Towards the Theater of the Absurd: Absurd Elements in OBERIU’s Plays in the Case of Vvedensky

Emine Öztürk Kızmış

DOI :10.26650/CONS2024-1428031

Research ArticletrP. 1-13

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Onur Özmen’s Op. 41 Violin–Piano Sonatina and Its Level

Sonat Coşkuner

DOI :10.26650/CONS2024-1430323

Research ArticletrP. 14-28

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A Conceptual Exploration on the Interplay of Unconscious in Musical Creativity

İsmail Hakkı Burdurlu

DOI :10.26650/CONS2024-1431502

Research ArticleenP. 29-42

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Effect of Anxiety, Depression, and Anxiety Sensitivity on Learning Performance in Rhythm Training

Sibel Karaman, Nihat Ozan Köroğlu, Gamze Nevra Köroğlu, Harun Baki, Mehmet Murat Demet

DOI :10.26650/CONS2024-1435616

Research ArticletrP. 43-53

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Muhlis Sabahattin Ezgi and the Turkish Operettas of the Republican Era: Ayşe Opereti

Çağatay Gülmez, Köksal Apaydınlı

DOI :10.26650/CONS2024-1443927

Research ArticletrP. 54-74

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The Historical Meanings and Functions of the Qadim and Jadid Distinctions in Makam Names

Hakan Aykurt

DOI :10.26650/CONS2024-1446252

Research ArticletrP. 75-91

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The Contribution of Hatha Yoga Poses "Cobra, Downward Facing Dog, Four-Limbed Staff Pose" to the Appoggio Technique

Burcu Koşar, Nesibe Özgül Turgay

DOI :10.26650/CONS2024-1452444

Research ArticletrP. 92-104

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Vertical Dimension of the Chromatic Dorian Mode Scale in Saygun’s Music: A Scrutiny Regarding the Origin of the [3, 5, 3] Chord

Orhan Veli Özbayrak

DOI :10.26650/CONS2024-1453690

Research ArticletrP. 105-120

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The Abjad Notation and the Presentation of Cycles

Ferhat Çaylı

DOI :10.26650/CONS2024-1453711

Research ArticletrP. 121-135

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An Analysis of Yorgo Bacanos’ Performance of “Mahur Aranağme”

Mehmet Alişan Budak, Cenk Güray

DOI :10.26650/CONS2024-1453714

Research ArticletrP. 136-146

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Examining Fernando Sor’s Étude Books Written for Classical Guitar

İbrahim Şevket Güleç

DOI :10.26650/CONS2024-1469862

Research ArticletrP. 147-155

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Comparing the Values Expressed in Turkish Folk Songs on TRT’s Repertoire Across Regions

Serap Yağmur İlhan, Ersan Çiftci

DOI :10.26650/CONS2024-1471282

Research ArticletrP. 156-163

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Musical Analysis of Agustín Pio Barrios Mangoré’s Masterpiece “La Catedral”

Mehmet Görkem Bilgütay, Burak Sağırkaya

DOI :10.26650/CONS2024-1476263

Research ArticletrP. 164-176

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Mythological Elements in 21st Century Turkish Operas and the Relationship Between Opera-Mythology-Sustainability

Sultan Ayça Sungur, Başak Gorgorettı

DOI :10.26650/CONS2024-1477782

Research ArticletrP. 177-190

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Baroque Oboe

Ayşin Pelin Kiremitci

DOI :10.26650/CONS2024-1480490

Research ArticletrP. 191-206

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A Review on Makam Structure of Erdal Erzincan’s Bağlama/Saz Improvisation Performances

Ahmet Akın, Sühan İrden

DOI :10.26650/CONS2024-1480822

Research ArticletrP. 207-239

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Melih Cevdet Anday’s “Dead Want to Talk” in Terms of the Playwriting Tendencies of “The Theater of the Absurd”

Simay Yılmaz

DOI :10.26650/CONS2024-1482628

Research ArticleenP. 240-250

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Investigation of the Design and Optimization Processes of a Fully Automatic Tuning System for Drums

Özgün Arda Nural, Arda Eden

DOI :10.26650/CONS2024-1490026

Research ArticletrP. 251-263

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The Definition of Noise and How it Relates to Music: A Literature Review

Bahadırhan Koçer

DOI :10.26650/CONS2024-1399485

ReviewtrP. 264-275

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Dancing at the Dawn of Agriculture

Serdar Özbilen

DOI :10.26650/CONS2024-1463371

Book ReviewtrP. 276-279