Transnationalization of Turkish Television Series

EnglishTürkçe

BÖLÜM


DOI :10.26650/B/SS18.2021.004.005   IUP :10.26650/B/SS18.2021.004.005    Tam Metin (PDF)

“They’re Not That Much Different After All…”. The Reception of Turkish Series by Greeks: Between Alterity and Proximity

Dimitra Laurence Larochelle

Through this article, I aim to present the results of my empirical research concerning the representations of Turkish culture projected by Turkish television soap operas and their reception by Greeks. More precisely, the narrative that nourished the Greek War of Independence, is based not only to the direct descendants of modern Greeks from ancient Greeks but also to the difference between the modern Greek identity and the Turkish culture which was considered as the exact opposite. Thus, negative stereotypes emerged from both sides and these stereotypes dominate collective imaginaries until today. During the period of the economic crisis, as Greek television channels did not have the means to produce local series, they turned to productions from the neighboring country. Turkish television soap operas propose an “alternative modernity” as not only they contain ingredients that conduct the viewer into a fantasy world of globalized consumerism and romantic love that defies national boundaries, but they also project traditional family structures and gender roles. It is this element that differentiates the soap operas in question from the American prototype. This “alternative modernity” seems to be more familiar to Greek audiences than the modernity proposed by occidental television products. As a consequence, through the consumption of Turkish drama series, Greeks have the possibility to re-examine the representation they have for the Turks and are invited to discover not only the cultural differences but also the common traits between the two populations.


Anahtar Kelimeler: Cultural proximity, alterity, intercultural communication, national identities, television drama

