Research Article


DOI :10.26650/SP2021-852069   IUP :10.26650/SP2021-852069    Full Text (PDF)

Relationships Between Individuals’ Mood, Introvert– Extrovert Personality Traits, and Music Preferences

Barış ErdalYeliz Kındap Tepe

The present study is the second extended version of a previous study conducted between 2017 and 2018. The present study aimed to assess the daily music-listening habits and subsequent emotional reactions of young adults (N = 1457) studying at various universities in Turkey according to their immediate mood and introvert (n = 247) or extrovert (n = 282) personality traits according to certain variables. The study group was composed of 794 women (54.5%) and 663 men (45.5%), with a mean age of 22.33 (SD = 2.54, range = 17–35) years. The study was carried out online. To assess the natural tendencies and reactions with reference to the relationship among mood, music, and emotion, participants were asked to use their smartphones at a time when they felt the need to listen to music during their daily living. Music classifications were categorized under the MUSIC model developed by Rentfrow, Goldberg, and Levitin. As regards gender, women preferred the mellow and energetic music category more than men, and men preferred the intense music category more than women. By contrast, the sense of tension felt by men after listening to music was higher than that of women. While introverts preferred both the mellow and energetic music less than extroverts, they preferred the intense music category more. Extroverts are more oriented toward energetic and conventional types than introverts. When the music categories preferred depending on their positive and negative moods before listening to music were compared, the positive emotion scores of those who preferred sophisticated music were higher than those who preferred mellow and unpretentious ones. All findings indicate that mood was one of the determining factors of music preferences of introverts and extroverts, and data discussed were within the framework of music psychology literature.

DOI :10.26650/SP2021-852069   IUP :10.26650/SP2021-852069    Full Text (PDF)

Bireylerin Duygu Durum, İçedönük-Dışadönük Kişilik Özelliği ve Müzik Tercihleri Arasındaki İlişkiler

Barış ErdalYeliz Kındap Tepe

Mevcut araştırma, 2017-2018 yılları arasında yürütülmüş bir çalışmanın genişletilmiş ikinci versiyonudur. Bu çalışmanın temel amacı, Türkiye’de çeşitli üniversitelerde öğrenim gören genç yetişkinlik dönemindeki bireylerin (N = 1457) anlık duygu duruma ve içedönük (n = 247) – dışadönük (n = 282) kişilik özelliklerine göre günlük müzik dinleme eğilimlerini ve ortaya çıkan duygusal tepkileri belirli değişkenlere göre değerlendirmektir. Katılımcıların 794’ü (%54.5) kadın, 663’ü (%45.5) erkek ve yaş ortalaması 22.33 (SS = 2.54, ranj = 17-35) olarak saptanmıştır. Çalışma online olarak yürütülmüştür. Duygu durum, müzik ve duygu ilişkisi üzerine doğal eğilim ve tepkilerin tespit edilmesi amaçlandığı için katılımcılardan uygulamayı akıllı telefonlarıyla günlük yaşamlarında özellikle müzik dinleme ihtiyacı hissettikleri bir anda yapmaları istenmiştir. Çalışmadaki müzik sınıflandırmaları Rentfrow, Goldberg ve Levitin tarafından geliştirilen MUSIC modeline göre belirlenmiştir. Cinsiyet değişkeni açısından bakıldığında kadınların erkeklere göre yumuşak ve enerjik müzik kategorisini daha çok tercih ettikleri, erkeklerin ise şiddetli müzik kategorisini kadınlardan daha çok tercih ettikleri görülmüştür. Diğer yandan, erkeklerin müzik dinledikten sonra hissettikleri gerginlik duygusunun kadınlara göre daha yüksek olduğu bulunmuştur. İçedönükler hem yumuşak hem enerjik müziği dışadönüklere göre daha az tercih ederken, şiddetli müzik kategorisini daha çok tercih etmişlerdir. Dışadönüklük düzeyi yüksek bireyler içedönüklere göre enerjik ve konvansiyonel türlere daha fazla yönelmiştir. Müzik dinlemeden önceki olumlu ve olumsuz duygu durumlarına bağlı olarak tercih edilen müzik kategorileri karşılaştırıldığında, çok yönlü müzik kategorisini tercih edenlerin olumlu duygu puanlarının yumuşak ve gösterişsiz kategorisini tercih edenlerin puanlarından daha yüksek olduğu görülmüştür. Elde edilen tüm bulgular duygu durumun içedönüklerde ve dışadönüklerde müzik tercihleri üzerinde belirleyici faktörlerden biri olduğunu göstermiş, veriler müzik psikolojisi alan yazın çerçevesinde tartışılmıştır. 


