Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi

GÖNDERBİLGİ
EnglishTürkçe

Araştırma Makalesi


DOI :10.26650/jtcd.909750   IUP :10.26650/jtcd.909750    Tam Metin (PDF)

The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation

Marco Galea

The aim of this article is to discuss how the theatre of a community aspiring to nationhood and autonomy from British colonial rule used stereotypes inherited from popular history and nationalist discourse to create drama that contributed to shaping a national identity. The article will also discuss how these stereotypes were retained within the Maltese performative culture beyond the political realities that ushered them in. To do this, the article analyses the references to Ottoman Turks in Maltese theatre from the 19th century to the contemporary period. Most of these instances revolve around the Siege of Malta of 1565 by the Ottoman army, which is considered a moment of great importance in the history of the country. In these works, as in Maltese culture in general, the Turk is seen as the nemesis of the Maltese and represents everything they are not. The article contextualises the different recorded performances in the historical moment they speak of, but also in the historical moment they were enacted. The discussion is framed around colonialism as a historical period and as a theoretical concept which informed the Maltese national identity.

Anahtar Kelimeler: Maltese theatre, 1565 Siege of Malta, British colonialism, Ottomans, Race

PDF Görünüm

Referanslar

  • Anon. Il-Gahan tas-Soltu. 22 September 1906. google scholar
  • Anon. Il-Ballata ta’ Toni Bajada (unpublished playtext) 1930. Accessed 29 April 2021, https://www.um.edu. mt/library/oar/handle/123456789/40121. google scholar
  • Aquilina, Joseph. Maltese English Dictionary II. Malta: Midsea Books, 1990. google scholar
  • Anthony Bonanno, Malta: Phoenician, Punic, and Roman. Malta: Midsea Books, 2005. google scholar
  • Bonham-Carter, Sibella. “The Maltese Parata: A Men’s Sword Dance,” Journal of the English Folk Dance and Song Society 5/1 (1946), 65-67. google scholar
  • Borg, M.A. Teatro in Vernacolo II. Malta: Tipografia Nazionale, 1930. google scholar
  • Brincat, Joseph M. Maltese and Other Languages: A Linguistic History of Malta. Malta: Midsea Books, 2011. google scholar
  • Cassar, Carmel. Society, Culture and Identity in Early Modern Malta. Malta: Mireva, 2000. google scholar
  • Cassola, Arnold. The 1565 Ottoman Malta Campaign Register. Malta: PEG, 1998. google scholar
  • Cremona, Vicki Ann and Marco Galea, “The Amateur Theatre in Malta,” Amfiteater 8/1 (2020), 196-208,https://www.slogi.si/wp-content/uploads/2020/07/Amfiteater-8_1_RAZ_07_Cremona_Galea_ AN.pdf?fbclid=IwAR0NnyrnglTfphafz5A9CPb1aIGa5YAhrFy1yffUOdLNHp9cXMAphm6UHP8. google scholar
  • Dalli, Charles. Malta: The Medieval Millennium. Malta: Midsea Books, 2006. google scholar
  • Ergin, Murat. “‘Is the Turk a White Man?’ Towards a Theoretical Framework for Race in the Making of Turkishness”, Middle Eastern Studies, 2008, 44/6, 827-850. google scholar
  • Eynaud, Joseph. “Teatro e folcolore a Malta nel secolo decimottavo,” Melita Historica 6/2 (1973), 153-161. google scholar
  • Fanon, Frantz. Black Skin, White Masks. London: Pluto Press, 2008. google scholar
  • Freller, Thomas. Malta: The Order of St John. Malta: Midsea Books, 2010. google scholar
  • Galea, Marco. “Renewing an Enemy-Ship: Turk sightings in nineteenth century Maltese literature”, Sacra Militia 4 (2006), 29-34, https://www.academia.edu/45664208/Renewing_an_Enemy_ship_Turk_ sightings_in_nineteenth_century_Maltese_literature. google scholar
  • Galea, Marco. “The Pantomime Other: Building Fences in Pantomime Performance in Malta”, Otherness: Essays and Studies 5/1 (2016), 113-130. google scholar
  • Gauci, Liam. In the Name of the Prince: Maltese Corsairs 1760-1798. Malta: Heritage Malta, 2016. google scholar
  • Grandmeme, “Malta vs Turkey - South End Core,” YouTube, Accessed 2 April 2021, https://www.youtube. com/watch?v=61br13ZgYCg. google scholar
  • Grech, Herman. “Turkish fans may take no delight in Malta clash,” Times of Malta, 24 August 2007, Accessed 2 April 2021, https://timesofmalta.com/articles/view/turkish-fans-may-take-no-delight-in-malta-clash.7159. google scholar
  • Hall, Geoffrey. The Maltese Language Question. Malta: Said International, 1993. google scholar
  • Jackson, John P. Jr and Nadine M. Weidman, Race, Racism and Science. Santa Barbara: ABC-Clio, Inc, 2004. google scholar
  • Lane, Linda and Hauwa Mahdi, “Fanon Revisited: Race Gender and Coloniality Vis-â-Vis Skin Colour,” in R.E. Hall (ed.) The Melanin Millennium: Skin Color as 21st Century International Discourse. Dordrecht: Springer, 2004. google scholar
  • Memmi, Albert. Racism. Minneapolis: Minnesota University Press, 2000. google scholar
  • Muscat Azzopardi, Guze. Toni Bajada u rakkonti ohra (Toni Bajada and other narratives). Malta: KKM, 1977. google scholar
  • Psaila, Dun Karm. Il-Poeziji Migbura. Malta: Klabb Kotba Maltin, 1980. google scholar
  • Rosato, Luigi. “Katarina,” in Marco Galea (ed.), It-Teatru Malti tas-Seklu Dsatax I (Maltese Theatre in the Nineteenth Century) (Malta: Mireva Publications, 1997) 1-27. google scholar
  • Vassallo, Gio Antonio. Il-Poeziji. Malta: Malta University Press, 2012. google scholar
  • Wettinger, Godfrey. Slavery in the Islands of Malta and Gozo ca. 1000-1812. Malta: PEG, 2002. google scholar
  • Wikipedia, ‘Great Siege Monument’, Accessed 29 April 2021, https://en.wikipedia.org/wiki/Great_Siege_ Monument. google scholar
  • Xuereb, Paul. “The Great Siege in a Minor Mode,” The Sunday Times of Malta, 20 February 2005. google scholar
  • Zahra, Trevor. Xaghriet Mewwija. Unpublished playtext, 2012. google scholar

