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DOI :10.26650/CONS2023-1245756   IUP :10.26650/CONS2023-1245756    Full Text (PDF)

The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia

Katarina Nıkolıć

Kolo u tri is a dance genre characterized by a lateral symmetric eight-measure dance pattern movement and its four-measure phrase in the dichotomous organization. The appearance of this genre is recognized through numerous names, melodies, and sometimes specific kinetic contents (the most famous are moravac, užičko kolo, Žikino kolo). One of the manifestations of the dance genre kolo u tri is also a vocal-instrumental dance form – gara (pl.: gare). Gara includes simultaneous singing of improvisatory lyrics by the singer, instrumental accompaniment by an orchestra, and kinetic performance of an eight-measure dance pattern which are standard features that belong to the genre kolo u tri. Based on empirical information documented at the wedding ritual in the village Stajićevo (Banat area, North Serbia) in 2016, this paper will illustrate and define the essential structural-formal features from a dance perspective. Moreover, the paper will do a poetic and musical analysis to show all characteristics of this syncretic form composed of words, music, and movements.

Keywords: Gara, kolo u tri, Banat area

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APA

Nıkolıć, K. (2023). The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia. Conservatorium, 10(1), 14-27. https://doi.org/10.26650/CONS2023-1245756


AMA

Nıkolıć K. The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia. Conservatorium. 2023;10(1):14-27. https://doi.org/10.26650/CONS2023-1245756


ABNT

Nıkolıć, K. The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia. Conservatorium, [Publisher Location], v. 10, n. 1, p. 14-27, 2023.


Chicago: Author-Date Style

Nıkolıć, Katarina,. 2023. “The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia.” Conservatorium 10, no. 1: 14-27. https://doi.org/10.26650/CONS2023-1245756


Chicago: Humanities Style

Nıkolıć, Katarina,. “The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia.” Conservatorium 10, no. 1 (May. 2024): 14-27. https://doi.org/10.26650/CONS2023-1245756


Harvard: Australian Style

Nıkolıć, K 2023, 'The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia', Conservatorium, vol. 10, no. 1, pp. 14-27, viewed 21 May. 2024, https://doi.org/10.26650/CONS2023-1245756


Harvard: Author-Date Style

Nıkolıć, K. (2023) ‘The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia’, Conservatorium, 10(1), pp. 14-27. https://doi.org/10.26650/CONS2023-1245756 (21 May. 2024).


MLA

Nıkolıć, Katarina,. “The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia.” Conservatorium, vol. 10, no. 1, 2023, pp. 14-27. [Database Container], https://doi.org/10.26650/CONS2023-1245756


Vancouver

Nıkolıć K. The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia. Conservatorium [Internet]. 21 May. 2024 [cited 21 May. 2024];10(1):14-27. Available from: https://doi.org/10.26650/CONS2023-1245756 doi: 10.26650/CONS2023-1245756


ISNAD

Nıkolıć, Katarina. “The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia”. Conservatorium 10/1 (May. 2024): 14-27. https://doi.org/10.26650/CONS2023-1245756



TIMELINE


Submitted01.02.2023
Accepted18.03.2023
Published Online30.11.2023

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