The Relationship Between Power and Cinema in Türkiye in the 1980s: The Influence of the 1980 Coup d’ÉtatYalçın LüleciDOI :10.26650/Filmvisio.2023.0012Research ArticletrP. 1-37The Construction of Cinematic Space in LeviathanHilal SatıcıDOI :10.26650/Filmvisio.2023.0013Research ArticletrP. 39-63Cinema as a Transmitter of Collective Memory: Analyzing Persepolis Through the Lens of Feminist MemoryFulya AsılDOI :10.26650/Filmvisio.2023.0014Research ArticletrP. 65-90Form and Content in Interactive Film: An Analysis of Black Mirror: BandersnatchNesibe Betül YurtsevenDOI :10.26650/Filmvisio.2023.0015Research ArticletrP. 91-126Analyzing the Film Tatlı Dillim in the Context of Cultural SemioticsRamazan Arslan, Demet ErdemDOI :10.26650/Filmvisio.2023.0016Research ArticletrP. 127-159All the Days of a Dull Life: The Film Lütfi in the Context of The Myth of Sisyphus and the Three-Step Theory of SuicideDuygu SevimDOI :10.26650/Filmvisio.2023.0017Research ArticletrP. 161-190Interview with Derviş Zaim: “If You Can Tell Your Own Story, You Are Alive”Özgü YolcuDOI :10.26650/Filmvisio.2023.0018InterviewtrP. 191-215Gazi’s Cinema: Atatürk’s Cinema(tic) AdventureBatu AnadoluDOI :10.26650/Filmvisio.2023.0019Book ReviewtrP. 217-222