Araştırma Makalesi


DOI :10.26650/sdsl2023-1446598   IUP :10.26650/sdsl2023-1446598    Tam Metin (PDF)

Let the Bodies Hit the Floor: a Comparison of Corporal Morphology in Shelley’s Frankenstein (1818) and Buchner’s Lenz (1836)

Jameson Bradley Kısmet Bell

This article compares representations of corporal morphology in Mary Shelley’s Frankenstein (1818) with Georg Büchner’s Lenz (1836). Focusing on anecdotes where corpses are the focus reveals a diverging literary style in representing the emerging science of morphology, or the study of the shape and form of natural objects. When read through Immanuel Kant’s ‘Critique of Teleological Judgment’ from his Critique of Judgement and Johan Wolfgang von Goethe’s essay ‘On Morphology’, I argue that Shelley’s and Büchner’s works contain the seeds of critique of two very different effects of idealism, teleology, and the purposiveness of nature. Whereas idealist scientists and doctors proposed a distance between the observer and the object of study, in Kant’s words to perceive and act ‘as if’ the object has a purpose from a human-centered point of view, Goethe suggested a study of the morphology of living objects, which simultaneously affects the object and observer. A comparative methodology, where the focus is short anecdotes, follows close reading methods proposed by Erich Auerbach, Stephen Greenblatt, and Catherine Gallagher. The scenes where corpses are highlighted in Büchner’s Lenz and Merry Shelley’s Frankenstein reveals extreme examples of neutral descriptions of an ‘object’ and the observer’s intimate link with that which is observed. The goal of objectivity developing in eighteenth century scientific practices, when read through the chiastic structure of these two literary works-animation and failed animation of a material body-reveals unique critiques of Enlightenment Idealism: the failure of success in Frankenstein, and the success of failure in Lenz. 