EXTENDED ABSTRACT


This study is an expanded second iteration of a previous study initially carried out during the period from 2017 to 2018. This study aimed to assess study participants enrolled in various universities in Turkey and going through early adulthood (N = 1457), in terms of their daily music-listening habits regarding the mood of the moment and them being introverts (n = 247) or extroverts (n = 282), in the light of certain variables to analyze their emotional reactions. 

Method

This study used the MUSIC model (developed by Rentfrow, Goldberg, and Levitin), the Five Factor Personality Inventory, and Positive and Negative Affect Schedule scales as data collection tools. The study was carried out online, and data were collected over a 2-year period. The study group was composed of 794 women (54.5%) and 663 men (45.5%), with a mean age of 22.33 (SD = 2.54, range = 17–35) years.

Results

As regards music-listening habits according to gender, women have a more emphasized preference for mellow and contemporary music than men, whereas men more often preferred intense music. Compared with extroverts, introverts less frequently preferred mellow and contemporary/rhythmic/energetic music and opted for the intense music. In general, compared with introverts, extroverts have a marked preference for pop and electronic dance music. Extroverts prefer energetic/rhythmic and conventional genres more than did their introvert peers. When the music categories preferred concerning emotions prior to listening music were compared, those who preferred sophisticated genres scored higher in the positive emotions scale than those who preferred mellow and unpretentious genres. Men experienced higher levels of tension/nervousness than did women after listening to music.

Discussion

Compared with introverts, extroverts have a marked preference for pop and electronic dance music. Moreover, extroverts prefer energetic/rhythmic and conventional genres more than did their introvert peers. This finding indicates that introverts preferred intense and rebellious tunes, probably owing to their relatively high levels of neuroticism (Chamorro-Premuzic, Gomà-i-Freixanet, Furnham, & Muro, 2009; Chamorro-Premuzic, Swami, Furnham, & Maakip, 2009). A study reported that using music for emotional purposes exhibits a positive correlation with neuroticism. However, to support this interpretation, we found that extroverts felt happier and harbored more positive emotions right before listening to music than introverts. By contrast, introverts exhibited higher levels of tension/nervousness before listening to music. Some studies have found that individuals with higher scores on the extrovert scale were more inclined to positive emotions (Costa & McCrae, 1980; Matthews, Jones, & Chamberlain, 1990; Rusting & Larsen, 1997; Watson & Clark, 1992). By contrast, those with higher neuroticism scores were inclined to negative emotions. In this context, given the introverts’ marked preference for the intense category, the music they listen may be yet another element that expands negative emotions. When comparing the preferred music genres in relation to participants’ positive and negative emotions prior to listening music, those who preferred sophisticated tunes scored higher in the positive emotions scale than those who preferred mellow and unpretentious ones. Clearly, individuals who listen to sophisticated genres such as jazz and classical music harbor a rather cognitive outlook toward music than individuals who prefer the mellow and unpretentious categories. Although the study did not present participants according to their use of music, it is possible to argue that listening to mellow and unpretentious music can be associated with tunes in the background. In this sense, it is logical that the level of positive or negative influence from music is lower. This argument requires more in-depth analysis in subsequent studies. In terms of music-listening habits according to gender, women have a more emphasized preference for mellow and contemporary genres than men, whereas men more often preferred an intense genre. For instance, concerning demographic factors, men listen to music in a cognitive sense, while women are more inclined toward emotional uses (Colley, 2008; Chamorro-Premuzic et al., 2009; Chamorro-Premuzic, Swami, & Cermakova, 2012). In addition, men experienced higher levels of tension/nervousness than women after listening to music. In other words, after listening to music, women experience a more positive emotional state and benefit more from the positive effects of music. However, the study group preferred to listen to music mainly during evenings and night hours. Furthermore, individuals mostly chose to listen to music alone. In this study, listening to music is mainly carried out in solitude because participants took part in the study during night hours. Overall, findings showed that mood was one of the determining factors on the music preferences of introverts and extroverts. 


