Research Article


DOI :10.26650/jtcd.1369820   IUP :10.26650/jtcd.1369820    Full Text (PDF)

Splitting out of Class: Family and Social Class as Schizophrenogenic Forces in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme

Merve Hançer

McGuinness’s The Sons of Ulster Marching Towards the Somme (1985) can be considered an exemplary play in which he asserts how historical, political, and social institutions impact individuals, resulting in schizoid states. This study of family and social class as oppressive institutions in Irish society, as reflected in Sons of Ulster, examines the split self of the main character, Kenneth Pyper with respect to Deleuze and Guattari’s1 schizoanalysis theory, which considers the idea of split self into social and self-identity as emancipation from social and political pressures. Pyper’s split self will be interpreted from a cultural–critical standpoint rather than a “clinical schizophrenic” one. In this way, McGuinness criticizes family and social class institutions as schizophrenogenic forces that constrain the individual by splitting the main character into Elder and Younger Pyper in Sons of Ulster.


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APA

Hançer, M. (2023). Splitting out of Class: Family and Social Class as Schizophrenogenic Forces in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme. Journal of Theatre Criticism and Dramaturgy, 0(37), 44-52. https://doi.org/10.26650/jtcd.1369820


AMA

Hançer M. Splitting out of Class: Family and Social Class as Schizophrenogenic Forces in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme. Journal of Theatre Criticism and Dramaturgy. 2023;0(37):44-52. https://doi.org/10.26650/jtcd.1369820


ABNT

Hançer, M. Splitting out of Class: Family and Social Class as Schizophrenogenic Forces in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme. Journal of Theatre Criticism and Dramaturgy, [Publisher Location], v. 0, n. 37, p. 44-52, 2023.


Chicago: Author-Date Style

Hançer, Merve,. 2023. “Splitting out of Class: Family and Social Class as Schizophrenogenic Forces in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme.” Journal of Theatre Criticism and Dramaturgy 0, no. 37: 44-52. https://doi.org/10.26650/jtcd.1369820


Chicago: Humanities Style

Hançer, Merve,. Splitting out of Class: Family and Social Class as Schizophrenogenic Forces in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme.” Journal of Theatre Criticism and Dramaturgy 0, no. 37 (May. 2024): 44-52. https://doi.org/10.26650/jtcd.1369820


Harvard: Australian Style

Hançer, M 2023, 'Splitting out of Class: Family and Social Class as Schizophrenogenic Forces in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme', Journal of Theatre Criticism and Dramaturgy, vol. 0, no. 37, pp. 44-52, viewed 3 May. 2024, https://doi.org/10.26650/jtcd.1369820


Harvard: Author-Date Style

Hançer, M. (2023) ‘Splitting out of Class: Family and Social Class as Schizophrenogenic Forces in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme’, Journal of Theatre Criticism and Dramaturgy, 0(37), pp. 44-52. https://doi.org/10.26650/jtcd.1369820 (3 May. 2024).


MLA

Hançer, Merve,. Splitting out of Class: Family and Social Class as Schizophrenogenic Forces in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme.” Journal of Theatre Criticism and Dramaturgy, vol. 0, no. 37, 2023, pp. 44-52. [Database Container], https://doi.org/10.26650/jtcd.1369820


Vancouver

Hançer M. Splitting out of Class: Family and Social Class as Schizophrenogenic Forces in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme. Journal of Theatre Criticism and Dramaturgy [Internet]. 3 May. 2024 [cited 3 May. 2024];0(37):44-52. Available from: https://doi.org/10.26650/jtcd.1369820 doi: 10.26650/jtcd.1369820


ISNAD

Hançer, Merve. Splitting out of Class: Family and Social Class as Schizophrenogenic Forces in Frank McGuinness’s Observe the Sons of Ulster Marching Towards the Somme”. Journal of Theatre Criticism and Dramaturgy 0/37 (May. 2024): 44-52. https://doi.org/10.26650/jtcd.1369820



TIMELINE


Submitted02.10.2023
Accepted11.12.2023
Published Online21.12.2023

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