Research Article


DOI :10.26650/artsanat.2024.22.1483701   IUP :10.26650/artsanat.2024.22.1483701    Full Text (PDF)

Geometric Analysis of Mass Formation and Proportions in Combined Function Buildings in Anatolian Seljuk Architecture

Funda Gençer

Throughout the Anatolian Seljuk Period, numerous examples of buildings with combined functions were built. The precise proportions or design decisions that underlie the division of various functional masses in combined-function buildings are unknown. The purpose of this study is to determine whether geometric and proportional relationships are used in the process of combining multiple functional masses. Geometric analyses of the combined-function buildings in plan and section drawings were carried out to determine the proportions and rules established in the combination of masses with each other. Geometric analyses include analyses of the special triangles, golden ratio, and module systems on the section and plan drawings of the buildings. The investigation revealed that the golden rectangle determined the proportional relations between various masses in the plans. In contrast, the modular system or golden rectangle determined the proportional relations in the sections. Formal relations were only defined in the sections by special triangles. The identification of mass proportions by a golden rectangle represented that one of the main parameters considered in the design of Seljuk buildings is the golden ratio. Achieving a formal and proportionate balance, particularly between masses and critical architectural and structural elements such as portals and cones, was essential in their design process. This focus on geometry enriches our understanding of architectural history and plays a crucial role in the preservation efforts of historical edifices. The insights gained from studying the application of the golden ratio in Seljuk architecture can significantly benefit scholarly research and practical conservation methods.

DOI :10.26650/artsanat.2024.22.1483701   IUP :10.26650/artsanat.2024.22.1483701    Full Text (PDF)

Anadolu Selçuklu Mimarisinde Birleşik İşlevli Yapılarda Kütle Biçimlenişinin ve Oranlarının Geometrik Analizi

Funda Gençer

Anadolu Selçuklu Dönemi’nde farklı işlevlerin bir arada bulunduğu çok sayıda birleşik işlevli yapı örneği bulunmaktadır. Birleşik işlevli yapılarda farklı işlevli kütlelerin birbiriyle eklemlenmesinde esas alınan tasarım kararları veya kriterlerinin neler olduğu kesin olarak bilinmemektedir. Bu çalışmanın araştırma sorusu, Anadolu Selçuklu Dönemi’nde farklı işlevli kütlelerin birleşik işlevli yapıları oluştururken birbirine nasıl eklemlendiği ve bu süreçte geometrik ve oransal ilişkilerin kullanılıp kullanılmadığıdır. Bu amaçla, birleşik işlevli yapıların plan ve kesit çizimleri üzerinde geometrik analiz yapılarak kütlelerin birbiriyle eklemlenmesinde belirlenen oran ve ilkelerin tespit edilmesi hedeflenmiştir. Geometrik analiz özel üçgen, altın oran ve modül sistemi analizlerini kapsamaktadır. Çalışma sonucunda, planlarda kütleler arası oransal ilişkilerin altın dikdörtgen, kesitlerde ise modüler sistem veya altın dikdörtgen ile belirlendiği tespit edilmiştir. Biçimsel ilişkiler ise sadece kesitlerde özel üçgenler ile belirlenmiştir. Altın dikdörtgenin incelenen tüm örneklerde kütle oranlarını tanımlaması, Selçuklu yapılarının tasarımında esas alınan ana kriterlerden birinin altın oran olduğunu ortaya koymuştur. Yapılar tasarlanırken sadece kütleler arasında değil, taç kapı, külah gibi mimari ve yapısal elemanlar arasında biçimsel ve oransal denge sağlanmaya çalışılmıştır. Çalışma mimari tasarımda geometrinin kullanımına mimarlık tarihi alanında önemli bir veri sunarken, tarihî yapıların koruma çalışmalarına da katkı sağlamaktadır.


