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DOI :10.26650/arcp.1638121   IUP :10.26650/arcp.1638121    Tam Metin (PDF)

Descartes’ın İkinci Meditasyon’unda Çıkarım ve Performans Karakteriyle Cogito Argümanı: Analitik Gelenek Üzerinden Eleştirel Bir Tartışma

Ali Sertan Beşer

Felsefe tarihinde çok önemli bir yere sahip olan Descartes’ın Cogito ergo sum yani Düşünüyorum öyleyse varım olarak bilinen argümanı bilgi sistemindeki kesinlik arayışında Descartes’a Arşimet noktası oluşturmuştur. Öyle ki Cogito argümanı Descartes’ın Birinci Meditasyon’da ortaya koyduğu kötü niyetli cin hipotezini bile aşmasına olanak sağlayarak sağlam bir hareket noktası olmuştur. Özellikle İkinci Meditasyon’a bakıldığında, Cogito’nun açıkça zikredilmeden “düşünce”nin bir tek kendisine ait olduğunu ve kendisini “düşünen ben”, “düşünen akıl”, “düşünen varlık” gibi nitelendirmelerle ifade eden Descartes, düşünen ben’i ile var oluşu arasındaki ilişkiyi keşfetmiş bunun yanında kendi “Ben”ini bir muamma olarak tanımlamaktan da geri durmamıştır. Nitekim “Ben”in işlevi literatürde halen tartışılmaktadır. Bunun yanında, Cogito argümanı, daha Descartes’ın kendi döneminde, bir çıkarım mı yoksa kıyas mı olduğu yönünde tartışmalara konu olmuştur. Bu yazının Giriş bölümünde söz konusu tartışmalar İtirazlar-Cevaplar bağlamında ele alınacaktır. Ayrıca, özellikle Jaakko Hintikka, Cogito argümanının bir çıkarım değil, performans olduğunu ileri sürmüştür. Descartes, Cogito’yu bir kıyas olarak mı yoksa kıyas olmayan bir çıkarım olarak mı yoksa performatif bir edim olarak mı ele almaktadır? İlk olarak Cogito argümanının genel olarak işlevine değinilecek ardından İkinci Meditasyon’da bulunan Cogito argümanının alt argümanları Anthony Kenny’nin analizi doğrultusunda ortaya konulmaya çalışılacaktır. Daha sonra, Hintikka’nın Cogito argümanının performans olduğuna dair iddiaları aktarıldıktan sonra, Cogito argümanındaki “ben”in zamir olarak işlevi ve Cogito’nun çıkarım olup olmadığına yönelik tartışmaları özellikle Analitik felsefe geleneğinden gelen bazı filozofların yorumları ışığında irdelenecektir. Sonuç olarak Descartes’ın Cogito argümanının hem çıkarım hem de performans yönü gösterilmeye çalışılacaktır.

DOI :10.26650/arcp.1638121   IUP :10.26650/arcp.1638121    Tam Metin (PDF)

The Cogito Argument in Descartes’ Second Meditation as Inference and Performance: A Critical Discussion Through the Analytic Tradition

Ali Sertan Beşer

Cogito ergo sum which means I think therefore I am argument constitutes as an Archimedean point for Descartes in his search for certainty in his system of knowledge and so Cogito argument has an important place in the history of philosophy. Through the Cogito argument, Descartes eliminates even radical skepticism created by the Deceiver Argument in the First Meditation and establishes a strong basis for indubitable knowledge. In the Second Meditation, without directly stating Cogito ergo sum, Descartes emphasizes that “thought” belongs only to him and he defines himself such as a “thinking I”, “thinking substance”, or “thinking existence”. In doing so, he discovers the relationship between thought and existence and he do not hesitate to describe the nature of his self, “I” as something mysterious. Thus, it has been seen that, there has been an extensive discussion regarding the nature of this “I” or self in the literature. Besides that, the Cogito argument has been argued since the time of Descartes as whether it is an inference, a syllogism or a performance and this discussion will be mentioned through Objections and Replies in the “Introduction” part of this article. Moreover, Jaakko Hintikka claims that the Cogito argument is not an inference but it is a performance. Does Descartes consider it as a syllogism, an inference, or a performative act? In this article, firstly, the function of the Cogito argument will be presented, and then throughout The Second Meditation, the sub-arguments of the Cogito argument will be addressed by analysis of Anthony Kenny. Later, it will be discussed Hintikka’s assertions about performative character of the Cogito argument. In addition, the function of “I” and the question of “whether Cogito is an inference or not” will be discussed through some philosophers who belong to tradition of analytic philosophy. As a conclusion, it will be tried to demonstrate that the Cogito argument is both an inference and a performance. 


