Research Article


DOI :10.26650/LITERA2021-868869   IUP :10.26650/LITERA2021-868869    Full Text (PDF)

Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant

Baysar Tanıyan

Michel Foucault’s archaeological approach to history contests Hegelian understanding of evolutionary and progressive history which presupposes an ultimate arrival at a perfect form of society. For Foucault, history does not follow a linear, dialectical line within a cause-and-effect relationship. Each historical period has its own conditions of truth and between these periods, there are breaks, twists, ruptures and discontinuities determined by power relations in that society. These historical transformations occur following a change in épistèmé which connotes to the available set of knowledge produced by discursive practices in a particular period. Within this context, this study aims to analyse historical discontinuities in Kazuo Ishiguro’s magical realist novel, The Buried Giant (2015). In the novel, by benefiting from generic potentials of magical realism, and effectively exploiting the medieval romance, Ishiguro creates a quasimythological historical account of the Anglo-Saxon period. In his version, King Arthur makes Merlin perform a spell on a dragon. Due to the spell, the Britons and the Saxons suffer memory loss which causes historical discontinuities. Moreover, while the spell confines the people into a perpetual here and now, it grants Arthur absolute political power. The study will focus on these discontinuities and present a Foucauldian reading of the text. The study will also theoretically connect Foucault’s discontinuous history with magical realism, which may broaden our understanding of Ishiguro’s text.


PDF View

References

  • Bhabha, H. (1990). Introduction: narrating the nation. In Homi Bhabha (Ed.), Nation and Narration (pp. 1-7). London: Routledge. google scholar
  • Charlwood, C. (2018). National identities, personal crises: Amnesia in Kazuo Ishiguro’s the buried giant. Open CulturalStudies, 2, 25-38. https://doi.org/10.1515/culture-2018-0004 google scholar
  • D’haen, T. L. (1997). Postmodernisms: From fantastic to magic realist. In H. Bertens & D. Fokkema (Eds.) International postmodernism: Theory and literary practice (pp. 283-293). Amsterdam: John Benjamins Publishing. google scholar
  • Esen, Ö. (2018). pp. 7-20; Recovering memories and reconstructing realities: Magical realism and Kazuo Ishiguro’s The buried giant. (Master’s thesis, Pamukkale University). Retrieved from http://acikerisim.pau.edu.tr/xmlui/ bitstream/handle/11499/27617/%C3%96zg%C3%BCr%20Esen.pdf?sequence=1&isAllowed=y google scholar
  • Faris, W. B. (2004). Ordinary enchanments: Magical realism and the remystification of narrative. Nashville: Vanderbilt University Press. google scholar
  • Foucault, M. (1980). Power / knowledge: Selected interviews and other writings: 1972-1977. (C. Gordon, Ed.). New York: Pantheon Books. google scholar
  • ------. (2001). Power: The essential works of Foucault, 1954-1984. (Vol. 3). (R. Hurley & J. D. Faubion & P. Rabinow, Eds.). New York: The New Press. google scholar
  • ------. (2002). Archaeology of knowledge. (A. Sheridan, Trans.) London & New York: Routledge. google scholar
  • Frye, N. (2000). Anatomy of criticism: Four essays. Princeton & Oxford: Princeton University Press. google scholar
  • Gordon, C. (2001). Introduction. In R. Hurley & J. D. Faubion & P. Rabinow (Eds.), Power (The essential works of Foucault, 1954-1984 (pp. xi-xli). New York: The New Press. google scholar
  • Hart, S. M. (2005). Introduction: Globalization of Magical Realism: New Politics of Aesthetics. In S. M. Hart & W. Ouyang (Eds.), A companion to magical realism (pp. 1-12). Woodbridge: Tamesis. google scholar
  • Hutcheon, L. (1995). A poetics of postmodernism. London: Routledge. google scholar
  • Ishiguro, K. (2015). The buried giant. London: Faber. google scholar
  • ------. (2016, July 1). Kazuo Ishiguro on his fears for Britain after Brexit. Financial Times. Retrieved from https:// www.ft.com/content/7877a0a6-3e11-11e6-9f2c-36b487ebd80a google scholar
  • ------. (2017). Nobel lecture (pdf). Retrieved from https://www.nobelprize.org/uploads/2018/06/ishiguro-lecture_en-3.pdf google scholar
  • Lampert-Weissig, L. (2010). Medieval literature and postcolonial studies. Edinburgh: Edinburgh University Press. google scholar
  • Lynch, A. (2017). Post-colonial studies. In L. Tether and J. McFadyen (Eds.), Handbook of Arthurian romance: King Arthur’s court in medieval European literature (pp. 307-320). Berlin: De Gruyter. google scholar
  • Lupack, A. (2015). [Review of the buried giant]. Arthuriana, 25(3), 118-120. Retrieved from http://www.jstor.org/ stable/24643534 google scholar
  • Mills, S. (2003) Michel Foucault. London & New York: Routledge. google scholar
  • Munslow, A. (2006) Deconstructing history. 2nd Ed. London & New York: Routledge. google scholar
  • Pearsall, D. (2005). Arthurian romance: A short introduction. Oxford: Blackwell. google scholar
  • Poster, M. (1984). Foucault, Marxism and history: Mode of production versus mode of information. Oxford: Polity Press. google scholar
  • Shaw D. L. (2005). The presence of myth in Borges, Carpentier, Asturias, Rulfo and Garca Marquez. In S. M. Hart & W. Ouyang (Eds.), A companion to magical realism (pp. 46-54). Woodbridge: Tamesis. google scholar
  • Slemon, S. (1988). Magic realism as post-colonial discourse. Canadian Literature, 116, 9-24. Retrieved from https://canlit.ca/full-issue/?issue=116 google scholar
  • Sönmez Demir, Y. (2020) Kazuo Ishiguro’s postmodern hypertexts: Generic reconfigurations in the Remains of the day, when we were orphans, and the buried giant. (Doctoral dissertation, Middle East Technical University). Retrieved from http://etd.lib.metu.edu.tr/upload/12625819/index.pdf google scholar
  • Teo, Y. (2014). Kazuo Ishiguro and memory. New York: Palgrave Macmillan. google scholar
  • Tulving, E. (1972). Episodic and semantic memory. In E. Tulving & W. Donaldson (Eds.), Organization of memory (pp. 381-403). New York: Academic. google scholar
  • ------. (1989). Memory: Performance, knowledge, and experience. European Journal of Cognitive Psychology, 1:1, 3-26. dx.doi.org/10.1080/09541448908403069 google scholar
  • Tutan, D. E. (2016). A hybrid discourse: From Latin American magic realism to the British postcolonial postmodern novel. Selçuk University The Journal of Institute of Social Sciences, 36, 38-50. Retrieved from http://dergisosyalbil.selcuk.edu.tr/susbed/article/view/1285/1079 google scholar
  • Vernon, M., & Miller, M.A. (2018). Navigating wonder: The medieval geographies of Kazuo Ishiguro’s the buried giant. Arthuriana 28(4), 68-89. doi:10.1353/art.2018.0036. google scholar
  • Zamora L. P. and W. B. Faris. (1995). Introduction. In L. P. Zamora & W. B. Faris (Eds.), Magical realism: Theory, history, community (pp. 1-11). Durham & London: Duke University Press. google scholar