Referanslar

  • Allen, R. C. (1989). Bursting Bubbles : ‘Soap opera’, Audiences, and the Limits of Genre. In E. Seiter, H. Borchers, G. Kreutzner, & E.-M. Warth, Remote Control : Television, Audiences, and Cultural Power. Routledge. google scholar
  • Anderson, B. (1991). Imagined Communities: Reflections on the Origin and Spread of Nationalism. Verso. google scholar
  • Ang, I. (2007). Television Fictions Around the World : Melodrama and Irony in Global Perspective. Critical Studies in Television, 2(2), 18-30. google scholar
  • Ang, I. (1985). Watching Dallas : Soap Opera and the Melodramatic Imagination. Methuen. google scholar
  • Appadurai, A. (1996). Modernity at large. University of Minnesota Press. google scholar
  • Barker, C. (1997). Global Television : An Introduction. Wiley-Blackwell. google scholar
  • Buccianti, A. (2010). Dubbed Turkish soap operas conquering the Arab world : Social liberation or cultural alienation? Arab Media & Society, 7, 1-7. google scholar
  • Constantopoulou, Ch.. (2017). Recits de la crise. Mythes et realites de la societe contemporaine, Paris : L’Harmattan. google scholar
  • Constantopoulou, Ch., Larochelle, D.L., (2013). “Cultural classifications and Turkish serials in Greece”. KOINONIAS DROMENA: Thessaloniki. google scholar
  • Constantopoulou, Ch., (2000). Alterite, Mythes et Realites. Paris : L’Harmattan. google scholar
  • Constantopoulou, C., Maratou, L., Oikonomou, Th., & Germanos, D. (1991). We and the Others. Athens:Tupothito. google scholar
  • Couroucli, M., (2002). “Le nationalisme de l’Etat en Grece” in Dieckhoff A., Kastoriano R. Nationalismes en mutation en Mediterranee Orientale CNRS Editions : Paris. google scholar
  • Derrida, J. (1978). Writing and Difference. University of Chicago. google scholar
  • Dhoest, A. (2004). Negotiating Images of the Nation: The Production of Flemish TV Drama, 1953-89. Media Culture & Society, 26(3), 393-408. google scholar
  • Geraghty, C. (1991). Women and Soap Opera: A Study of Prime Time Soaps. Polity Press. google scholar
  • Goffman, E., (1959). The Presentation of Self in Everyday Life. New York: Doubleday. google scholar
  • Hall, S., (1996). “Introduction: Who Needs “Identity”?”, in Hall, S., and Gay, D., P.,(eds), Questions of Cultural Identity. Sage: London. google scholar
  • Hegel, G., W., F., (2012). Laphenomenologie de l’esprit. Flammarion : Paris. google scholar
  • Heraclides, A., (2011). The Essence of the Greek-Turkish Rivalry: National Narrative and Identity. London School of Economics and Political Science, Hellenic Observatory: London. google scholar
  • Hobson, D. (2003). Soap Opera. Polity Press. İnaç, H., & Ünal, F. (2013). The Construction of National Identity in Modern Times: Theoretical Perspective. International Journal of Humanities and Social Science, 3(11). google scholar
  • Iwabuchi, K., (2007). “Contra-flows or the cultural logic of uneven globalization? Japanese Media in the global agora” in Thussu, D,. (ed) Media on the move: global flow and contra-flow. London: Routledge. google scholar
  • Kesirli Unur, 2015, A. (2015). Discussing Transnational Format Adaptation in Turkey : A Study on Kuzey Güney. International Journal of Tv Serial Narratives, 1(2), 139-150. google scholar
  • Kozloff, S. (1992). Narrative Theory and Television in Allen, R.C., (ed.) Channels of discourse, reassembled: television and contemporary criticism (67-100). North Carolina: University of North Carolina Press. google scholar
  • Ladmiral, J-R., & Lipiansky, E. M., (2015). La communication interculturelle. Les Belles Lettres : Paris. google scholar
  • Larochelle, D. L. (2019). “Brad Pitt Halal” and the Hybrid Woman : Gender Representations and Religion through Turkish Soap Operas. ESSACHESS, 12(2 (24)), 61-78. google scholar
  • Larochelle, D.L. (2017a). “La mise en scene du pouvoir â travers les series televisees turques difusees en Grece: creation artistique ou propagande nationaliste? L’exemple de la serie Soliman le Magnifique”, French Journal For Media Research. google scholar
  • Larochelle, D.L., (2017b). “Theatricalization of Patriarchate’s Power through Television Serials: Legitimation of Rape”, Open Journal for Sociological Studies, Vol. 1 no 2: 65-72 google scholar
  • Lundberg et al., (2017). “Conceptualizing on-screen tourism destination development”. Tourist Studies. Vol. 18 no 1: 83-104. google scholar
  • Maigret, E., (2007). « L’information â l’heure de l’Internet : concurrence ou complementarite avec les autres medias? », Les Cahier Français numero 338, « Information, medias et Internet », La documentation française. google scholar
  • Martin, D.-C. (1995). The choices of identity. Social Identities. Journal for the Study of Race, Nation and Culture, 1(1). google scholar
  • Modleski, T., (1994). Loving with a Vengeance: mass-produced fantasies for women, New York: Routledge. google scholar
  • Moore, R. (2013). Soap Opera Diplomacy : Turkish TV in Greece. The International. google scholar
  • Moskof, K., (1972). National and social consciousness in Greece, 1830 — 1909. Nea Poreia: Thessaloniki. google scholar
  • Olson, S. R. (2000). The Globalization of Hollywood. International Journal on World Peace, 17(4), 3-17. google scholar
  • Paddy, S., Gamberini, M.-C., (1994). “L’intentionnalite communicationnelle dans les emissions de radio et de television”, Reseaux, Vol. 12 no 68. google scholar
  • Said, E. (1978). Orientalism. Pantheon Books. google scholar
  • Sartre, J-P., (1954), Reflexions sur la question juive. Gallimard: Paris. google scholar
  • Sartre, J-P., (1943). L ’Etre et le neant. Gallimard : Paris. google scholar
  • Smith, A. D. (1995). Nations and Nationalism in a Global Era. Polity Press. google scholar
  • Spitz, R.A., (1968). De la naissance a la parole. PUF: Paris. google scholar
  • Tanriöver, H.U., (2011). Turkish Television Broadcasting, Istanbul Ticaret Odasi: Istanbul. google scholar
  • Todorov, T., (1988). « Le croisement des cultures ». Communication, n. 43 : 5 - 26. google scholar
  • Tutal-Cheviron, N., Çam, A., (2017). “La vision turque du « soft-power » et l’instrumentalisation de la culture” in Marcetti, D., La circulation des productions culturelles. Cinemas, informations et series televisees dans les mondes arabes et musulmans, Nouvelle edition [en ligne]. Centre Jacques-Berque: Rabat & İstanbul. google scholar
  • Yilmazok, L. (2018). Persistent othering in Turkish cinema: the stereotyped and gendered Greek identity. Turkish Studies, 20(1), 120-139. google scholar


PAYLAŞ




İstanbul Üniversitesi Yayınları, uluslararası yayıncılık standartları ve etiğine uygun olarak, yüksek kalitede bilimsel dergi ve kitapların yayınlanmasıyla giderek artan bilimsel bilginin yayılmasına katkıda bulunmayı amaçlamaktadır. İstanbul Üniversitesi Yayınları açık erişimli, ticari olmayan, bilimsel yayıncılığı takip etmektedir.