GENİŞLETİLMİŞ ÖZET


In the history of philosophy, Descartes’s Cogito ergo sum or I think therefore I am has an important place in his search for indubitable knowledge. Descartes finally identifies this sentence as an Archimedean point for constructing a strong basis for the sciences and he eliminates the radical skepticism created by the deceiver argument in the First Meditation. We see that, especially in the Second Meditation, without stating the Cogito explicitly, Descartes declares that “thought” belongs only to him and he defines himself such as “thinking I”, “thinking substance”, “thinking existence”. In doing so, he discovers the relationship between thought and existence. However, he does not hesitate to describe his “I” or self as something mysterious. Thus, it has been observed that there is extensive discussion in the literature about the nature of this “I” or self. Besides that, the Cogito argument has been argued since the time of Descartes as whether it is an inference, a syllogism or a performance and this discussion will be mentioned through Objections and Replies in the “Introduction” part of this article. Moreover, Jaakko Hintikka claims that the Cogito argument is not an inference but it is a performance. Does Descartes consider it as a syllogism, an inference, or a performative act?

In this article, firstly, the function of the Cogito argument will be presented, and then throughout The Second Meditation, the sub-arguments of the Cogito argument will be addressed by analysis of Anthony Kenny. Later, Hintikka’s assertions about performative character of the Cogito argument will be discussed. In addition, the function of “I” and the question of “whether Cogito is an inference or not” will be discussed through the lens of some philosophers who belong to tradition of analytic philosophy. Let us briefly mention which commentators will be considered in this article.

First, we will mention Anthony Kenny’s analysis of the structure of Cogito in the Second Meditation, as Kenny clearly outlines the sub-arguments of Cogito and discusses them in detail. Kenny emphasizes that the term “I” is not even clear after Cogito ergo sum, whereas “thinking” is clear, and that the conclusion of Cogito is not merely “I exist” but “it is true that I exist”. He also refers to Bertrand Russell’s comment that states the use of “I” is superfluous and, in fact, does not refer to any specific entity and datum. According to Kenny, Descartes would be likely to accept that “I” it is not a datum, as he would regard the Cogito argument as an inference. 

Thus, the issue will be addressed by examining whether the Cogito is an inference or, as Jaako Hintikka suggests, a performance. Hintikka argues that Cogito ergo sum is not a valid inference and supports his claim with examples involving Hamlet and Homer. However, these examples are weak and unconvincing. It is worth noting that most of the commentators we consider criticize Hintikka’s analysis. Next, we will consider Peter Geach and Ayer who both discuss the situation of “I” in the Cogito argument and maintain that the “I” in the Cogito does not have to refer anything. Ayer further argues that “I exist” already is accepted by Descartes as true, and therefore does not need to be inferred from the Cogito. According to Ayer, Descartes chose the Cogito argument precisely because its negation implies “I exist” already. Ayer thinks that the primary error in the Descartes’s thought lies in his method of deduction.

Then, we will consider James Carney’s comment. Carney asks that although Descartes postpones whether his mind is physical or not to Sixth Meditation, why do Hobbes, Ayer and Hintikka claim that it is not physical and this is shown in the Second Meditation? Carney thinks that in the Second Meditation, Descartes defines himself as “thinking existence” and this definition causes these philosophers think that Descartes accepts his mind as something not physical. Carney stresses that by defining himself as a “thinking existence”, Descartes already clarifies his “I” and he explains how Descartes’s justification about physical objects do not belong to “I”. Carney thinks that it would be wrong to infer that through “I”, that means conscious mind and Descartes rashly infers his existence from his thinking, the idea as claimed by Hobbes and Hintikka. And then we will consider Harry Frankfurt’s comments especially about Hintikka’s analysis. Frankfurt accepts that the Cogito argument has a performatory character but he also claims that it is an inference. Frankfurt thinks that Hintikka is not successful at demonstrating the performatory character of the Cogito argument and he claims that a valid inference can be found in the Second Meditation. Then we will mention Edwin Curley’s comments on the Cogito argument. We think it is interesting to note Curley’s claim because he also thinks that the Cogito argument is both an inference and a performance. Lastly, we will mention Turkish philosopher Mehmet Emin Erişirgil who stresses that Descartes’s effort to eliminate confusion about whether the Cogito argument syllogism or not. Erişirgil thinks that this confusion is due to his usage of “ergo” in the argument but he also stresses that the Cogito argument enables Descartes with strong foundation in his philosophy. Through all these comments, we will also add our comments and will try to give the reason why the Cogito argument in the Second Meditation, is both an inference and a performance.


