Ephemera from an Archivist’s Perspective
Ephemera, a generalized term for a variety of items originally intended for short-term use, can include the following: bank receipts, bills, bus, cinema and lottery tickets, business cards, chocolate and gum cards, cigarette boxes, deeds and other notarized documents, letters, newspaper copies, passports, photographs, pool coupons, postcards, posters, promotional brochures, restaurant menus, report cards, school diplomas, and wedding invitations. Such documents are used in today’s cultural history studies. However, difficulty in identifying ephemera comes from their features, for instance, the producing organization, production material, production number, and/or lack of a file link. Consequently, archivists do not see ephemera among institutional/personal archival records or those produced from actions/ transactions. Based on the literature’s definitions of ephemera documents and species, this study discusses questions of ephemera’s properties, source value, and methods of archivist evaluation. The study used a qualitative research method and, for data analysis, a document analysis technique.
Arşivcinin Efemerası
Efemera, farklı tür ve içeriğe sahip materyale verilen genel bir isimlendirmedir. Okul diplomaları, faturalar, karneler, otobüs, sinema ve piyango biletleri, spor toto ve spor loto kuponları, gazete nüshaları, tanıtım broşürleri, mektuplar, lokanta mönüleri, tapu ve noter senetleri, banka dekontları, çikolata ve sakızlardan çıkan kartlar, sigara kutuları, posterler, pasaportlar, fotoğraflar, kartpostallar, düğün davetiyeleri, kartvizitler bu belge örneklerinden bazılarıdır. Bunlar; günümüz kültür tarihi çalışmalarında kullanılan önemli belgeler arasındadır. Ancak üretildiği organizasyon, üretim malzemesi, üretim adedi, dosya bağından yoksun olması gibi birtakım özellikler efemeranın tanımlanmasını güçleştirir. Bunun bir sonucu olarak arşivci, efemerayı kurumsal/kişisel nitelikli ve kurumların/kişilerin faaliyetleri sonucunda üretilen ve işlemler sonucunda gelen arşiv kayıtları arasında görmez. Çalışmada, efemera türü belgeler hakkında bilinen tanımlardan ve literatürde geçen efemera türlerinden yola çıkılarak efemeranın özellikleri, kaynak değeri ve özellikle de bir arşivcinin efemerayı nasıl değerlendirdiği sorularına cevap aranmıştır. Araştırmada nitel araştırma yönteminden ve durum çalışmasından yararlanılmış olup, verilerin analizi için doküman analizi tekniğine başvurulmuştur.
In the 17th century “ephemera” first became subject to collecting activities, with lay collectors and then museum curators, librarians, and archivists becoming interested. After the 1960s, ephemera were evaluated as a new source for history research (cultural, social, local, and city history). After the 1970s, associations were established to collect ephemera, and popular research areas influenced later developments. Simultaneously, archivists made new decisions in this direction. Until this point, the historical documentation strategy for keeping “important” resources for macro history surveys was overtaken, and archivists then extended the strategy of documenting only effective ones’ history. Now, keeping documents related to ineffective micro-history studies in archives and investigating them through these new sources have become more possible. Thus, transfer to the future of “important” resources that effectively enlighten history continued, but “unimportant” resources that ineffectively illuminate history have also begun to be transmitted. Indeed, archivists proactively gather ephemera because such documents can usually be collected not only through donations and purchases but also through field research. Archivists are also aware that they collect and value ephemera because of such documents’ individual and/or peculiar characteristics.
Furthermore, archivists recognize ephemera by certain features through which they qualify documents for access while keeping ephemera separate from naturally accumulating archival documents. Consequently, archivists do not see ephemera among institutional/personal archival records or records produced from actions/transactions. Ephemera’s features can be formulated as follow:
1. Being produced by short-term organizations.
2. Being produced for a short-term purpose.
3. Not being produced to be saved.
4. Being irregular and without continuity.
5. Being produced in different formats.
6. Not requiring an institutional action.
7. Being produced by official and unofficial institutions.
8. Not having a/any archival bond.
9. Having its archival bond removed afterwards.
10. Not being a part of a whole / not providing a basis for an operation / not being a part of a file because of an operation.
11. Break of the institutional bond.
12. Not being involved in the wholeness of the fonds.
13. Not having a thematic context.
14. Having a resource value.
15. Having a symbolic value.
16. Having a relative resource value.
17. Changeability of utility.
18. Having disconnected parts.
19. Changeability of classification methods.
20. Not being produced by a structure that is organically connected to the archive where it is kept / Not being a natural handover material of the archive where it is kept.
21. Being nondurable.
Having some or all of these features is usually a minimum requirement for archivists to identify documents as ephemera. Based on the literature’s definitions of ephemera documents and species, this study discusses questions of ephemera’s properties, source value, and, especially, methods of archivists’ evaluations. The study used a qualitative research method and, for data analysis, a document analysis technique.