(Re)considering Turkish Theatre in the Republic’s Centenary
National Theatre Historiography in Türkiye and the Determining Factors for Historians’ Choices (1923-1980)
National theatre histories play a crucial role in consolidating the cultural identity of newly established countries and are pivotal in reshaping national narratives. This distinctive characteristic has led to the emergence of fresh perspectives within the field, particularly in the late twentieth century. Scholars like S. E. Wilmer, underscoring the significance of theatre historians’ viewpoints, shed light on the variables influencing these perspectives. Wilmer argues that historiography demands intentional decisions regarding inclusion and exclusion, urging scrutiny through the lenses of language, ethnicity, geography, and aesthetics. This study assesses examples from national theatre history books in Türkiye (1923–1980) within the categories proposed by Wilmer. Throughout the article, an effort will be made to identify how the various parameters mentioned by Wilmer manifest in the development of national theatre history studies in our country through examples. This study initiates a discussion on whether the cited examples shape the character of our national theatre history. In this context, the categories of geography, language, ethnicity, and aesthetics proposed by Wilmer prove crucial for the analysis of theatre histories. In doing so, this study seeks to unveil the perspectives of theatre historians and discern the ideological and cultural forces shaping their narratives.