EXTENDED ABSTRACT


Anatolian Seljuk architecture was strongly influenced by a fusion of Islamic, Persian, and Byzantine cultures, complemented by the region’s unique historical, cultural, political, and religious context. The buildings from this era are remarkable, particularly due to their simple and introverted architectural designs. The buildings were constructed as plain and unembellished structures but were enhanced with elaborate entrances throughout the early Seljuk eras. The architectural features of the period are asymmetrical plans, courtyards and iwans, decorations, and buildings composed of more than one function. The Anatolian Seljuk Period is characterized by numerous examples of combined-function buildings. These examples may serve several functions, such as madrasah-mosque, mosque-tomb, mosque-mosque, and mosque-madrasah-tomb. Combined-function buildings hold a significant place in architectural history, as they are considered to represent the earliest examples of social complexes that influenced the development of similar structures in the following centuries. These buildings, which served multiple purposes, such as religious, educational, and social gathering places, laid the groundwork for the design and functionality of future social complexes. Their innovative approach to combining different functions within a single building highlighted an advanced understanding of architecture’s role in societal development and community life. In these multifunctional buildings, depending on the specific needs of the time or location, two or three distinct functions were integrated into a single building. Despite the combination of various functions, the relationship between them could either be unplanned, as observed in the Madrasah-Darüşşifa (educational institution-hospital) buildings, or it could evolve naturally, as seen with mosque-tomb complexes. This versatility in function and the varying degrees of integration between different spaces reflect the adaptive and innovative approaches to architecture during that period. Research efforts have focused on identifying the construction periods of combined-function buildings as well as establishing a typological classification for these buildings. Studies on geometric analysis, however, have typically concentrated on Seljuk patterns. A limited amount of research employs the geometric analysis method to examine buildings that provide several functions. The studies use the geometric analysis approach to examine the mass relationship between the hospital and the mosque in Divriği Grand Mosque and Hospital. These researches have indicated that particular guidelines might have been applied when combining various functions. Analyzing the mass relationship is crucial for understanding the history of architecture because no source indicates whether the mass combinations in Seljuk architecture are regular or irregular. This study’s research issue focuses on determining if the relationship among diverse functional masses, which together form combined functional buildings, adheres to specific geometric and proportional rules. The objective of conducting geometric analysis on the plans and sections of Anatolian Seljuk buildings, which serve multiple functions, was to identify the proportions and principles guiding the arrangement of various functional masses. 

The module system, special triangle analysis (3-4-5 triangle, 30-60-90 degree triangle, or equilateral triangle), and application of the golden ratio have been used to analyze combined-function Anatolian Seljuk buildings. 

Module: These are units with fixed dimensions where an element repeats, either increasing or decreasing, by itself or through its multiples. Previous researches have established that the Anatolian Seljuk Period did not have precise module measurements. Thus, only modularity was proportionately investigated in these researches.

Special Triangles: This kind of analysis investigates how equilateral and special (Pythagorean) triangles are used on drawings. The two triangle types most frequently employed in structural design are the right-angled isosceles triangle and the equilateral triangle, whose height is equal to the side of the square. The impact of special triangles on the forms or proportions of sections or facades will be examined in this study.

The golden ratio: The formula (x+y) /x = x/y expresses the golden ratio. The golden ratio is obtained by splitting a line segment into two pieces so that the ratio of the long segment (x) to the total component (x+y) equals the ratio of the short segment (y) to the long segment (x). The study’s goal is to identify the alignments defined by the golden rectangle, which was created using the golden ratio rule as a guide.

This study examined the plans and sections of seven combined-function buildings. This approach considers two sorts of functions when they come together: functions, such as mosque-tomb functions, and consciously created functions, such as Madrasah-Hospital functions. Within this framework, the emphasis lies on three instances of buildings that possess two primary functions that are interconnected, as well as four instances of buildings that have a tomb annexed to the main use. The designs and sections of the madrasah-tomb and mosque-tomb buildings were first studied in the analytical studies. Next, buildings that combine larger masses, like the madrasah-hospital and mosque-madrasah, were examined. Results of geometric analysis can thus be compared based on mass size, number, and function type. Çay Taş Madrasah, Beyşehir Eşrefoğlu Mosque, and Tomb, Amasya Burmalı Minare Mosque and Tomb, and Amasya Gök Medrese Mosque and Tomb were chosen for the first analysis group, where the tomb is integrated into the main purpose. The second analysis group buildings are the Divriği Grand Mosque and Hospital, the Kayseri Huand Hatun Social Complex, the Kayseri Gıyasiye Madrasah, and the Gevher Nesibe Hospital. Plans and sections of the buildings have been drawn using surveys of the buildings to illustrate their form and the interactions between the masses. Analyses were done on the drawings in the computer environment. It examined the usage of the modular system, special triangle, and golden ratio on the drawings. The investigations led to the determination of proportional and formal relationships between various functional masses, the golden ratio in plans, and corresponding triangles in sections. The dimensions of the portals and the positions and proportions of the tombs are determined by the golden rectangle in the plans of buildings where a tomb is connected to a main function, such as the mosque-tomb and madrasah-tomb. 

