An Unknown Fountain in the Edirne Selimiye ComplexNesrin Çiçek Akçıl HarmankayaDOI :10.26650/artsanat.2019.12.0004Research ArticletrP. 1-18A Comparison Experiment on the Figures of the Rainspout in Gothic Architecture and Turk-Islam Architecture in the 12th and 14th CenturiesAlper AltınDOI :10.26650/artsanat.2019.12.0008Research ArticletrP. 19-56Reflections of the İstanbul Hilton Hotel on Mid-century Hotel Buildings in TurkeyHande Atmaca Çetin, Zeynep Tuna Ultav, Funda UzDOI :10.26650/artsanat.2019.12.0016Research ArticleenP. 57-88Oriental or Orientalist? A Study of the Orientalist Perception in the Ottoman Empire from the Perspective of Furnitureİlona BaytarDOI :10.26650/artsanat.2019.12.0018Research ArticletrP. 89-108The Examples of Antique Wind Catchers in Anatolia: Badgels of ŞanlıurfaAyhan Bekleyen, Yahya MelikoğluDOI :10.26650/artsanat.2019.12.0007Research ArticletrP. 109-128Use of the Stone in Gaziantep Traditional Architecture from Past TodayGaye Cansunar Yetkin, Tülay ÇobancaoğluDOI :10.26650/artsanat.2019.12.0014Research ArticletrP. 129-162Uskudar Ahmediye Complex & Its Place in the Architecture of the Tulip PeriodSeda CoşkunDOI :10.26650/artsanat.2019.12.0010Research ArticletrP. 163-192Examples of Byzantine Ceramoplastic and Polychrome Tile Recently Found at NiksarÜmmühan Melda ErmişDOI :10.26650/artsanat.2019.12.0012Research ArticletrP. 193-204New Proposals for the Brick and Tile Decorations on the Minarets of Çifte Minareli Medrese (Double Minaret Madrasah) In SivasSevinç GökDOI :10.26650/artsanat.2019.12.0001Research ArticletrP. 205-222The Relationship Between Art and Memory: Canan Tolon and Sarkis ZabunyanHülya Karaçalı Annepçioğlu, Cüneyt KurtDOI :10.26650/artsanat.2019.12.0019Research ArticletrP. 223-241Makam-Oriented Symbolism In Batanay’s Nikriz Mevlevi Ayiniİsmet KaradenizDOI :10.26650/artsanat.2019.12.0011Research ArticletrP. 243-268Great Mosque of Gümüş: An Architectural Study on The Date and Patron ProblemMustafa Çağhan KeskinDOI :10.26650/artsanat.2019.12.0002Research ArticletrP. 269-290Ornamental Motifs of Haft Rang Tiles in The Architecture of Houses Constructed in Shiraz in the Pahlavi EraDordaneh MohammadiDOI :10.26650/artsanat.2019.12.0017Research ArticleenP. 291-318Mirrors of the Ancient Turks: A study Based on Findings from Central and Inner AsiaJale Özlem Oktay ÇerezciDOI :10.26650/artsanat.2019.12.0003Research ArticletrP. 319-342Surrounding Wall of Mimar Sinan’s Mosques: Components and Construction TechniquesNil OrbeyiDOI :10.26650/artsanat.2019.12.0015Research ArticleenP. 343-367The Kangaroo in Art – An Investigation of the Kangaroo-Formed Bibelots in Çanakkale Ceramics in the Ottoman PeriodAzize Melek ÖnderDOI :10.26650/artsanat.2019.12.0006Research ArticletrP. 369-384Early Byzantine Illuminated Theological ManuscriptsPınar Serdar DinçerDOI :10.26650/artsanat.2019.12.0005Research ArticletrP. 385-420The Winged Figure of Saint John the BaptistIşık Eflan TınazDOI :10.26650/artsanat.2019.12.0013Research ArticletrP. 421-455Evaluation of Graphic Design Structure within the Framework of Semiotics Analysis of Posters Related to the Impact of July 15Engin UğurDOI :10.26650/artsanat.2019.12.0009Research ArticletrP. 457-471