Atıflar

Biçimlendirilmiş bir atıfı kopyalayıp yapıştırın veya seçtiğiniz biçimde dışa aktarmak için seçeneklerden birini kullanın


DIŞA AKTAR



APA

Galea, M. (2021). The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 0(32), 23-36. https://doi.org/10.26650/jtcd.909750


AMA

Galea M. The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi. 2021;0(32):23-36. https://doi.org/10.26650/jtcd.909750


ABNT

Galea, M. The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, [Publisher Location], v. 0, n. 32, p. 23-36, 2021.


Chicago: Author-Date Style

Galea, Marco,. 2021. “The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation.” Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 0, no. 32: 23-36. https://doi.org/10.26650/jtcd.909750


Chicago: Humanities Style

Galea, Marco,. “The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation.” Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 0, no. 32 (Dec. 2024): 23-36. https://doi.org/10.26650/jtcd.909750


Harvard: Australian Style

Galea, M 2021, 'The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation', Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, vol. 0, no. 32, pp. 23-36, viewed 25 Dec. 2024, https://doi.org/10.26650/jtcd.909750


Harvard: Author-Date Style

Galea, M. (2021) ‘The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation’, Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 0(32), pp. 23-36. https://doi.org/10.26650/jtcd.909750 (25 Dec. 2024).


MLA

Galea, Marco,. “The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation.” Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, vol. 0, no. 32, 2021, pp. 23-36. [Database Container], https://doi.org/10.26650/jtcd.909750


Vancouver

Galea M. The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi [Internet]. 25 Dec. 2024 [cited 25 Dec. 2024];0(32):23-36. Available from: https://doi.org/10.26650/jtcd.909750 doi: 10.26650/jtcd.909750


ISNAD

Galea, Marco. “The Ottoman Turk in Maltese Theatre and Drama: A Discussion of the Role of Stereotypes in the Theatre of a Small Nation”. Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi 0/32 (Dec. 2024): 23-36. https://doi.org/10.26650/jtcd.909750



ZAMAN ÇİZELGESİ


Gönderim05.04.2021
Kabul25.05.2021
Çevrimiçi Yayınlanma17.06.2021

LİSANS


Attribution-NonCommercial (CC BY-NC)

This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.


PAYLAŞ




İstanbul Üniversitesi Yayınları, uluslararası yayıncılık standartları ve etiğine uygun olarak, yüksek kalitede bilimsel dergi ve kitapların yayınlanmasıyla giderek artan bilimsel bilginin yayılmasına katkıda bulunmayı amaçlamaktadır. İstanbul Üniversitesi Yayınları açık erişimli, ticari olmayan, bilimsel yayıncılığı takip etmektedir.