Golden rectangles on all façades have been noted to determine the exact positions and dimensions of the tombs in Amasya Gök Madrasah, Amasya Burmalı Minare Mosque, and Çay Taş Madrasah. Only the proportions of the northeastern façade of Beyşehir Eşrefoğlu Mosque’s tomb were accessible. The golden rectangle at Amasya Gök Madrasah determines the dimensions of the dome-covered naves within the building and the tower and portal located on the north façade.

The golden rectangle in Amasya Burmalı Minare Mosque exhibits identical dimensions for both the tomb’s interior space and the area in front of the mihrab. The dimensions and proportions of the tomb at Çay Taş Madrasah, including the size, position, wall thickness, and entrance width of the main iwan and the adjacent domed classrooms, were determined using the golden rectangle.

Golden rectangles establish the proportional connection between different masses on long façades in architectural plans that examine the two main functions (madrasah-mosque, şifahane-madrasah). The dimensions of the golden rectangles that determine the proportions of Kayseri Gıyasiye Madrasah, Gevher Nesibe Hospital, Divriği Ulu Mosque, and Hospital are the same. While the dimensions of the portals in both buildings are identified by the golden rectangles, no information is given about the sizes of the tombs.

The dimensions of the mosque portal and the proportional connection between the madrasah and mosque buildings were determined using the golden rectangle in the Kayseri Huand (Hunat) Hatun Complex. The analysis does not provide any details concerning the tomb situated within the mosque.

The findings demonstrate that the golden ratio had a crucial role in the design of multifunctional buildings in the Anatolian Seljuk Period. The golden rectangle on the plan indicates the position of a tomb combined with a main building. The study did not provide any information about the positions and sizes of the tombs that were combined with two main buildings. Modular systems, golden rectangles, and special triangles were used in the sections. Even though the golden square shows the inner sizes of the tomb and the naves of the Amasya Burmalı Minare Mosque, it does not how the tomb and mosque masses should be proportioned. A golden ratio can be used to show the relation between the height of the cone and the tomb wall, and the position of the dome springing line.

In Amasya Gök Madrasah, the golden ratio between the dome and the cone was found. The equal-length triangles identify the cone’s height and shape, as well as the proportions of the spaces of the harim. The 2:3 ratio was used for the tomb’s mass and the harim’s inner areas. Modules, special triangles, and golden rectangles were also seen in Taş Madrasah and Beyşehir Eşrefoğlu Mosque. It shows the dimensions of the tomb in Beyşehir Eşrefoğlu Mosque and the relation of the harim and the maksure dome. In the Kayseri Huand Hatun Social Complex, the proportions of the dome and the tomb cone were identified by golden squares that were all the same size. The same 5-12-13 triangle identifies the division of the mosque vaults and the dome in front of the mihrab. The madrasah’s iwan and the harim’s dome are the same size when measured by the equilateral triangle. 

The golden rectangle at the Divriği Grand Mosque and Hospital sets the right height for the Hospital and the tomb, as well as the dome’s measurements in front of the mihrab. Equal-sided triangles shape the cones on the roof. The 8-5-17 triangle shows how high the lantern is on the dome, and the 5-12-13 triangle shows how the naves are arranged next to each other. 

