğlu, “Ahmed Cevdet Paşa, Ma‘rûzât”, Güney-Doğu Avrupa Araştırmaları Dergisi, sayı 10-11, İstanbul 1983, s. 251. Mücteba İlgürel, “Şer‘iyye Sicillerinin Toplu Kataloğuna Doğru”, Tarih Dergisi, sayı 28-29 (1975), s. 164.Kitap İçinde Bölüm:Ayten Altıntaş, “Dârüşşifâlar Hakkında”, Karşılıksız Hizmetin Muhteşem Abideleri İstanbul Şifahaneleri, haz. Abdullah Kılıç, İstanbul 2009, s. 19-38.Christoph K. Neumann, “XVIII. Yüzyıl Osmanlı Saray Mutfağında Baharat”, Soframız Nur Hanemiz Mamur, Osmanlı Maddi Kültüründe Yemek ve Barınak, ed. Suraiya Faroqhi - Christoph K. Neumann, İstanbul 2016, s. 145-183.İdris Bostan, “Osmanlı Bahriyesinde Sağlık Hizmetleri”, Osmanlılarda Sağlık, ed. Coşkun Yılmaz-Necdet Yılmaz, İstanbul 2006, c. I, s. 111-115.Sempozyum Tebliğleri: İdris Bostan, “Kuyûd-ı Mühimmat Defterlerinin Osmanlı Teşkilât Tarihi Bakımından Önemi”, OsmanlıTürk Diplomatiği Semineri, 30-31 Mayıs 1994, İstanbul 1995, s. 145. Birden çok yazarlı bir makale: Kayhan Orbay-Hatice Oruç, “Sultan II. Murad’ın Edirne Câmi‘-i Şerîf ve Dârü’l-hadîs Vakfı (1592-1607)”, Tarih Dergisi, sayı 56 (2012/2), İstanbul 2013, s. 10. Aynı makalenin daha sonraki kullanımlarında sadece yazar soyadlarına yer verilmelidir: Orbay-Oruç, a.g.m., s. 15. Çeviri yazıları: Géza Dávid, “XVI. Yüzyılda Osmanlı-Habsburg Mücadelesinin Bir Kaynağı Olarak Mühimme Defterleri”, çev. Özgür Kolçak, Tarih Dergisi, sayı 53 (2011/1), İstanbul 2012, s. 295-349. Aynı soyadlı iki yazarın makalelerinin gösterilmesi: Mübahat S. Kütükoğlu, “Osmanlıdan Günümüze Yer Adları”, Belleten, LXXVI/275 (2012), 149. Bekir Kütükoğlu, “Ahmed Cevdet Paşa, Ma‘rûzât”, Güney-Doğu Avrupa Araştırmaları Dergisi, sayı 10-11, İstanbul 1983, s. 251. Daha sonraki kullanımlarda: M. S. Kütükoğlu, a.g.m., s. 160 ya da B. Kütükoğlu, a.g.m., s. 250. Tez atıflarında; tezi yapan, tez adı (italik), kurum ismi sırasıyla verilmelidir: Sinem Serin, Yıldız Çini/Porselen Fabrikası, İstanbul Üniversitesi Sosyal Bilimler Enstitüsü Tarih Anabilim Dalı Osmanlı Müesseseleri ve Medeniyeti Tarihi Bilim Dalı, Yayınlanmamış Yüksek Lisans Tezi, İstanbul 2009, s. 146.Arşiv Belgelerinin Kullanımı: Arşiv belgeleri dipnotta kullanılırken öncelikle arşivin adı, sonra tasnifin adı, dosya ve evrak numarasına sırasıyla yer verilecektir. Tasnif için arşivlerin kullandıkları kısaltmalar kullanılabilir. Kaynakçada bunların açılımı yapılmalıdır. Mesela: BOA, A.MKT, nr. 145/629. Arşivden defter tasnifinden bir bilgi kullanılacaksa: BOA, Maliyeden Müdevver Defterler (MAD), nr. 9146, s. 200. BOA, Mühimme Defteri, nr. 120, s. 103, h. 250. Kaynakça: Makalelerde kullanılan kaynak ve araştırmalar makale sonunda bu başlık altında gösterilmelidir. Kaynakça, bu başlık altında yeni bir sayfadan başlamalı ve 11 punto yazılmalıdır. Sadece dipnotlarda kullanılan kaynaklar yer almalı ve yazarların soyadına göre alfabetik olarak düzenlenmelidir.  Kütükoğlu, Mübahat S., Menteşe Sancağı 1830 (Nüfus ve Toplum Yapısı), TTK Yay., Ankara 2010.Hoca Sa‘deddin Efendi, Tâcü’t-tevârîh, I-II, İstanbul 1279-80.Birden çok yazarlı bir esere yer verilecekse:Anhegger, Robert -Halil İnalcık, Kānūnnāme-i Sultānī Ber Mūceb-i ‛Örf-i ‛Osmānī, II. Mehmed ve II. Bayezid Devirlerine Ait Yasaknāme ve Kānūnnāmeler, TTK Yay., Ankara 2000.Sadece editör veya yayına hazırlayanlar var ise bu isimler kitap adından sonra yer almalıdır:Osmanlı Uygarlığı, yay. haz. Halil İnalcık-Günsel Renda, Kültür Bakanlığı Yay., I-II, Ankara 20093.Kitap içinde bölüm olarak geçen makaleler: Terzi, Arzu, “II. Abdülhamid’in Emlakı ve Irak Petrolleri”, Sultan II. Abdülhamid ve Dönemi, ed. Coşkun Yılmaz, İstanbul 2014, s. 181-188.Çeviri eserler:Fresne-Canaye, Philippe du, Fresne-Canaye Seyahatnamesi 1573, çev. Teoman Tunçdoğan, İstanbul 2009.Kitabın kaçıncı baskısı olduğunu belirtmek üzere basım tarihinin üzerine üst simge şeklinde basım sayısı yazılmalıdır:Terzi, Arzu, Sultan Abdülhamid’in Mirası, Petrol ve Arazi, Timaş Yayınları, İstanbul 20142.Kaynakçada yer alan makalelerde makalenin başlangıç ve bitiş sayfalarına yer verilmelidir:Kütükoğlu, Mübahat S., “Osmanlıdan Günümüze Yer Adları”, Belleten, LXXVI/275 (2012), 147-165.Sempozyum Tebliğleri: Bostan, İdris, “Kuyûd-ı Mühimmat Defterlerinin Osmanlı Teşkilât Tarihi Bakımından Önemi”, Osmanlı-Türk Diplomatiği Semineri, 30-31 Mayıs 1994, İstanbul 1995, s. 143-163.Ansiklopedi maddeleri: Emecen, Feridun M., “Başmukataa Kalemi”, DİA, V, 135.Kaynakçada teze yer verirken; tezi yapan, tez adı (italik), kurum ismi sırasıyla verilmelidir:Arşiv Belgelerinin Gösterilmesi:Kaynakçada dipnotlarda kullanılan arşiv tasnifleri açık bir şekilde yazılır, kısaltma kullanıldıysa bunlar parantez içinde belirtilir. Farklı arşivlerden kaynak çalışması var ise bu arşivler tasniflenir. Dipnotlarda kullanılan arşiv belgelerinin numaraları burada sıralanmalıdır. Başbakanlık Osmanlı Arşivi (BOA)Cevdet Bahriye Evrakı (C.BH), 123/3500; 350/8560.Şura-yı Devlet (ŞD), 21350; 103953.Deniz Tarihi Arşivi (DTA)Bahriye Nezareti (BN), 180/4050; 181/4063; 333/11830.Makale dipnotlarında kullanılacak kısaltmalarTürkçe makaleler için:                                        çev.     :         çeviren                                        trc.      :         tercüme eden                                        yay.     :         yayınlayan                                        haz.     :         hazırlayan                                        sad.     :         sadeleştiren                                        nşr.     :         neşreden                                        ed.      :         editör                                        a.g.e.   :         adı geçen eser                                        a.g.m.  :         adı geçen makale ya da madde                                         a.g.t.    :         adı geçen tez                                        ayn.yzr.         :     aynı yazar                                        ayn.mlf.         :     aynı müellifYabancı Dildeki makaleler için:                                        id.        :         aynı yazar                                        ibid., loc.cit, op.cit., passim      : aynı yerdea.g.e., s. 27; a.g.m., s. 28; a.g.t., s. 29 şeklinde kullanılmalıdır.

