Journal of Theatre Criticism and Dramaturgy

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DOI :10.26650/jtcd.877058   IUP :10.26650/jtcd.877058    Full Text (PDF)

Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno

Mehmet Zeki Giritli

The purpose of this article is to explore Sevim Burak’s theatre through Adorno’s “negative dialectics” and “culture industry” theories. The article claims that Burak’s theatre is revolutionary in the sense that it challenges the traditional norms of theatre based on representation of real life. Burak, in contrast to traditional theatrical forms, creates a form negating real life and resisting against any form of mimetic representation. However, this does not turn her theatre into an apolitical, anti-social, or extremely individualistic one as Burak’s form is rooted in the social and parental background of the playwright. However, her unique form was expelled from the literary circles and has long been neglected by scholars, which the article claims is the result of the reflections of Adorno’s “culture industry” on the literary scene in Turkey. Thus, the final claim of the article is that Burak’s theatre is revolutionary and a protest not due to its subject matter but to its form. 

Keywords: Sevim Burak, Protest theatre, Form in theatre, Culture industry, Negative dialectics

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APA

Giritli, M.Z. (2021). Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno. Journal of Theatre Criticism and Dramaturgy, 0(32), 57-74. https://doi.org/10.26650/jtcd.877058


AMA

Giritli M Z. Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno. Journal of Theatre Criticism and Dramaturgy. 2021;0(32):57-74. https://doi.org/10.26650/jtcd.877058


ABNT

Giritli, M.Z. Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno. Journal of Theatre Criticism and Dramaturgy, [Publisher Location], v. 0, n. 32, p. 57-74, 2021.


Chicago: Author-Date Style

Giritli, Mehmet Zeki,. 2021. “Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno.” Journal of Theatre Criticism and Dramaturgy 0, no. 32: 57-74. https://doi.org/10.26650/jtcd.877058


Chicago: Humanities Style

Giritli, Mehmet Zeki,. “Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno.” Journal of Theatre Criticism and Dramaturgy 0, no. 32 (Nov. 2024): 57-74. https://doi.org/10.26650/jtcd.877058


Harvard: Australian Style

Giritli, MZ 2021, 'Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno', Journal of Theatre Criticism and Dramaturgy, vol. 0, no. 32, pp. 57-74, viewed 15 Nov. 2024, https://doi.org/10.26650/jtcd.877058


Harvard: Author-Date Style

Giritli, M.Z. (2021) ‘Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno’, Journal of Theatre Criticism and Dramaturgy, 0(32), pp. 57-74. https://doi.org/10.26650/jtcd.877058 (15 Nov. 2024).


MLA

Giritli, Mehmet Zeki,. “Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno.” Journal of Theatre Criticism and Dramaturgy, vol. 0, no. 32, 2021, pp. 57-74. [Database Container], https://doi.org/10.26650/jtcd.877058


Vancouver

Giritli MZ. Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno. Journal of Theatre Criticism and Dramaturgy [Internet]. 15 Nov. 2024 [cited 15 Nov. 2024];0(32):57-74. Available from: https://doi.org/10.26650/jtcd.877058 doi: 10.26650/jtcd.877058


ISNAD

Giritli, MehmetZeki. “Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno”. Journal of Theatre Criticism and Dramaturgy 0/32 (Nov. 2024): 57-74. https://doi.org/10.26650/jtcd.877058



TIMELINE


Submitted08.02.2021
Accepted29.03.2021
Published Online17.06.2021

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