PDF Görünüm

Referanslar

  • Auerbach, E. (2003). Mimesis: The Representation of Reality in Western Literature (W. Trask, Trans.; 50th anniversary). New Haven: Princeton University Press. google scholar
  • Bejan, P. (2020). Crises and Resolutions of Humanisms: From the Vitruvian Man to the Augmented Man. Hermeneia, 24(29), 29-48. google scholar
  • Brennan, M. C. (1989). The Landscape of Grief in Mary Shelley’s Frankenstein. Studies in the Humanities, 15(1), 27-41. https://doi.org/doi.org/10.2307/25601210. google scholar
  • Büchner, G. (1988). Werke und Briefe (Münchner Ausgabe). München: Carl Hanser. google scholar
  • Büchner, G. (2004). Lenz (R. Sieburth, Trans.). Brooklyn, NY: Archipelago Books. google scholar
  • Caldwell, J. M. (2004). Science and Sympathy in Frankenstein. In Literature and Medicine in Nineteenth- Century google scholar
  • Britain: From Mary Shelley to George Eliot (pp. 25-45). Cambridge: Cambridge University Press. google scholar
  • Coates, P. (1983). Realist Fantasy: Fiction and Reality since Clarissa. London: Palgrave Macmillan. google scholar
  • Daston, L. & Galison, P. (2007). Objectivity. Brooklyn, N.Y.: Zone Books. google scholar
  • Dedner, B., Gersch, H., & Martin, A. (Eds.). (1999). “Lenzens Verrückung” Chronik und Dokumente zu J. M. R. Lenz von Herbst 1777 bis Frühjahr 1778. Tübingen: Max Niemeyer. google scholar
  • Deleuze, G. & Guattari, F. (1983). Anti-Oedipus: Capitalism and Schizophrenia (R. Hurley, M. Seem, & H. R. Lane, Trans.). Minneapolis: University of Minnesota Press. google scholar
  • Deleuze, G. & Guattari, F. (1987). A Thousand Plateaus: Capitalism and Schizophrenia (B. Massumi, Trans.). Minneapolis: University of Minnesota Press. google scholar
  • Florin, M. (1991). Humans and Automatons. In B. Göranzon & M. Florin (Eds.), Dialogue and Technology: Art and Knowledge (pp. 73-85). London: Springer Verlag. google scholar
  • Gallaghar, C. & Greenblatt, S. (2000). Practicing New Historicism. Chicago: University of Chicago Press. google scholar
  • Gersch, H. (1998). Der Text, der (produktive) Unverstand des Abschreibers und die Literaturgeschichte Johann Friedrich Oberlins Bericht Herr L.... Und die Textüberlieferung bis zu Georg Büchners Lenz-Entwurf. Tübingen: Max Niemeyer. google scholar
  • Gilbert, S. & Gubar, S. (1984). Horror’s Twin: Mary Shelley’s Monstrous Eve. In The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (pp. 213-247). New Haven: Yale University Press. google scholar
  • Goethe, J. W. (1985). Werke (K. Richter, H. Göpfert, N. Miller, & G. Sauder, Eds.; Münchner Ausgabe). München: Carl Hanser. google scholar
  • Jordanova, L. (1994). Melancholy Reflection: Constructing an Identity for Unveilers of Nature. In S. Bann (Ed.), Frankenstein: Creation and Monstrosity. (pp. 60-63). London: Reaktion Books. google scholar
  • Kant, I. (1987). Critique of Judgement. Cambridge: Hackett Publishing. google scholar
  • Ketterer, D. (1979). Frankenstein’s Creation: The Book, The Monster, and Human Reality. Victoria B.C., CA: University of Victoria. google scholar
  • Kiely, R. (1972). The Romantic Novel in England. Cambridge: Harvard University Press. google scholar
  • Mellor, A. K. (1987). Frankenstein: A Feminist Critique of Science,” in One Culture: Essays in Science and Literature. In G. Levine &A. Rauch (Eds.), One Culture: Essays in Science and Literature (pp. 287-312). Madison: University of Wisconsin Press. google scholar
  • Mellor, A. K. (1989). Mary Shelley: Her Life, Her Fiction, Her Monsters. New York: Routledge. google scholar
  • Müller-Sievers, H. (2003). Of Fish and Men: The Importance of Georg Büchner’s Anatomical Writings. MLN, 118(3), 704-718. google scholar
  • Neuhuher, C. (2009). Lenz-Bilder: Bildlichkeit in Büchners Erzahlung und ihre Rezeption in der Bildenden Kunst. Weimar: Böhlau Verlag. google scholar
  • Nielaba, D. M. (2001). Die Nerven lessen: Zur Leit-Funktion von Georg Büchners Schreiben. Würzburg: Königshausen & Neumann. google scholar
  • Oehler-Klein, S. (1994). Schönheit der antiken Kinderköpfe. In S. T. Soemmering Kassel (1779-1784) (pp. 189-226). New York: Fischer Verlag. google scholar
  • Pilger, A. (1995). Die ‘idealistische Periode’ in ihren Konsequenzen. George Büchners kritische Darstellung des Idealismus in der Erzahlung Lenz. In Georg Büchner Jahrbuch (pp. 104-125). google scholar
  • Prikker-Thorn, J. (1978). Revolutionar Ohne Revolution: Interpretationen zu den Werke Georg Buchners (pp. 180-194). Stuttgart: Klett-Cotta. google scholar
  • Reider, J. (2008). Colonialism and the Emergence of Science Fiction. Middleton, CT: Wesleyan University Press. google scholar
  • Shelley, M. W. (2008). Frankenstein or The Modern Prometheus (C. E. Robinson, Ed.). New York: Vintage Books. google scholar
  • Soemmerring, S. T. (1994). Über die Schönheit der antiken Kinderköpfe. In Samuel Thomas Soemmerring in Kassel (1779-1784) (pp. 226-238). New York: Fischer Verlag. google scholar
  • Thornburg, M. K. (1984). The Monster in the Mirror: Gender and the Sentimental/Gothic Myth in Frankenstein. Ann Arbor: UMI Research Press. google scholar
  • Veeder, W. (1986). Mary Shelley and Frankenstein: The Fate of Androgyny. Chicago: University of Chicago Press. google scholar
  • Wellbery, David E. (1984). Lessing’s Laocoon: Semiotics and Aesthetics in the Age of Reason. Cambridge: Cambridge University Press. google scholar

Atıflar

Biçimlendirilmiş bir atıfı kopyalayıp yapıştırın veya seçtiğiniz biçimde dışa aktarmak için seçeneklerden birini kullanın


DIŞA AKTAR



APA

Kısmet Bell, J.B. (2024). Let the Bodies Hit the Floor: a Comparison of Corporal Morphology in Shelley’s Frankenstein (1818) and Buchner’s Lenz (1836). Alman Dili ve Edebiyatı Dergisi, 0(51), 24-36. https://doi.org/10.26650/sdsl2023-1446598


