Research Article


DOI :10.26650/jtcd.1498433   IUP :10.26650/jtcd.1498433    Full Text (PDF)

Metatheatre and Love in Sarah Ruhl’s Stage Kiss

Büşra Erdurucan

Sarah Ruhl’s Stage Kiss (2011) uses theatre as a metaphor for the condition of the contemporary individual, who is perpetually and fruitlessly in pursuit of an authentic self. The main characters, referred to simply as She and He, are actors performing both in Stage Kiss and in two plays. This layering causes identities, roles, scripts, relationships, and love stories to constantly merge and overlap. The destabilization of identities leads to a relentless, humouroussearch forstability and love, whichRuhl critiques by emphasizing the artificiality of her play’s own construction. Themes such as identity, love, communication, and intimacy are central to the work, situating the audience in a self-aware, metatheatrical world that questions its own form. The characters’ deep uncertainties about their identities preclude resolution, rendering authentic love and genuine connections unattainable.


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APA

Erdurucan, B. (2024). Metatheatre and Love in Sarah Ruhl’s Stage Kiss. Journal of Theatre Criticism and Dramaturgy, 0(39), 82-91. https://doi.org/10.26650/jtcd.1498433


AMA

Erdurucan B. Metatheatre and Love in Sarah Ruhl’s Stage Kiss. Journal of Theatre Criticism and Dramaturgy. 2024;0(39):82-91. https://doi.org/10.26650/jtcd.1498433


ABNT

Erdurucan, B. Metatheatre and Love in Sarah Ruhl’s Stage Kiss. Journal of Theatre Criticism and Dramaturgy, [Publisher Location], v. 0, n. 39, p. 82-91, 2024.


Chicago: Author-Date Style

Erdurucan, Büşra,. 2024. “Metatheatre and Love in Sarah Ruhl’s Stage Kiss.” Journal of Theatre Criticism and Dramaturgy 0, no. 39: 82-91. https://doi.org/10.26650/jtcd.1498433


Chicago: Humanities Style

Erdurucan, Büşra,. Metatheatre and Love in Sarah Ruhl’s Stage Kiss.” Journal of Theatre Criticism and Dramaturgy 0, no. 39 (Jun. 2025): 82-91. https://doi.org/10.26650/jtcd.1498433


Harvard: Australian Style

Erdurucan, B 2024, 'Metatheatre and Love in Sarah Ruhl’s Stage Kiss', Journal of Theatre Criticism and Dramaturgy, vol. 0, no. 39, pp. 82-91, viewed 7 Jun. 2025, https://doi.org/10.26650/jtcd.1498433


Harvard: Author-Date Style

Erdurucan, B. (2024) ‘Metatheatre and Love in Sarah Ruhl’s Stage Kiss’, Journal of Theatre Criticism and Dramaturgy, 0(39), pp. 82-91. https://doi.org/10.26650/jtcd.1498433 (7 Jun. 2025).


MLA

Erdurucan, Büşra,. Metatheatre and Love in Sarah Ruhl’s Stage Kiss.” Journal of Theatre Criticism and Dramaturgy, vol. 0, no. 39, 2024, pp. 82-91. [Database Container], https://doi.org/10.26650/jtcd.1498433


Vancouver

Erdurucan B. Metatheatre and Love in Sarah Ruhl’s Stage Kiss. Journal of Theatre Criticism and Dramaturgy [Internet]. 7 Jun. 2025 [cited 7 Jun. 2025];0(39):82-91. Available from: https://doi.org/10.26650/jtcd.1498433 doi: 10.26650/jtcd.1498433


ISNAD

Erdurucan, Büşra. Metatheatre and Love in Sarah Ruhl’s Stage Kiss”. Journal of Theatre Criticism and Dramaturgy 0/39 (Jun. 2025): 82-91. https://doi.org/10.26650/jtcd.1498433



TIMELINE


Submitted09.06.2024
Accepted28.11.2024
Published Online31.12.2024

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