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Referanslar

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APA

Beşer, A.S. (2019). Descartes’ın İkinci Meditasyon’unda Çıkarım ve Performans Karakteriyle Cogito Argümanı: Analitik Gelenek Üzerinden Eleştirel Bir Tartışma. Felsefe Arkivi, 0(0), -. https://doi.org/10.26650/arcp.1638121


AMA

Beşer A S. Descartes’ın İkinci Meditasyon’unda Çıkarım ve Performans Karakteriyle Cogito Argümanı: Analitik Gelenek Üzerinden Eleştirel Bir Tartışma. Felsefe Arkivi. 2019;0(0):-. https://doi.org/10.26650/arcp.1638121


ABNT

Beşer, A.S. Descartes’ın İkinci Meditasyon’unda Çıkarım ve Performans Karakteriyle Cogito Argümanı: Analitik Gelenek Üzerinden Eleştirel Bir Tartışma. Felsefe Arkivi, [Publisher Location], v. 0, n. 0, p. -, 2019.


Chicago: Author-Date Style

Beşer, Ali Sertan,. 2019. “Descartes’ın İkinci Meditasyon’unda Çıkarım ve Performans Karakteriyle Cogito Argümanı: Analitik Gelenek Üzerinden Eleştirel Bir Tartışma.” Felsefe Arkivi 0, no. 0: -. https://doi.org/10.26650/arcp.1638121


Chicago: Humanities Style

Beşer, Ali Sertan,. Descartes’ın İkinci Meditasyon’unda Çıkarım ve Performans Karakteriyle Cogito Argümanı: Analitik Gelenek Üzerinden Eleştirel Bir Tartışma.” Felsefe Arkivi 0, no. 0 (Aug. 2025): -. https://doi.org/10.26650/arcp.1638121


Harvard: Australian Style

Beşer, AS 2019, 'Descartes’ın İkinci Meditasyon’unda Çıkarım ve Performans Karakteriyle Cogito Argümanı: Analitik Gelenek Üzerinden Eleştirel Bir Tartışma', Felsefe Arkivi, vol. 0, no. 0, pp. -, viewed 14 Aug. 2025, https://doi.org/10.26650/arcp.1638121


Harvard: Author-Date Style

Beşer, A.S. (2019) ‘Descartes’ın İkinci Meditasyon’unda Çıkarım ve Performans Karakteriyle Cogito Argümanı: Analitik Gelenek Üzerinden Eleştirel Bir Tartışma’, Felsefe Arkivi, 0(0), pp. -. https://doi.org/10.26650/arcp.1638121 (14 Aug. 2025).


MLA

Beşer, Ali Sertan,. Descartes’ın İkinci Meditasyon’unda Çıkarım ve Performans Karakteriyle Cogito Argümanı: Analitik Gelenek Üzerinden Eleştirel Bir Tartışma.” Felsefe Arkivi, vol. 0, no. 0, 2019, pp. -. [Database Container], https://doi.org/10.26650/arcp.1638121


Vancouver

Beşer AS. Descartes’ın İkinci Meditasyon’unda Çıkarım ve Performans Karakteriyle Cogito Argümanı: Analitik Gelenek Üzerinden Eleştirel Bir Tartışma. Felsefe Arkivi [Internet]. 14 Aug. 2025 [cited 14 Aug. 2025];0(0):-. Available from: https://doi.org/10.26650/arcp.1638121 doi: 10.26650/arcp.1638121


ISNAD

Beşer, AliSertan. Descartes’ın İkinci Meditasyon’unda Çıkarım ve Performans Karakteriyle Cogito Argümanı: Analitik Gelenek Üzerinden Eleştirel Bir Tartışma”. Felsefe Arkivi 0/0 (Aug. 2025): -. https://doi.org/10.26650/arcp.1638121



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