PDF View

References

  • Balkwill, L. L. ve Thompson, W. F. (1999). A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues. Music Perception, 17, 43-64. google scholar
  • Barradas, G.T. (2017). A Cross-cultural approach to psychological mechanisms underlying emotional reactions to music. (Doktora Tezi). Uppsala Üniversitesi, Uppsala. google scholar
  • Burger, M. J. (2006). Kişilik. Kaknüs yayınları, Alemdar Ofset: İstanbul. google scholar
  • Brittin, R. V. (1991). The effect of overtly categorizing music on preference for popular music styles. Journal of Research in Music Education, 39, 143-151. google scholar
  • Cassidy, G. ve MacDonald, R. (2007). The effect of background music and background noise on the task performance of introverts and extraverts. Psychology of Music, 35, 517-537. google scholar
  • Chamorro-Premuzic, T., Fagan, P. ve Furnham, A. (2010). Personality and uses of music as predictors of preferences for music consensually classified as happy, sad, complex, and social. Psychology of Aesthetics, Creativity, and the Arts, 4, 205-213. google scholar
  • Chamorro-Premuzic, T., ve Furnham, A. (2007). Personality and music: Can traits explain why people listen to music? British Journal of Psychology, 98, 175-185. google scholar
  • Chamorro-Premuzic, T. Gomâ-i-Freixanet, M., Furnham, A. ve Muro, A. (2009). Personality, self-estimated intelligence and uses of music: A Spanish replication and extension using structural equation modeling. Psychology of Aesthetics, Creativity, and the Arts, 3, 149-155. google scholar
  • Chamorro-Premuzic, T., Swami, V. ve Cermakova, B. (2012). Individual differences in music consumption are predicted by uses of music and age rather than emotional intelligence, neuroticism, extraversion or openness. Psychology of Music, 40, 285-300. google scholar
  • Chamorro-Premuzic, T., Swami, V., Furnham, A. ve Maakip, I. (2009). The big five personality traits and uses of music: A replication in Malaysia using structural equation modeling. Journal of Individual Differences, 30(1), 20-27. google scholar
  • Chin, T. ve Rickard, N. S. (2013). Emotion regulation strategy mediates both positive and negative relationships between music uses and well-being. Psychology of Music, 42(5) 692-713. google scholar
  • Clark, D. M. (1983). On the induction of depressed mood in the laboratory: Evaluation and comparison of the Velten and musical procedures. Advances in Behavior Research and Therapy, 5, 27-49. google scholar
  • Colley, A. (2008). Young people’s musical taste: Relationship with gender and gender-related traits. Journal of AppliedSocialPsychology, 38, 2039-2055. google scholar
  • Costa, P. T. ve McCrae, R. R. (1980). Influence of extraversion and neuroticism on subjective well-being: Happy and unhappy people. Journal ofPersonality and Social Psychology, 38, 668-678. google scholar
  • Davidson, R. J., Scherer, K. R., ve Goldsmith, H.H. (2003). (ed) Handbook of affective sciences. Oxford: Oxford University Press. google scholar
  • Dinç, D. ve Aslan, A. (2017). Emotional and physiological reactions to Classical Turkish Music. Sosyal Bilimler Dergisi, 4, 16, 293-304. google scholar
  • Dollinger, S. J. (1993). Research Note: Personality and music preference: Extraversion and excitement seeking or openness to experience? Psychology ofMusic, 21, 73-77. google scholar
  • Eerola, T. ve Vuoskoski, J. K. (2011). A comparison of the discrete and dimensional models of emotion in music. Psychology ofMusic, 39(1), 18-49. google scholar
  • Eerola, T. ve Vuoskoski, J. K. (2015). A review of music and emotion studies: Approaches, emotion models, and stimuli. Music Perception, Review ofMusic and Emotion Studies, 30, 307-340. google scholar