The study’s results were evaluated based on parameters such as number of functions and mass size. Based on the plan, the golden ratio was essential when designing combined-function buildings during the Anatolian Seljuk Period. The golden rectangle shows the ratios of the two main masses in a building with two primary functions and a tomb, but it fails to demonstrate a relationship with the tomb’s plan. This shows that Anatolian Seljuk builders and designers intentionally used the golden ratio in their plans. The golden rectangle established the ratios between the various masses in the architectural layout of each building. Nevertheless, the outcomes of the cross-sectional analysis varied for each building. The data on proportional relationships for the sections was obtained from the modular system or golden rectangles. Conversely, the information regarding the formal connections between the masses was derived from special triangles. When a building serves two main functions, one of which is as a mosque, it is possible to identify the relative relationships between different masses within the building. However, if a building served as both a madrasah and a hospital, 

there was no connection between the two masses. The modular system determines the internal dimensions of architectural components, such as roofs and vaults, rather than how the masses are interconnected. The ratio of 2:3 does not accurately represent the proportional relationship between masses. It can be used to indicate the relative size of the cone compared to the main building in specific examples, such as the Amasya Gök Madrasah, Divriği Ulu Mosque, and Hospital. Special triangles were primarily utilized to determine the shapes of structural components such as cones and domes. The sizes of the domes and cones of the Amasya Burmalı Minaret, the Amasya Gök Madrasah, and the Kayseri Huand Hatun Social Complex were determined using similar triangles in their sections. No existing research has examined the impact of special triangles on the architectural design of Anatolian Seljuk buildings. Geometric proportions and features are commonly used in buildings with structural elements such as cones to maintain formal and proportionate relationships. The study reveals that it is crucial to consider geometric and proportional relationships when designing contemporary additions for historically significant buildings or surroundings. The research contributes to the conservation of historic buildings and provides essential insights into using geometry in architectural design within architectural history. This study has made a significant theoretical and practical contribution to the combined function buildings of the Anatolian Seljuk Period. The results indicate that Seljuk architecture keenly understands aesthetics and design.

A constraint that extends the duration of the study is the difficulty in locating survey drawings of the buildings and then digitizing them. Therefore, the progress of these scientific inquiries relies on recording historical buildings and establishing and sharing a digital archive. Research will be done to analyze the social complexes and combined-function buildings built during and after the Anatolian Seljuk era. Periodic similarities and divergences in design choices can be identified using this approach.