AMA

Kısmet Bell J B. Let the Bodies Hit the Floor: a Comparison of Corporal Morphology in Shelley’s Frankenstein (1818) and Buchner’s Lenz (1836). Alman Dili ve Edebiyatı Dergisi. 2024;0(51):24-36. https://doi.org/10.26650/sdsl2023-1446598


ABNT

Kısmet Bell, J.B. Let the Bodies Hit the Floor: a Comparison of Corporal Morphology in Shelley’s Frankenstein (1818) and Buchner’s Lenz (1836). Alman Dili ve Edebiyatı Dergisi, [Publisher Location], v. 0, n. 51, p. 24-36, 2024.


Chicago: Author-Date Style

Kısmet Bell, Jameson Bradley,. 2024. “Let the Bodies Hit the Floor: a Comparison of Corporal Morphology in Shelley’s Frankenstein (1818) and Buchner’s Lenz (1836).” Alman Dili ve Edebiyatı Dergisi 0, no. 51: 24-36. https://doi.org/10.26650/sdsl2023-1446598


Chicago: Humanities Style

Kısmet Bell, Jameson Bradley,. Let the Bodies Hit the Floor: a Comparison of Corporal Morphology in Shelley’s Frankenstein (1818) and Buchner’s Lenz (1836).” Alman Dili ve Edebiyatı Dergisi 0, no. 51 (Nov. 2024): 24-36. https://doi.org/10.26650/sdsl2023-1446598


Harvard: Australian Style

Kısmet Bell, JB 2024, 'Let the Bodies Hit the Floor: a Comparison of Corporal Morphology in Shelley’s Frankenstein (1818) and Buchner’s Lenz (1836)', Alman Dili ve Edebiyatı Dergisi, vol. 0, no. 51, pp. 24-36, viewed 6 Nov. 2024, https://doi.org/10.26650/sdsl2023-1446598


Harvard: Author-Date Style

Kısmet Bell, J.B. (2024) ‘Let the Bodies Hit the Floor: a Comparison of Corporal Morphology in Shelley’s Frankenstein (1818) and Buchner’s Lenz (1836)’, Alman Dili ve Edebiyatı Dergisi, 0(51), pp. 24-36. https://doi.org/10.26650/sdsl2023-1446598 (6 Nov. 2024).


MLA

Kısmet Bell, Jameson Bradley,. Let the Bodies Hit the Floor: a Comparison of Corporal Morphology in Shelley’s Frankenstein (1818) and Buchner’s Lenz (1836).” Alman Dili ve Edebiyatı Dergisi, vol. 0, no. 51, 2024, pp. 24-36. [Database Container], https://doi.org/10.26650/sdsl2023-1446598


Vancouver

Kısmet Bell JB. Let the Bodies Hit the Floor: a Comparison of Corporal Morphology in Shelley’s Frankenstein (1818) and Buchner’s Lenz (1836). Alman Dili ve Edebiyatı Dergisi [Internet]. 6 Nov. 2024 [cited 6 Nov. 2024];0(51):24-36. Available from: https://doi.org/10.26650/sdsl2023-1446598 doi: 10.26650/sdsl2023-1446598


ISNAD

Kısmet Bell, JamesonBradley. Let the Bodies Hit the Floor: a Comparison of Corporal Morphology in Shelley’s Frankenstein (1818) and Buchner’s Lenz (1836)”. Alman Dili ve Edebiyatı Dergisi 0/51 (Nov. 2024): 24-36. https://doi.org/10.26650/sdsl2023-1446598



ZAMAN ÇİZELGESİ


Gönderim03.03.2024
Kabul16.04.2024
Çevrimiçi Yayınlanma26.06.2024

LİSANS


Attribution-NonCommercial (CC BY-NC)

This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.


PAYLAŞ




İstanbul Üniversitesi Yayınları, uluslararası yayıncılık standartları ve etiğine uygun olarak, yüksek kalitede bilimsel dergi ve kitapların yayınlanmasıyla giderek artan bilimsel bilginin yayılmasına katkıda bulunmayı amaçlamaktadır. İstanbul Üniversitesi Yayınları açık erişimli, ticari olmayan, bilimsel yayıncılığı takip etmektedir.