  • Erdal, B. (2015). A study on the factors affecting Arabesk music preference as it was perceived and felt emotions by participants. International Journal ofHuman Sciences, 12(1), 1016-1055. google scholar
  • Erdal, B. ve Kındap Tepe, Y. (2017). Ruh halinin içedönük ve dışadönüklerde tercih edilen müziğe etkisi ve müziğin uyandırdığı duygular üzerine bir araştırma. The Journal of Academic Social Science. 57, 54-75. google scholar
  • Ekman, P. ve Davidson, R. J. (Ed.). (1994). The nature of emotion: Fundamental questions. New York: Oxford University. google scholar
  • Furnham, A. ve Allass, K. (1999). The influence of musical distraction of varying complexity on the cognitive performance of extroverts and introverts. European Journal ofPersonality, 13, 27-38. google scholar
  • Gabrielsson, A. (2001). Emotions in strong experiences with music. P. N. Juslin ve J. A. Sloboda (Ed.), Music and emotion: Theory and research içinde (s. 431-449). Oxford: Oxford University Press. google scholar
  • Gabrielsson, A. ve Lindström, S. (1993). On strong experiences of music. Musikpsychologie: Jahrbuch der deutschen Gesellschaftfür Musikpsychologie, 10, 118-139. google scholar
  • Garrido, S. ve Schubert, E. (2011). Negative emotion in music: What is the attraction? A qualitative study. Emprical Musicology Review, 6, 214-230. google scholar
  • Garrido, S. ve Schubert, E. (2015). Moody melodies: Do they cheer us up? A study of the effect of sad music on mood. Psychology ofMusic, 43(2) 244- 26. google scholar
  • Getz, L. M., Marks, S. ve Roy, M. (2014). The influence of stress, optimism, and music training on music uses and preferences. Psychology ofMusic, 42(1) 71-85. Doi: 0.1177/0305735612456727 google scholar
  • Gibson, R., Aust, C. F. ve Zillmann, D. (2000). Loneliness of adolescents and their choice and enjoyment of love-celebrating versus love-lamenting popular music. Empirical Studies of the Arts, 18(1), 43-8. google scholar
  • Goldsmith, H. H. (1994). Parsing the emotional domain from a development perspective. P. Ekman ve R. J. Davidson (Ed.), The nature of emotion: Fundamental questions içinde (s. 68-73). New York: Oxford University. google scholar
  • John, O. P. ve Srivastava, S. (1999). The Big-Five Trait Taxonomy: History, measurement, and theoretical perspectives. L. A. Pervin ve O. P. John (Ed.), Handbook ofpersonality: Theory and research 2 içinde, (s. 102-138), Guilford Press. New York. google scholar
  • Juslin, P. N. (2005). From mimesis to catharsis: Expression, perception, and induction of emotion in music. D. Miell, R. MacDonald ve D. J. Hargreaves (Ed.), Musical communication içinde (s. 85115). Oxford, UK: Oxford University Press. google scholar
  • Juslin, P. N. (2011). Music and emotion: Seven questions, seven answers. I. Deliege ve J. Davidson (Ed.), Music and the mind: Essays in honour of John Sloboda içinde (s. 113-135). Oxford: Oxford University Press. google scholar
  • Juslin, P. N. (2012). Are musical emotions invariant across cultures? Emotion Review, 4, 283-284. google scholar
  • Juslin, P. N. ve Laukka, P. (2004). Expression, perception, and induction of musical emotions: A review and a questionnaire study of everyday listening. Journal ofNew Music Research, 33, 217-238. doi: 10.1080/0929821042000317813 google scholar
  • Juslin, P N., Liljeström, S., Vâstfjâll, D. ve Lundqvist, L. O. (2010). How does music evoke emotions? Exploring the underlying mechanisms. P. N. Juslin ve J. Sloboda (Ed.), Handbook of music and emotion: Theory, research, applications içinde, (s. 605-642). Oxford: Oxford University Press. google scholar