Citations

Copy and paste a formatted citation or use one of the options to export in your chosen format


EXPORT



APA

Tanıyan, B. (2021). Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant. Litera: Journal of Language, Literature and Culture Studies, 31(2), 525-546. https://doi.org/10.26650/LITERA2021-868869


AMA

Tanıyan B. Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant. Litera: Journal of Language, Literature and Culture Studies. 2021;31(2):525-546. https://doi.org/10.26650/LITERA2021-868869


ABNT

Tanıyan, B. Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant. Litera: Journal of Language, Literature and Culture Studies, [Publisher Location], v. 31, n. 2, p. 525-546, 2021.


Chicago: Author-Date Style

Tanıyan, Baysar,. 2021. “Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant.” Litera: Journal of Language, Literature and Culture Studies 31, no. 2: 525-546. https://doi.org/10.26650/LITERA2021-868869


Chicago: Humanities Style

Tanıyan, Baysar,. Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant.” Litera: Journal of Language, Literature and Culture Studies 31, no. 2 (May. 2025): 525-546. https://doi.org/10.26650/LITERA2021-868869


Harvard: Australian Style

Tanıyan, B 2021, 'Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant', Litera: Journal of Language, Literature and Culture Studies, vol. 31, no. 2, pp. 525-546, viewed 3 May. 2025, https://doi.org/10.26650/LITERA2021-868869


Harvard: Author-Date Style

Tanıyan, B. (2021) ‘Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant’, Litera: Journal of Language, Literature and Culture Studies, 31(2), pp. 525-546. https://doi.org/10.26650/LITERA2021-868869 (3 May. 2025).


MLA

Tanıyan, Baysar,. Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant.” Litera: Journal of Language, Literature and Culture Studies, vol. 31, no. 2, 2021, pp. 525-546. [Database Container], https://doi.org/10.26650/LITERA2021-868869


Vancouver

Tanıyan B. Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant. Litera: Journal of Language, Literature and Culture Studies [Internet]. 3 May. 2025 [cited 3 May. 2025];31(2):525-546. Available from: https://doi.org/10.26650/LITERA2021-868869 doi: 10.26650/LITERA2021-868869


ISNAD

Tanıyan, Baysar. Discontinuous History and Magical Realism: A Foucauldian Reading of Kazuo Ishiguro’s The Buried Giant”. Litera: Journal of Language, Literature and Culture Studies 31/2 (May. 2025): 525-546. https://doi.org/10.26650/LITERA2021-868869



TIMELINE


Submitted26.01.2021
Accepted06.09.2021
Published Online26.11.2021

LICENCE


Attribution-NonCommercial (CC BY-NC)

This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.


SHARE



Istanbul University Press aims to contribute to the dissemination of ever growing scientific knowledge through publication of high quality scientific journals and books in accordance with the international publishing standards and ethics. Istanbul University Press follows an open access, non-commercial, scholarly publishing.