Transcending the Borders in Persians of Terzopoulosİhsan Kerem KaraboğaDOI :10.26650/jtcd.1264199Araştırma MakalesienS. 1-10Liminality, Resilience and Refugeehood in Zinnie Harris’s How to Hold Your BreathSibel İzmirDOI :10.26650/jtcd.1204791Araştırma MakalesienS. 11-27Kübist Resim ile Değişen Temsil Estetiğinin Gertrude Stein’in “Four Saints in Three Acts” (Üç Perdede Dört Aziz) Metnine EtkisiZeynep Erdal, Aslıhan ÜnlüDOI :10.26650/jtcd.1223014Araştırma MakalesitrS. 29-45Sahnede RobotlaşmaZümre Gizem YılmazDOI :10.26650/jtcd.1265648Araştırma MakalesitrS. 47-62Hegel’in Kendilik Bilinci Kavramıyla Komediye Yönelik Okuma ModeliNazım SarıkayaDOI :10.26650/jtcd.1241045Araştırma MakalesitrS. 63-90Liveness Through Audience Participation in Digital Theatre: Map to Utopia As a Playground in DigitalMaral ÇankayaDOI :10.26650/jtcd.1277109Araştırma MakalesienS. 91-105Myth and Innovation RoadTheodoros TerzopoulosDOI :10.26650/jtcd.2023001Konuşma MetnienS. 107-110Bergson and Durational Performance (Re)Ma(r)king TimeAyşe Draz OrhonDOI :10.26650/jtcd.2023.00001Kitap DeğerlendirmesienS. 111-116The Last Public Space: Understanding the Tension Between Politics and Drama in Contemporary British TheatreHakan Gültekin, Steve WatersDOI :10.26650/jtcd.2023.00002MülakatenS. 117-129