  • Juslin, P. N. ve Sloboda, J.A. (Ed.) (2010). Handbook of music and emotion: Theory, research, applications. Oxford University Press. google scholar
  • Juslin, P. N. ve Vâstfjâll, D. (2008). Emotional responses to music: The need to consider underlying mechanisms. Behavioral and Brain Sciences, 31, 559-621. doi:10.1017/S0140525X08005293 google scholar
  • Kawakami, A., Furukawa, K., Katahira, K. ve Okanoya, K. (2013). Sad music induces pleasant emotion. Frontiers in Psychology, 4, 311, doi: 10.3389/fpsyg.2013.00311 google scholar
  • Keller, M., C., Fredrickson, B., L., Ybarra, O., Cote, S., Johnson, K., Mikels, J., Conway, A. ve Wager, T. (2005). A warm heart and a clear head. The contingent effects of weather on mood and cognition. Psychological Science, 16(9), 724-731. Doi: 10.1111/j.1467-9280.2005.01602.x google scholar
  • Kivy, P. (1990). Music alone: Philosophical reflections on the purely musical experience. Ithaca, NY: Cornell University Press. google scholar
  • Knobloch, S. ve Zillmann, D. (2002). Mood management via the digital jukebox. Journal of Communication, 52(2), 351-366. google scholar
  • Konecni, V J. (2008). Does music induce emotion? A theoretical and methodological analysis. Psychology of Aesthetics, Creativity, and the Arts, 2(2), 115-129. https://doi.org/10.1037/1931-3896.2.2.115 google scholar
  • Kopacz, M. (2005). Personality and music preferences: The influence of personality traits on preferences regarding musical elements. Journal ofMusic Therapy, 42(3), 216-239. google scholar
  • Lamont, A. (2011). University students’ strong experiences of music: Pleasure, engagement, and meaning. Musicae Scientiae, 15, 229-249. google scholar
  • Liljeström, S. (2011). Emotional reactions to music: Prevalance and contributing factors. (Doktora tezi). Uppsala Üniversitesi, Uppsala. google scholar
  • Liljeström, S., Juslin, P. N. ve Vastfjall, D. (2012). Experimental evidence of the roles of music choice, social context, and listener personality in emotional reactions to music. Psychology ofMusic, 41(5), 579-599. google scholar
  • Little, P. ve Zuckerman, M. (1986). Sensation seeking and music preferences. Personality and Individual Differences, 7, 575-577. google scholar
  • Matthews, G., Jones, D. M. ve Chamberlain, A. (1990). Refining the measurement of mood: The UWIST Mood Adjective Checklist. British Journal ofPsychology, 81, 17-42. google scholar
  • McCown, W., Keiser, R., Mulhearn, S. ve Williamson, D. (1997). The role of personality and gender in preference for exaggerated bass in music. Personality and Individual Differences, 23, 543-547. doi:10.1016/S0191-8869(97)00085-8 google scholar
  • McNamara, L. ve Ballard, M. E. (1999). Resting arousal, sensation seeking, and music preference. Genetic, Social, and General Psychology Monographs, 125, 229-250. google scholar
  • Park, K., Lee, S., Kim, E., Park, M., Park, J. ve Cha, M. (2013). Mood and Weather: Feeling the Heat? Proceedings of the Seventh International Association for the Advancement ofArtificial Intelligence Conference on Weblogs and Social Media içinde (s. 709-712). https://ojs.aaai.org/index.php/ ICWSM/article/view/14451 google scholar
  • Pervin, L. A. ve John, O. P. (2001). Handbook of personality: Theory and research (3. Bs.) New York: Guilford. google scholar
  • Rentfrow, P. J. ve Gosling, S. D. (2003). The do re mi’s of everyday life: The structure and personality correlates of music preferences. Journal of Personality and Social Psychology, 84, 1236-1256 google scholar
  • Rentfrow, P. J., Gosling, S. D. ve Levitin, D. J. (2011). The structure of musical preferences: A five-factor model. Journal ofPersonality and Social Psychology, 100(6), 1139-1157. google scholar