PDF View

References

  • Akok, Mahmut. “Konya Beyşehir’inde Eşrefoğlu Camii ve Türbesi.” Türk Etnografya Dergisi 15 (1976): 1-34. google scholar
  • Akşehirlioğlu, Ayşegül ve Can Şakir Binan. “Hunat Hatun Cami’nin Osmanlı’dan Günümüze Geçirdiği Onarımlar.” Bilimname 45 (2021): 379-426. google scholar
  • Akyurt, Yusuf. “Beyşehrî Kitabeleri ve Eşrefoğlu Camii ve Türbesi.” Türk Arkeoloji Dergisi 4 (1940): 91-132. google scholar
  • Arpat, Atilla. “Osmanlı Dini Mimarisinde Modül ve Düzenleyici Geometri.” MTRE Bülteni 13-14 (1981): 29-35. google scholar
  • Aslanapa, Oktay. Türk Sanatı. İstanbul: Remzi Kitabevi, 1989. google scholar
  • Bergil, Mehmet Suat. “Golden Ratio in Turkey’s Divriği Complex.” Habitat Pakistan 12 (1989): 52-53. google scholar
  • Buchwald, Hans. “The Geometry of Middle Byzantine Churches and Some Possible Implications,” Buchwald, Form, style and meaning in Byzantine church architecture. İngiltere: Routlenge, 1994, 293-321. google scholar
  • Bulut, Mustafa. Selçuklu Çizgileri: Anadolu Selçuklu Geometrik Kompozisyonlar. İstanbul: İnkılab Yayınevi, 2020. google scholar
  • Crowe, Yolande. Divrigi; Problems of Geography, History and Geometry, The Art of Iran and Anatolia from the 11th to the 13th century. Londra: World of Islam Festival Trust, 1994. google scholar
  • Curatola, Giovanni. Turkish Art and Architecture: From the Seljuks to the Ottomans. Newyork: Abbeville Press, 2009. google scholar
  • Demir, Hatice. “Anadolu Selçuklu Dönemi Külliye Düzenlemesinde Cami ve Medrese’de Ortak Avlu Kullanımı.” Hacettepe Üniversitesi Türkiyat Araştırmaları 30 (2020): 143-166. google scholar
  • Ekizler Sönmez, Serap. Anadolu Selçuklu Sanatının Geometrik Dili. 1-2-3. Cilt. İstanbul: Ketebe Yayınevi, 2020. google scholar
  • Elam, Kimberly. Geometry of Design; Studies in Proportion and Composition. Newyork: Princeton Architectural Yayınları, 1951. google scholar
  • Eyice, Semavi. Burmalı Minare Camii ve Türbesi. İstanbul: Türkiye Diyanet Vakfı Yayınları, 1992. google scholar
  • Gabriel, Albert. Monuments Turcs D’Anatolie. Paris : E. de Boccard, 1931. google scholar
  • Gündüz Küskü, Sema. Osmanlı Beyliği Mimarisi’nde Anadolu Selçuklu Geleneği, Ankara: Türk Tarih Kurumu Yayınları, 2014. google scholar
  • İpekoğlu, Başak. “Birleşik İşlevli Yapılar,” Anadolu Selçukluları ve Beylikler Dönemi Uygarlığı 2. Ed. Ali Uzay Peker ve Kenan Bilici. Ankara: Kültür ve Turizm Bakanlığı Yayınları, 2006. google scholar
  • İpekoğlu Acar, Başak. “Buildings with Combined Functions in Anatolian Seljuk Architecture.” Doktora tezi, Orta Doğu Teknik Üniversitesi, 1993. google scholar
  • İpekoğlu, Başak. “Terminology Relating To ‘Buildings That Have Combined Functions In Anatolian Seljuk Architecture.” METU JFA 13 (1993): 53-65. google scholar
  • İzmir Yüksek Teknoloji Enstitüsü, Kültür Varlıklarını Koruma ve Onarım Bölümü. “Anadolu Selçuklu Dönemi Anıtsal Yapılarının Mekansal Özelliklerinin Sistematik Bir Araştırması.” Erişim 14 Temmuz 2024.https://restoration.iyte.edu.tr/anadolu-selcuklu-donemi-anitsal-yapilarinin-mekansal-ozelliklerinin-sistematik-bir-arastirmasi/ google scholar
  • Katoğlu, Murat. “XIII. Yüzyıl Anadolu Türk Mimarisinde ‘Külliye.” Belleten 31/123 (1967): 335344. google scholar
  • Kleiner, Fred. Gardner’s Art through the Ages. San Diego: Harcourt Brace Jovavich, 1991. google scholar
  • Kuban, Doğan. Cennetin Kapıları- Divriği Ulucamisi ve Şifahanesi’nde Hürremşah’ın Yontu Sanatı. İstanbul: Yem Yayınları, 2022. google scholar
  • Kuran, Aptullah. Anatolian-Seljuk Architecture, The Art and Architecture of Turkey. Ed. Ekrem Akurgal. Oxford: Oxford Üniversitesi Yayınları, 1980. google scholar
  • Kuran, Aptullah. Selçuklulardan Cumhuriyete Türkiye’de Mimarlık. İstanbul: Türkiye İş Bankası Yayınları, 2012. google scholar
  • Kutlu, Mehmet. “Kayseri Çifte Medrese ‘de Gevher Nesibe Darüşşifasının Konumu Üzerine Bir Değerlendirme.” Sanat Tarihi Dergisi 26/2 (2017): 363-377. google scholar
  • Oikonomou, Aineias. “The Use of Geometrical Tracing, Module and Proportions in Design and Construction, from Antiquity to the 18th Century.” International Journal of Architectural Heritage 16/10 (2021): 1567-1587. google scholar
  • Rainer, Paul Naredi. Architektur und Harmonie. Köln: DuMont Buchverlag, 1982, 203. google scholar
  • Rice, Tamara Talbot. The Seljuks. Londra: Thames and Hudson, 1961. google scholar
  • Salt Araştırma, Ali Saim Ülgen Arşivi (ASÜA), Kayseri Gevher Nesibe Sultan Şifahanesi Çifte Medrese A-A, B-B kesitleri ve ön cephe, TASUPA0240011 (4 Temmuz 1905). google scholar
  • Selçuklu Mirası. “Gök Medrese Camii ve Türbesi.” Erişim 11 Temmuz 2024. https://www. selcuklumirasi.com/architecture-detail/gok-medrese-camii-ve-turbesi. google scholar
  • Tuncer, Orhan Cezmi. “Orantı ve Modül Üzerine Selçuklu Yapılarından Bazı Örnekler.” Vakıflar Dergisi 13 (1981): 449-488. google scholar
  • Tuncer, Orhan Cezmi. Anadolu Selçuklu Mimarisi ve Moğollar. Ankara: Vakıflar Bankası, 1986. google scholar
  • Wittkower, Rudolf. Architectural Principles in the Age of Humanism. Londra: Academy Editions, 1988. google scholar

