Sevim Burak’s Protest Theatre: Understanding Sevim  Burak Through Adorno

Giritli Mehmet

doi:https://dx.doi.org/10.26650/jtcd.877058

Araştırma Makalesi

DOI :10.26650/jtcd.877058 IUP :10.26650/jtcd.877058 Tam Metin (PDF)

Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno

The purpose of this article is to explore Sevim Burak’s theatre through Adorno’s “negative dialectics” and “culture industry” theories. The article claims that Burak’s theatre is revolutionary in the sense that it challenges the traditional norms of theatre based on representation of real life. Burak, in contrast to traditional theatrical forms, creates a form negating real life and resisting against any form of mimetic representation. However, this does not turn her theatre into an apolitical, anti-social, or extremely individualistic one as Burak’s form is rooted in the social and parental background of the playwright. However, her unique form was expelled from the literary circles and has long been neglected by scholars, which the article claims is the result of the reflections of Adorno’s “culture industry” on the literary scene in Turkey. Thus, the final claim of the article is that Burak’s theatre is revolutionary and a protest not due to its subject matter but to its form.

Anahtar Kelimeler: Sevim Burak, Protest theatre, Form in theatre, Culture industry, Negative dialectics

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DIŞA AKTAR

APA

Giritli, M.Z. (2021). Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 0(32), 57-74. https://doi.org/10.26650/jtcd.877058

AMA

Giritli M Z. Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi. 2021;0(32):57-74. https://doi.org/10.26650/jtcd.877058

ABNT

Giritli, M.Z. Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, [Publisher Location], v. 0, n. 32, p. 57-74, 2021.

Chicago: Author-Date Style

Giritli, Mehmet Zeki,. 2021. “Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno.” Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 0, no. 32: 57-74. https://doi.org/10.26650/jtcd.877058

Chicago: Humanities Style

Giritli, Mehmet Zeki,. “Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno.” Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 0, no. 32 (Dec. 2024): 57-74. https://doi.org/10.26650/jtcd.877058

Harvard: Australian Style

Giritli, MZ 2021, 'Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno', Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, vol. 0, no. 32, pp. 57-74, viewed 25 Dec. 2024, https://doi.org/10.26650/jtcd.877058

Harvard: Author-Date Style

Giritli, M.Z. (2021) ‘Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno’, Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 0(32), pp. 57-74. https://doi.org/10.26650/jtcd.877058 (25 Dec. 2024).

MLA

Giritli, Mehmet Zeki,. “Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno.” Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, vol. 0, no. 32, 2021, pp. 57-74. [Database Container], https://doi.org/10.26650/jtcd.877058

Vancouver

Giritli MZ. Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi [Internet]. 25 Dec. 2024 [cited 25 Dec. 2024];0(32):57-74. Available from: https://doi.org/10.26650/jtcd.877058 doi: 10.26650/jtcd.877058

ISNAD

Giritli, MehmetZeki. “Sevim Burak’s Protest Theatre: Understanding Sevim Burak Through Adorno”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 0/32 (Dec. 2024): 57-74. https://doi.org/10.26650/jtcd.877058

Sayı 322021, S. 57-74

ZAMAN ÇİZELGESİ

Gönderim	08.02.2021
Kabul	29.03.2021
Çevrimiçi Yayınlanma	17.06.2021

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