  • Reybrouck, M. ve Eerola, T. (2017). Music and its ınductive power: A psychobiological and evolutionary approach to musical emotions. Frontiers in Psychology, 8, 494. google scholar
  • Robbins, S. P., Judge, T. A. ve Campbell, T. (2010). Organizational behaviour. Pearson Publishing, Harlow: Financial Times Prentice Hall. google scholar
  • Russell, J. A. (2003). Core affect and the psychological construction of emotion. Psychological Review, 110, 145-172. google scholar
  • Rusting, C. L. (1998). Personality, mood, and cognitive processing of emotional information: Three conceptual frameworks. Psychological Bulletin, 124, 165-196. google scholar
  • Rusting, C. L. ve DeHart, T. (2000). Retrieving positive memories to regulate negative mood: Consequences for mood-congruent memory. Journal of Personality and Social Psychology, 78, 737-752. google scholar
  • Rusting, C. L. ve Larsen, R. J. (1997). Extraversion, neuroticism, and susceptibility to positive and negative affect. Personality and Individual Differences, 22, 607-612. google scholar
  • Saarikallio, S. (2008). Music in mood regulation: Initial scale development. Musicae Scientiae, 12(2), 291-309. google scholar
  • Saarikallio, S. (2010). Music as emotional self-regulation throughout adulthood. Psychology ofMusic, 39(3) 307-327. Doi: 10.1177/0305735610374894. google scholar
  • Saarikallio, S. ve Erkkila, J. (2007). The role of music in adolescents’ mood regulation. Psychology of Music, 35(1) 88-109. Doi: 10.1177/0305735607068889 google scholar
  • Sakka, S.L. ve Juslin, P.N. (2018). Emotion regulation with music in depressed and non-depressed individuals: Goals, strategies, and mechanisms. Music & Science, 1, 1-12. google scholar
  • Schafer, T., Sedlmeier, P., Stadtler, C. ve Huron, D. (2013). The psychological functions of music listening. Frontiers in Psychology, 4, 511. https://doi.org/10.3389/fpsyg.2013.00511 google scholar
  • Schellenberg, E. G., Peretz, I. ve Vieillard, S. (2008). Liking for happy and sad sounding music: Effects of exposure. Cognition and Emotion, 22, 218-237. doi: 10.1080/02699930701350753. google scholar
  • Scherer, K. R. (2000). Emotion. M. Hewstone ve W. Stroebe (Ed.), Introduction to social psychology: A European perspective içinde (3. Bs.), (s. 151-191). Oxford: Blackwell. google scholar
  • Scherer, K. R. (2003). Why music does not produce basic emotions: A plea for a new approach to measuring emotional effects of music. R. Bresin (Ed.), Proceedings of the Stockholm Music Acoustics Conference içinde (s. 25-28). Stockholm, Sweden: Royal Institute of Technology. google scholar
  • Scherer, K.R. ve Zentner, M. R. (2001). Emotional effects of music: Production rules. Juslin, P.N. ve Sloboda, J.A. (ed.) Music and emotion: Theory and research içinde (s. 361-392), Oxford University Press. google scholar
  • Sedikides, C. (1995). Central and peripheral self-conceptions are differentially influenced by mood: Tests of the differential sensitivity hypothesis. Journal of Personality and Social Psychology, 69, 759-777. google scholar
  • Sloboda, J. A., ve Juslin, P. N. (2001). Psychological perspectives on music and emotion. P. N. Juslin ve J. A. Sloboda (Ed.), Series in affective science. Music and emotion: Theory and research içinde (s. 71-104). Oxford University Press. google scholar
  • Smith, E.E. ve Kosslyn, S.M. (2010). Bilişsel psikoloji: Zihin ve beyin. Nobel Akademik Yayıncılık. İstanbul. google scholar
  • Sümer, N., Lajunen, T. ve Özkan, T. (2005). Big five personality traits as the distal predictors of road accident involvement. G. Underwood (Ed), Traffic and transport psychology: Theory and application içinde (s. 215-227). Oxford, UK: Elsevier. google scholar