Citations

Copy and paste a formatted citation or use one of the options to export in your chosen format


EXPORT



APA

Gençer, F. (2024). Geometric Analysis of Mass Formation and Proportions in Combined Function Buildings in Anatolian Seljuk Architecture. Art-Sanat, 0(22), 31-59. https://doi.org/10.26650/artsanat.2024.22.1483701


AMA

Gençer F. Geometric Analysis of Mass Formation and Proportions in Combined Function Buildings in Anatolian Seljuk Architecture. Art-Sanat. 2024;0(22):31-59. https://doi.org/10.26650/artsanat.2024.22.1483701


ABNT

Gençer, F. Geometric Analysis of Mass Formation and Proportions in Combined Function Buildings in Anatolian Seljuk Architecture. Art-Sanat, [Publisher Location], v. 0, n. 22, p. 31-59, 2024.


Chicago: Author-Date Style

Gençer, Funda,. 2024. “Geometric Analysis of Mass Formation and Proportions in Combined Function Buildings in Anatolian Seljuk Architecture.” Art-Sanat 0, no. 22: 31-59. https://doi.org/10.26650/artsanat.2024.22.1483701


Chicago: Humanities Style

Gençer, Funda,. Geometric Analysis of Mass Formation and Proportions in Combined Function Buildings in Anatolian Seljuk Architecture.” Art-Sanat 0, no. 22 (Jun. 2025): 31-59. https://doi.org/10.26650/artsanat.2024.22.1483701


Harvard: Australian Style

Gençer, F 2024, 'Geometric Analysis of Mass Formation and Proportions in Combined Function Buildings in Anatolian Seljuk Architecture', Art-Sanat, vol. 0, no. 22, pp. 31-59, viewed 26 Jun. 2025, https://doi.org/10.26650/artsanat.2024.22.1483701


Harvard: Author-Date Style

Gençer, F. (2024) ‘Geometric Analysis of Mass Formation and Proportions in Combined Function Buildings in Anatolian Seljuk Architecture’, Art-Sanat, 0(22), pp. 31-59. https://doi.org/10.26650/artsanat.2024.22.1483701 (26 Jun. 2025).


MLA

Gençer, Funda,. Geometric Analysis of Mass Formation and Proportions in Combined Function Buildings in Anatolian Seljuk Architecture.” Art-Sanat, vol. 0, no. 22, 2024, pp. 31-59. [Database Container], https://doi.org/10.26650/artsanat.2024.22.1483701


Vancouver

Gençer F. Geometric Analysis of Mass Formation and Proportions in Combined Function Buildings in Anatolian Seljuk Architecture. Art-Sanat [Internet]. 26 Jun. 2025 [cited 26 Jun. 2025];0(22):31-59. Available from: https://doi.org/10.26650/artsanat.2024.22.1483701 doi: 10.26650/artsanat.2024.22.1483701


ISNAD

Gençer, Funda. Geometric Analysis of Mass Formation and Proportions in Combined Function Buildings in Anatolian Seljuk Architecture”. Art-Sanat 0/22 (Jun. 2025): 31-59. https://doi.org/10.26650/artsanat.2024.22.1483701



TIMELINE


Submitted14.05.2024
Accepted24.07.2024
Published Online08.08.2024

LICENCE


Attribution-NonCommercial (CC BY-NC)

This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.


SHARE



Istanbul University Press aims to contribute to the dissemination of ever growing scientific knowledge through publication of high quality scientific journals and books in accordance with the international publishing standards and ethics. Istanbul University Press follows an open access, non-commercial, scholarly publishing.