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DOI :10.26650/jtcd.861023   IUP :10.26650/jtcd.861023    Tam Metin (PDF)

Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing

Ben Haworth

This essay argues that Shakespeare’s natural fools, clowns, rustics, and buffoons provide far more than light comic relief. Using the example of Dogberry, from Much Ado About Nothing, I demonstrate that in allowing his fools to usurp their position of clownish caricature, to move outside of their normal social spheres, Shakespeare exposes the folly within societal institutions. Though an examination of language, namely the use of malapropisms, and the manipulation of traditional licence extended to natural fools, I contend that such theatrical depictions of folly opened the way for social commentary, parody and inversions of hierarchies of power on the stage.

Anahtar Kelimeler: ShakespeareSubversionFollyMalapropismDogberry

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Referanslar

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APA

Haworth, B. (2021). Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 0(32), 115-124. https://doi.org/10.26650/jtcd.861023


AMA

Haworth B. Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi. 2021;0(32):115-124. https://doi.org/10.26650/jtcd.861023


ABNT

Haworth, B. Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, [Publisher Location], v. 0, n. 32, p. 115-124, 2021.


Chicago: Author-Date Style

Haworth, Ben,. 2021. “Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing.” Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 0, no. 32: 115-124. https://doi.org/10.26650/jtcd.861023


Chicago: Humanities Style

Haworth, Ben,. Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing.” Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 0, no. 32 (Nov. 2024): 115-124. https://doi.org/10.26650/jtcd.861023


Harvard: Australian Style

Haworth, B 2021, 'Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing', Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, vol. 0, no. 32, pp. 115-124, viewed 15 Nov. 2024, https://doi.org/10.26650/jtcd.861023


Harvard: Author-Date Style

Haworth, B. (2021) ‘Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing’, Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 0(32), pp. 115-124. https://doi.org/10.26650/jtcd.861023 (15 Nov. 2024).


MLA

Haworth, Ben,. Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing.” Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, vol. 0, no. 32, 2021, pp. 115-124. [Database Container], https://doi.org/10.26650/jtcd.861023


Vancouver

Haworth B. Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi [Internet]. 15 Nov. 2024 [cited 15 Nov. 2024];0(32):115-124. Available from: https://doi.org/10.26650/jtcd.861023 doi: 10.26650/jtcd.861023


ISNAD

Haworth, Ben. Dog’s Day: Natural Folly and Subversion in Much Ado About Nothing”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 0/32 (Nov. 2024): 115-124. https://doi.org/10.26650/jtcd.861023



ZAMAN ÇİZELGESİ


Gönderim14.01.2021
Kabul15.03.2021
Çevrimiçi Yayınlanma17.06.2021

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