  • Tahlier, M., Miron, A.M. ve Rauscher, F. H. (2012). Music choice as a sadness regulation strategy for resolved versus unresolved sad events. Psychology of Music, 41 (6), 729-748. google scholar
  • Taruffi, L. ve Koelsch, S. (2013). The paradox of music-evoked sadness: An online survey. Plosone, 9(10) https://doi.org/10.1371/journal.pone.0110490. google scholar
  • Tekman, H. G. (2009). Music preferences as signs of who we are: Personality and social factors. Proceedings of the 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM 2009), Jyvaskyla, Finland. google scholar
  • Ter Bogt, T. F. M., Mulder, j., Raaijmakers, Q. A. W. ve Gabhainn, S. N. (2010). Moved by music: A typology of music listeners. Psychology ofMusic, 39(2) 147-163. google scholar
  • Thayer, R. E. (1989). The biopsychology of mood and arousal. New York: Oxford University Press. google scholar
  • Thayer, R. E., Newman, J. R. ve McClain, T. M. (1994). Self-regulation of mood: Strategies for changing a bad mood, raising energy, and reducing tension. Journal of Personality and Social Psychology, 67, 910-925. google scholar
  • Thompson, W. F. ve Balkwill, L-L. (2010). Cross-cultural similarities and differences. P. N. Juslin ve J. A. Sloboda (Ed.), Handbook of music and emotion: Theory, research, applications içinde (s. 755788). Oxford: Oxford University Press. google scholar
  • Trapnell, P. D. ve Campbell, J. D. (1999). Private self-consciousness and the five-factor model of personality: Distinguishing rumination from reflection. Journal of Personality and Social Psychology, 76(2),284-304. google scholar
  • Van den Tol, A. J. M. ve Edwards, J. (2011). Exploring a rationale for choosing to listen to sad music when feeling sad. Psychology ofMusic, 41(4), 440-465. google scholar
  • Vella, E.J. ve Mills, G. (2017). Personality, uses of music, and music preference: The influence of openness to experience and extraversion. Psychology ofMusic, 45(3) 338-354. google scholar
  • Vuoskoski, J. ve Eerola, T. (2011). The role of mood and personality in the perception of emotions represented by music. Cortex, 47, 1099-1106 Doi:10.1016/j.cortex.2011.04.011 google scholar
  • Vuoskoski, J. K., Thompson, W. F., McIlwain, D. ve Eerola, T. (2012). Who enjoys listening to sad music and why? Music Perception, 29, 311-317. google scholar
  • Wapnick, J. (1976). A review of research on attitude and preference. Bulletin ofthe Councilfor Research in Music Education, 48, 1-20. google scholar
  • Watson, D. (2000). Mood and temperament. New York, Guilford Publications. google scholar
  • Watson, D. ve Clark, L. A. (1992). On traits and temperament: General and specific factors of emotional experience and their relation to the five-factor model. Journal ofPersonality, 60(2), 441-476. google scholar
  • Watson, D., Clark, L. A. ve Tellegen, A. (1988). Development and validation of brief measures of positive and negative affect - the Panas Scales. Journal of Personality and Social Psychology, 54(6), 1063-1070. google scholar
  • White, B. A., Horwath, C. C. ve Conner, T. S. (2013). Many apples a day keep the blues away: Daily experiences of negative and positive affect and food consumption among young adults. British Journal ofHealth Psychology, 18, 782-798. google scholar
  • Zentner, M. ve Eerola, T. (2011). Self-report Measurements. Juslin, P. N., ve Sloboda, J. A. (Ed.), Handbook of music and emotion: Theory, research, applications içinde (s.187). Oxford: Oxford University Press. google scholar
  • Zentner, M., Gradjean, D. ve Scherer, K. R. (2008). Emotions evoked by the sound of music: Characterization, classification, and measurement. American Psychological Association, 8(4), 494-521. doi: 10.1037/1528-3542.8.4.494 google scholar