Aşağıdaki listede eksik olmadığından emin olun:<ul><li>Makalenin türünün belirtilmiş olduğu</li><li>Başka bir dergiye gönderilmemiş olduğu</li><li>Sponsor veya ticari bir firma ile ilişkisi varsa, bunun belirtildiği</li><li>İngilizce yönünden kontrolünün yapıldığı</li><li>Referansların derginin benimsediği sistemin kurallarına uygun olarak düzenlendiği</li><li>Yazarlara Bilgide detaylı olarak anlatılan dergi politikalarının gözden geçirildiği</li></ul>● <a href="https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/BCBF605901234F42B7485526E85D55E1" target="_blank">Telif Hakkı Anlaşması Formu</a>● Daha önce basılmış materyal (yazı-resim-tablo) kullanılmış ise izin belgesi● <a href="https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/2315C9D1C8BB44849A41C6542283288A" target="_blank">Kapak sayfası</a><ul><li>Makalenin kategorisi</li><li>Makale dilinde ve İngilizce başlık</li><li>Yazarların ismi soyadı, unvanları ve bağlı oldukları kurumlar (üniversite ve fakülte bilgisinden sonra şehir ve ülke bilgisi), e-posta adresleri</li><li>Sorumlu yazarın e-posta adresi, açık yazışma adresi, iş telefonu, GSM, faks nosu</li><li>Tüm yazarların ORCID’leri</li><li>Finansal destek (varsa belirtiniz)</li><li>Çıkar çatışması (varsa belirtiniz)</li><li>Teşekkür (varsa belirtiniz)</li></ul>● Makale ana metni<ul><li>Önemli: Ana metinde yazarın / yazarların kimlik bilgilerinin yer almamış olması gerekir.</li><li>Makale dilinde ve İngilizce başlık</li><li>Öz: 100-150 kelime</li><li>Anahtar Kelimeler: 3-6 adet makale dilinde ve 3-6 adet İngilizce</li><li>Makale ana metin bölümleri</li><li>Kaynaklar</li><li>Tablolar-Resimler, Şekiller (başlık, tanım ve alt yazılarıyla)</li></ul>

<div><a href="https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/BCBF605901234F42B7485526E85D55E1" target="_blank">Telif Hakkı Anlaşması Formu</a><a href="https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/39CA4BB00C8447BFB6DE791FDFF2B4AA" target="_blank">Kapak Sayfası</a></div>

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