Power Dynamics in Music: Creative PowerBedirhan Büyükduman, Emine Ceylan Ünal AkbulutDOI :10.26650/CONS2024-1508043Research ArticletrP. 280-289Russian Folk Music Interaction in Tchaikovsky’s Works and First Piano ConcertoTuğrul AdiloğluDOI :10.26650/CONS2024-1509287Research ArticletrP. 290-300Graphic Notation in New Music: Rebirth of the Work and the Performer?Ceyla Ganioğlu YalçınDOI :10.26650/CONS2024-1511370Research ArticletrP. 301-311Examination of Extended Techniques on Double Bass in Terms of Performance PracticesH. Özgür Akkor, Koray SazlıDOI :10.26650/CONS2024-1522827Research ArticletrP. 312-331Detailed Analysis of the First Chapter of “New Method for the Double Bass” (Franz Simandl), Book 1Hande TokgözDOI :10.26650/CONS2024-1523172Research ArticletrP. 332-348The Analysis of the First Movement of Igor Stravinsky’s “Concerto for Piano and Winds”Mahmut YontarDOI :10.26650/CONS2024-1524651Research ArticletrP. 349-362Analysis of 20th Century Extended Guitar Techniques on Selected WorksBarış ÖnderDOI :10.26650/CONS2024-1534592Research ArticletrP. 363-386The Effect of Playing a Musical Instrument on Aggression and the Vulnerability to Stress in Young Adultsİlker KömürcüDOI :10.26650/CONS2024-1539510Research ArticleenP. 387-398Research of Contemporary Violin Techniques in the Light of Kaija Saariaho’s Violin WorksEzgi YürümezDOI :10.26650/CONS2024-1548059Research ArticletrP. 399-415The Relationship of Ludwig Van Beethoven and Johann Nepomuk Mälzel Through the MetronomeGöknil Özkök SezenerDOI :10.26650/CONS2024-1548483Research ArticletrP. 416-423George Enescu’s Life, Musical Language, Defining Characteristic Features of Cantabile et PrestoSeyhan BulutDOI :10.26650/CONS2024-1551467Research ArticletrP. 424-436Analysis and Performance Suggestions of Frank Martin’s Quatre Pieces BrevesSerkan AğırDOI :10.26650/CONS2024-1557271Research ArticletrP. 437-448Graphical Analysis of Golden Ratio on Selected Works of Western MusicSonat MutverDOI :10.26650/CONS2024-1558082Research ArticleenP. 449-477A Comparative Study of Rhythmic Complexity Measures in Music PerformanceCihan Yaygın, Ozan Baysal, Yavuz Buruk, Barış BozkurtDOI :10.26650/CONS2024-1562373Research ArticleenP. 478-487Considerations on Muammer Sun’s “Three Pieces for Violin and Piano” in Terms of Piano Performance PracticeElif Önal, Arda ErdemDOI :10.26650/CONS2024-1564519Research ArticletrP. 488-503One Concept, Multiple Realizations A Case Study on Notation in Compositional Practice: Dark BrightAmy T. SalsgıverDOI :10.26650/CONS2024-1572432Research ArticleenP. 504-515A Composer Beyond Time: Ludwig van Beethoven’s Universal Music Conception and Piano SonatasRuba Pekdemir PekerDOI :10.26650/CONS2024-1573003Research ArticletrP. 516-527Haydar Tatlıyay and the Movie “Ben Bir Günahsızım” in Arabesque Music Discussions in TurkeyEmre Üstgül, Sıtkı Bahadır TutuDOI :10.26650/CONS2024-1518970Research ArticletrP. 528-544Effects of Artificial Intelligence Applications on Music and the Music IndustryBuket Gündoğdu, Semih OkcuDOI :10.26650/CONS2024-1524963Research ArticletrP. 545-558Jazz Interpretations of Classical Musical WorksStacy Olive JarvısDOI :10.26650/CONS2024-1528675Research ArticleenP. 559-583Opening the Doors of Perception Through Acoustics: La Monte Young’s Sine Wave InstallationsUğur Cihat SakaryaDOI :10.26650/CONS2024-1571902Research ArticletrP. 584-598Chord Progressions and Secondary Dominants in the Reharmonization ProcessSercan ÖzkeleşDOI :10.26650/CONS2024-1577194Research ArticletrP. 599-615The Influence of Commedia Dell’arte is Evident in the Opera: Don GiovanniFurkan AktakkaDOI :10.26650/CONS2024-1509765Research ArticletrP. 616-630"Female Body" as a Biopolitical Concept and Nudity in Performance Art as a Dissident AttitudeAli Ömür UlusoyDOI :10.26650/CONS2024-1532501Research ArticletrP. 631-644Deconstructing Hamlet through Derrida’s Specters: Spectralizationİbrahim GüngörDOI :10.26650/CONS2024-1550238Research ArticletrP. 645-655An Evaluation of Herbal Approaches for Managing Performance Anxiety in SingersAlper Şakalar, Remziye Eda KazancıDOI :10.26650/CONS2024-1560631Research ArticleenP. 656-669The Transformation of Self-Perception in Acting: The Body-SelfYeşim AlıçDOI :10.26650/CONS2024-1572786Research ArticletrP. 670-682Reanimating Sacco and Vanzetti: Historicity in Armand Gatti’s Play Chant Public Devant Deux Chaises ÉlectriquesEce Yassıtepe AyyıldızDOI :10.26650/CONS2024-1577210Research ArticletrP. 683-693Song Types and Song Translation in Musical Theater: The Case of Grease the MusicalSitare BilgeDOI :10.26650/CONS2024-1577917Research ArticletrP. 694-708Systematic Compilation of Movement Characterizes in Ballet TrainingGökçe AkgünDOI :10.26650/CONS2024-1555623Review ArticletrP. 709-717