Citations

Copy and paste a formatted citation or use one of the options to export in your chosen format


EXPORT



APA

Erdal, B., & Kındap Tepe, Y. (2021). Relationships Between Individuals’ Mood, Introvert– Extrovert Personality Traits, and Music Preferences. Studies in Psychology, 41(2), 549-580. https://doi.org/10.26650/SP2021-852069


AMA

Erdal B, Kındap Tepe Y. Relationships Between Individuals’ Mood, Introvert– Extrovert Personality Traits, and Music Preferences. Studies in Psychology. 2021;41(2):549-580. https://doi.org/10.26650/SP2021-852069


ABNT

Erdal, B.; Kındap Tepe, Y. Relationships Between Individuals’ Mood, Introvert– Extrovert Personality Traits, and Music Preferences. Studies in Psychology, [Publisher Location], v. 41, n. 2, p. 549-580, 2021.


Chicago: Author-Date Style

Erdal, Barış, and Yeliz Kındap Tepe. 2021. “Relationships Between Individuals’ Mood, Introvert– Extrovert Personality Traits, and Music Preferences.” Studies in Psychology 41, no. 2: 549-580. https://doi.org/10.26650/SP2021-852069


Chicago: Humanities Style

Erdal, Barış, and Yeliz Kındap Tepe. “Relationships Between Individuals’ Mood, Introvert– Extrovert Personality Traits, and Music Preferences.” Studies in Psychology 41, no. 2 (Apr. 2025): 549-580. https://doi.org/10.26650/SP2021-852069


Harvard: Australian Style

Erdal, B & Kındap Tepe, Y 2021, 'Relationships Between Individuals’ Mood, Introvert– Extrovert Personality Traits, and Music Preferences', Studies in Psychology, vol. 41, no. 2, pp. 549-580, viewed 29 Apr. 2025, https://doi.org/10.26650/SP2021-852069


Harvard: Author-Date Style

Erdal, B. and Kındap Tepe, Y. (2021) ‘Relationships Between Individuals’ Mood, Introvert– Extrovert Personality Traits, and Music Preferences’, Studies in Psychology, 41(2), pp. 549-580. https://doi.org/10.26650/SP2021-852069 (29 Apr. 2025).


MLA

Erdal, Barış, and Yeliz Kındap Tepe. “Relationships Between Individuals’ Mood, Introvert– Extrovert Personality Traits, and Music Preferences.” Studies in Psychology, vol. 41, no. 2, 2021, pp. 549-580. [Database Container], https://doi.org/10.26650/SP2021-852069


Vancouver

Erdal B, Kındap Tepe Y. Relationships Between Individuals’ Mood, Introvert– Extrovert Personality Traits, and Music Preferences. Studies in Psychology [Internet]. 29 Apr. 2025 [cited 29 Apr. 2025];41(2):549-580. Available from: https://doi.org/10.26650/SP2021-852069 doi: 10.26650/SP2021-852069


ISNAD

Erdal, Barış - Kındap Tepe, Yeliz. “Relationships Between Individuals’ Mood, Introvert– Extrovert Personality Traits, and Music Preferences”. Studies in Psychology 41/2 (Apr. 2025): 549-580. https://doi.org/10.26650/SP2021-852069



TIMELINE


Submitted01.06.2020
Accepted21.01.2021
Published Online31.08.2021

LICENCE


Attribution-NonCommercial (CC BY-NC)

This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.


SHARE




Istanbul University Press aims to contribute to the dissemination of ever growing scientific knowledge through publication of high quality scientific journals and books in accordance with the international publishing standards and ethics. Istanbul University Press follows an open access, non-commercial, scholarly publishing.